All of Wright's movies only get better and better on every rewatch, given the immense attention to detail, and revisits of The Running Man will undoubtedly garner more appreciation for a movie that's already one of the most crowd-pleasing pictures of the year.

If Cheech & Chong's Last Movie is actually their last movie (a plausible hypothesis given that their last live-action feature together was back in 1984), it's a great curtain call. It's a breezy, engaging, but still informative look at the duo and their falling out, and it ends on a note that's surely welcome for fans of their comedic oeuvre.

The timeless style, the gorgeous animation, and the impeccable music make Wallace & Gromit's second feature film a gleeful experience from start to finish. It doesn't reinvent the wheel or do something particularly bold and unique like The Curse of the Were-Rabbit, but it also isn't really trying to. This is a straightforward family-friendly adventure that is simply effective and effectively simple.

At its core, Fly Me To The Moon is a thoroughly enjoyable, memorably novel rom-com that regularly surprises in a genre that often doesn’t, and we're all better for it.

There is much that could easily lose some people when they behold elements of its grand design, but for those willing to get on its wavelength, you’re in for a treat as beautiful to look at as it is unexpectedly haunting.

Cameron taking the most thrilling aspects of what worked in Alien and punching them up into an action film fits the xenomorphs (and their queen) much better.

It's a colorful and delightful movie that delivers both thrills and heart. A fantastic follow-up to the original, Zootopia 2 swoops in right at the perfect time for the holidays as a perfect family movie to enjoy.

It's a film that subtly reminds the audience to slow down, be present, and enjoy what one has, because it can be gone in an instant, while also encouraging hope. It's a beautiful cinematic journey and one not to be missed.

In an era where film discourse on the internet is consistently restrained to binary concepts like "it's just good" or "it's just bad," Chasing Chasing Amy is an impressive reminder that discussions on the art of filmmaking can be much more nuanced.

This is a complete vision from a newly minted feature director, and it’s a work very much welcome as it joins the many that have tilled similar acreages.

The Bride! embodies an unconventional and rebellious nature that makes it wholly unique. Whether it's aware of its flaws or not, it's not ashamed to lean completely in. In many respects, The Bride! can come off as being just a little too much. Too much romance, too much theatricality, too much feminism — but sometimes, too much of a good thing is still a good thing.

Considering how electric Stone’s work and life are, SLY LIVES! more than makes up for its standard documentary style through Stone’s gripping story, and Questlove’s exploration of the revolutionary music.

With a career-best Tatum at the center and an ensemble that fills in every corner with warmth and wit, Roofman is one of this year's most pleasant surprises.

Saturday Night is a loving celebration of SNL that captures the spirit of trying to put on a live comedy show every week.

Three films in, Johnson continues to surprise and amaze with his ability to craft a masterful tale, one that hits everything we love about this series, while still finding new angles to approach in this world.

Louis-Dreyfus is subtly excruciating in her grief here, and it’s marvelous to watch her work in a story that allows her to play with such a range of feelings.

Emilie Blichfeldt combines the classic grotesque horror often associated with Grimm fairytales and injects new life into it with her feminist message and new perspective. Coupled with strong performances — with special praise for lead Lea Myren — this horror flick is well worth a watch. Just maybe don't watch it after a meal!

It ends up becoming one of the best DC films in years, and one of the best movies of the summer.

Locked is a really slick, tightly-spun crime thriller that seems to take a good deal of inspiration from Joel Schumacher's Phone Booth.

Sure, the story isn’t groundbreaking, but it makes up for it in its tribute to why we love cinema, specifically horror, so much. Even though it wasn’t needed, MaXXXine secures Ti West’s trilogy as one of the best in horror history.

It will make you cry, it will make you uncomfortable, but at the end of the film's runtime, it will leave you with a feeling of profound satisfaction that even the most heartfelt movies struggle to replicate.

It may not feel fully original, and some moments could be honed, but it's a solid, visually gorgeous outing from Huston anchored by an excellent central performance from Michael Pitt.

Sinners is an electric film sparkling with energy and passion.

Thanks to a witty script and a charming cast led by Damon and Affleck, The Instigators is a fun heist film with heart that blends the right dose of humor, action, and emotion for a comedy you can watch again and again.

It would have benefitted from a greater inclusion of Pep's good times, allowing a more well-rounded exploration and understanding of the storied athlete, but thanks to a well-scripted narrative and excellent performances, it remains an excellent biographical look into the decline and fall of a featherweight empire.

Perry’s work in Pavements is one of the wildest and unhinged approaches to a music documentary ever made, but the fact that he pulls it all together into something that isn’t a mess is a testament to Perry’s craft.

What the film lacks in these specific story aspects it makes up for with its enchanting style and captivating tale.

Summer of 69 is one of the best movies that American High has put out and is the first teen movie in a while that successfully harkens back to the high school-set movies of yesteryear.