Collider's Scores

  • Movies
  • TV
Select another publication »
For 1,792 reviews, this publication has graded:
  • 58% higher than the average critic
  • 6% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 2.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 The Life and Death of Colonel Blimp (1945)
Lowest review score: 0 Jeepers Creepers: Reborn
Score distribution:
  1. Positive: 1,137 out of 1792
  2. Mixed: 540 out of 1792
  3. Negative: 115 out of 1792
1792 movie reviews
view
per page
  1. I.S.S.
    Fans of space-based thrillers may get enough out of the movie to be moderately entertained, but anyone else intrigued by the idea of six astronauts floating above a world that may have blown itself to hell is likely going to find themselves disappointed by the fact that I.S.S. barely takes the time to reckon with the unimaginable horror that should have been dawning on these characters.
  2. Fly Me to the Moon
    At its core, Fly Me To The Moon is a thoroughly enjoyable, memorably novel rom-com that regularly surprises in a genre that often doesn’t, and we're all better for it.
  3. The Penguin Lessons
    The main reason why The Penguin Lessons is sweet, but also poignant, is due to the script's keen eye for comedy in the face of a tumultuous backdrop.
  4. Reptile
    Timberlake's acting aside, Reptile is the perfect kind of digestible, mid-budget crime thriller that we just don’t get enough of.
  5. Outlaw Posse
    There is something occasionally charming about Outlaw Posse. Alas, charm can only get you so far when a film resembles more of a scattered work of cosplay than a robust cinematic work.
  6. Happy Gilmore 2
    Some jokes run too long, don’t land, or could use another draft. It's a constant stream of cameos, which is overall fun but sometimes a little distracting. But, at its core, the sequel is a good-natured charmer about a troubled everyman who is trying hard to grow up without losing himself in the process, and it gives us a lot to laugh about on the way.
  7. The 4:30 Movie
    Smith has always been best when he wears his heart on his sleeve as he does with The 4:30 Movie, a film whose earnestness tries to iron out some of the usual problems with Smith’s films, but with mixed results.
  8. Parthenope
    Parthenope is a decades-spanning slice-of-life movie that has no interest in diving into the complexities of its protagonist.
  9. Love Me
    Love Me has its flaws. But the cast is endearing, the robots are cute, and if you enjoy a romance movie, you won't be disappointed in this.
  10. Gone in the Night
    In the end, The Cow ends up a collection of tonal blunders and performances that are too big for this smaller-scale thriller.
  11. It's a Wonderful Knife
    While often bloody, It's a Wonderful Knife is never too spooky for non-horror fans and never too focused on a cheesy love story for those watching the film for its gory delights. There is a little bit for everyone here, making for a pleasant enough viewing experience for this holiday season.
  12. Cobweb
    It's far from perfect, but the production design of the film and the strong backbone of actors make Cobweb an entertaining film, though not a must-see.
  13. Kandahar
    None of the action scenes have any passion to them and, even worse, they can feel downright contrived. That it then pretends to have something more to say strains credulity.
  14. Trap
    Trap is another promising thriller from M. Night Shyamalan, but his filmmaking choices simply can't do this conceit justice.
  15. Death on the Nile
    Death on the Nile might have been a long time coming, but it’s one of the most alluring mysteries in years, and a great example of how Branagh can elevate iconic stories with grace and care.
  16. G20
    While G20 doesn’t always rise to meet Davis at her level, it’s a performance that elevates even the weakest beats, giving audiences a satisfying, if uneven, ride.
  17. Run Rabbit Run
    While Snook does all she can to give the experience some heft, Run Rabbit Run is a horror film in search of something greater others have already achieved that it is never able to find.
  18. The Amateur
    The film is at its best when Heller is executing novel kills or blackmailing his bosses, and we're given just enough of those adrenaline-pumping scenes to make it all work together well. The Amateur strikes that delicate balance often (though not universally), but it works well enough when it counts, for an outing worth seeing.
  19. Windfall
    Plemons, Collins, and Segel elevate this basic story beyond more than just a generic noir homage, but it’ll likely leave the audience like Nobody: willing to accept less when they should be asking for more.
  20. Magic Mike's Last Dance
    Even though the flaws in Last Dance are glaringly obvious—not only is this the worst of the Magic Mike franchise, it’s also clunky in a way Soderbergh films rarely are—it’s still hard to not get caught up in the celebration of it all.
  21. Amelia's Children
    Amelia's Children is a horror film that has moments of unintentional humor, but is ultimately dull rather than some sort of clever dark comedy.
  22. Over Your Dead Body
    What starts as a more violent Mr. and Mrs. Smith takes an unexpectedly brutal turn, becoming borderline unamusing. Taccone pushes himself to try and break from his usual comic mold, but with Over You Dead Body, he ends up pushing too far.
  23. The Last Voyage of the Demeter
    For all the ways Botet and company put their hearts into giving it some life, the film is persistently defined by death of not just its characters, but of creativity itself.
  24. After the Hunt
    It features terrific performances from Roberts and Garfield, but even they are not enough to save the film from being too muddled and morally ambiguous for its own good.
  25. 80 for Brady
    80 for Brady is not the new golden standard of sports comedies, but it was clearly never trying to be. It's cute, silly, and light, all things that a comfort movie should be.
  26. Wildflower
    Despite feeling overcrowded and at times unevenly paced, Wildflower is a warm coming-of-age tale that amplifies the stories of underrepresented groups in the media. In addition to highlighting the complications that come with growing up, it reminds you to appreciate the people who appreciate you back.
  27. A Working Man
    With two movies under their belt, Statham and Ayer have proved to be the perfect match for delivering entertaining and simple action flicks to the big screen.
    • 52 Metascore
    • 67 Critic Score
    The Watcher in the Woods
    The Watcher in the Woods is a great movie for seventy minutes, but the subpar ending really does stain an otherwise solid watch.
    • 52 Metascore
    • 83 Critic Score
    Fallen
    Contrary to the film's critical reception, Fallen stands out as one of the most interesting portrayals of demonic possession ever put to film (not to mention managing to be a compelling detective thriller).
    • 52 Metascore
    • 67 Critic Score
    Jamaica Inn
    Charles Laughton hams it up wonderfully in a villainous role, and Jamaica Inn is enough of an oddity to make it strangely engaging throughout much of its runtime.
Page:

Top Trailers

See all »
See all trailers »