While the more extreme moments of the film may capture the most attention on first watch and are remarkably well-executed, Potrykus deserves praise for how precisely he captures the depths of pain that come pouring out of people like the ash out of a firework.

Despite these flaws, Supergirl is a fantastic film and one that solidifies the newly rebooted DCU's strength as a franchise. It also signals that Gunn can be a bit more hands-off with a project without any drop in quality. Supergirl is as effervescent and colorful as Superman, but offers a cosmic twist that sheds away the extra baggage that comes with centering a story on Earth and takes the opportunity to truly develop this new version of the character.

Blue’s Big City Adventure is a movie aimed at preschoolers that’s also enjoyable for adults, with exciting musical numbers that help break the simple story and explore the street art history of New York City. Add to that nods to the franchise’s past and the return of the original hosts, and you get a movie you won’t mind your children watching over and over again.

The Offering won’t get any points for originality, but people looking for well-crafted horror can’t go wrong with Park’s latest film.

Weird might not be the best biopic parody (Walk Hard still holds that crown), but it is an absolutely charming and often hilarious look at the world’s greatest parody musician, packed with an excellent cast that wants to pay tribute to this weird man. Weird dares to be stupid and succeeds because of it.

Bullet Train is knowingly absurd and has plenty of fun with the wild lengths it can go, and for the most part, that keeps Bullet Train on the rails.

When all the pieces come together, it is a work that proves to be one of the more well-rounded experiences from Rodriguez in quite some time.

Theater Camp isn’t without its weaknesses, but the hilarious cast—like their characters—are game for anything, and the jokes are flying fast and mostly landing.

While Unicorn Wars' rhythm can be uneven, the movie is still a brilliant anti-war story elevated by Vazquez’s mesmerizing art direction.

Williams’ story of coming out and acceptance is both riveting and often touching, and Bernal gives quite possibly his best performance in this beautiful story of finding yourself and becoming who you were always supposed to be.

Sachs’ story comes to life thanks to these three excellent performances that aren't afraid to explore the selfishness and desires of passion, in a story that finds the power of shared pain and love.

It is in its willingness to peer directly through the looking glass that most other science fiction works would blink in the face of where Animalia taps into something that remains as spectacular as it is elusive.

When Jones and McNairy are playing off each other, Fairyland really finds the beauty of this story. Especially in the third act, as this relationship becomes more difficult and uncertain, both present themselves as people who struggle with the balance of doing what's right for themselves and doing what's right for each other.

Attachment explores the joys and tribulations of new love, splicing a delicate love story with truly horrifying elements.

In this David vs. Goliath battle, the film gives hope that change on a large scale could be possible and does this in a charming, entertaining narrative with a great cast from top to bottom.

Although it may not necessarily invent the wheel of filmmaking, it accomplishes just about everything else it sets out to do in the vein of simply being a fun popcorn flick, as well as treating all the genre spheres it falls into with an encouraging level of respect, albeit with the occasional gentle tongue-in-cheek joke.

Still: A Michael J. Fox Movie can be a bit standard as far as biographical documentaries go, but when the subject is someone as much to watch as Fox is, it’s hard to care too much about the form when the content is so captivating.

Magazine Dreams is a difficult and challenging watch, bolstered by an incredible performance by Majors that could easily end up being one of the year's best.

While the narrative has its cracks, the visual aesthetic and appearance of Asteroid City are completely flawless.

While The Leech starts out sturdy yet simple, feeling more like a psychological thriller than anything, when it takes a leap into the full-fledged spectacle of horror, it is worth getting lost in along with the characters.

There’s a lot to like about The Listener, with Thompson’s performance easily being the highlight. It’s a simple yet powerful story of finding connection and hope through the dark times.

The Ring is a silent melodrama that remains surprisingly watchable, and like all 1920s Hitchcock movies, it's certainly a historical curiosity for those interested.

This Much I Know to Be True might not dig as deep into the lives of Cave and Ellis as one might hope for a film billed as a documentary, but the performances captured here more than make up for that.

It's a strange and very busy movie, but it has a chaotic kind of charm to it that'll appeal to those who like bold and oftentimes ridiculous comedy movies from this era.

Oppy’s origin story and her adorable, human-like qualities will surely attract a wide audience, but the vulnerability and passion of the engineers are what makes this documentary special.

I Love You Dad has its heart in the right place with its cringey narrative and story of how much forgiveness those who love us truly deserve.

While Manodrome doesn't always manage to keep steady pacing, it still serves as a unique character study for Jesse Eisenberg's angry and destructive young man.

Despite using genre conventions both for its thriller and the mysterious horror story layers, New Life feels fresh and innovative, presenting a mix that works so well that it’s a wonder no one ever tried to do something similar before.