The combat feels smooth and responsive, yet there wasn’t enough variety. I like the characters, though I quickly got tired of listening to them. The RPG component was the worst offender. A system meant to create depth instead offered frustration in high doses.

The dialogues between named characters and quest givers are equally dull. There was not a single moment of depth in any writing and all characters just spoke their mind and acted out their cliched character tropes. I definitely would not recommend this game for its storytelling. I would say, for most of our audience, to definitely hold off on purchasing Sands of Salzaar as it is still currently under heavy development. However, there is immense potential with the system they have developed! Keep an eye on this one.

Wonder Boy: Asha in Monster World is a solid remaster and a fun action-platformer. Its protagonists are incredibly endearing and its simplicity is very charming. I recommend it to anyone with a craving for tough retro gameplay wrapped in a cute package. Just don’t go in expecting anything particularly long or deep.

There really isn’t a lot to like about Bleeding Edge. I found it uninspired and boring with only a couple redeeming qualities such as some neat character designs and a robust tutorial. I honestly don’t understand why Bleeding Edge was developed. Maybe Xbox Game Studios requested their newly acquired Ninja Theory to throw together a quick team-based online game to fill a void until the Xbox Series X launches. Who knows. I imagine we won’t see much post-launch support with Bleeding Edge, as the team at Ninja Theory is probably fully focused on making Senua’s Saga: Hellblade II. At least Bleeding Edge is free with Xbox Game Pass, so if you subscribe, you can give it a go and see for yourself.

Despite some interesting situations and engaging puzzles, Vampire: The Masquerade Swansong fails to get off the ground, much less stick the landing. It’s slow and obtuse where it should be visceral and emotional. The writing is pedestrian and the characters are the dullest vampires imaginable. Whether or not they drink your blood, they definitely suck your ability to enjoy the game.

Sure it is fun to return to a game that I enjoyed so much in the late 90's, but does that make it worth the $15? Not in this case. Great source material and decent mechanics are marred by sloppy execution and limited extras, both which make this a decidedly average game.

If the game was a little more polished on the graphical front and came with a more original story, this one could have been a real gem instead of being good.

It is ironic that a game with a truly unique game playing mechanic was deposited into such a generic game, and called Detached. That’s what the end result feels like.

Like a good diorama, Button City has a lot of fine detail. Sure the story is breezy and the characters are charming, but what about the games? What about the simple, engaging level design? I wish the sidequests were less about long walks, yes. I want a run button so very badly, it’s true. And the games could actually be harder. But I still want to visit this weird little town. I want to keep coming back to this arcade, I want to get sick of the only good games, I want to save up for the only good prizes. Whether you remember places like this or not, Button City is a delightful escape to the lost world of arcades. Heck, if you’ve got one in your town, this might convince you to start going again.

With Treyarch at the helm and eight studios collaborating on development, Activision clearly spared no expense on Black Ops 7. The all-hands-on-deck approach shows, with production values soaring. Despite a few technical hiccups, this is one of the most content-rich Call of Duty games ever released…Treyarch has crafted something special: a sprawling, ambitious, and endlessly replayable shooter that caters to nearly every corner of the Call of Duty fandom. It’s not flawless, and some may scoff at the lack of innovation, but it stands as a staggering achievement in both scale and ambition. Massive and occasionally messy, it’s nonetheless a thrilling ride. Black Ops 7 delivers everything fans could hope for and then some.

In the end, Never Gone is a stylish and good looking slasher that will give you a ton of hours on your mobile device.

2023 is such a banner year for great games, but this is not one of them. It saddens me that I cannot recommend Hammerwatch II. It is, at best, enjoyable for a night or two with friends.

Shortcomings aside the unique visual experience that Black Knight Sword offers up is well worth a few hours of your time. At a price tag of $9.99 you certainly can't go wrong; however, just do not expect an experience you will come back to after you have put the game through its paces.

Ultimately, American Fugitive lives and dies by its gameplay. Driving around and tearing through Redrock County is fun, destructive, and weirdly cathartic. Casing buildings and barely escaping before the police show up is breathtakingly thrilling. Past those two parts of the gameplay, however, there’s not much of substance to hold onto. American Fugitive is a quirky and fun open-world sandbox, but if you expect a bit more from games that tackle Grand Theft Auto’s legacy, you’ll be left wanting.

The Outer Worlds on the Nintendo Switch is the final straw for me. My heart can’t take the disappointment of these ports anymore. Time and time again, a port of an otherwise excellent game is released on the Switch (at full price, mind you) only to be a shell of the developer’s original vision. I get it, there’s money to be made, and there will always be that dedicated group of fans that can’t be told no, and will argue these games don’t look the way they do. But we all know that’s a joke. The Outer Worlds on the Switch looks bad, plays bad, and did nothing more than make me want to get the game elsewhere. I guess that’s a win for Obsidian.

So is Company of Crime worth playing? I’d say definitely. The worst of it is pretty uninspired, but inoffensive. But the best of it is superlatively good. I hope this game gets a lot of circulation just so developers can learn from its greatest strengths. But that’s about design, and not about players. If this were just one part great game and one part mediocre game, I’d say that averages to good. But what nudges it a little farther towards greatness is the presentation. The music, the clothes, the art style all create a sense of atmosphere. There are more polished games out there, but few do as good a job at transporting you to their setting. There’s a universe out there where Company of Crime totally changed the genre forever. We live in the universe where it’s just a really cool game that fans of the genre shouldn’t miss!

Soundfall is a clever and refreshing genre hybrid. There aren’t enough music games, and pairing a rhythm game with an RPG is smart and creative. The game’s tracklist is varied and catchy, and the basic mechanic works pretty well. The song import feature is a work in progress, and over time the game can get a little repetitive thanks to a lack of variety in level design and that strict requirement of just hitting the beats. As a proof of concept and a genuinely new idea, though, Soundfall is definitely worth checking out.

I kind of wish that Mirthwood’s combat was either way better or entirely optional. Alas, it is neither. Aside from that, though, Mirthwood is an entertaining and engaging mashup of cozy farming and RPG adventuring. It’s easy to spend a lot of relaxing time puttering around, chatting up the townsfolk or combing the world for treasure.

Sure it has its flaws, and yes, it’s a port of a port, but it was still an enjoyable experience. It made me feel badass, even on the easiest difficulty.

It looks and sounds the part with excellent visuals and a stirring soundtrack, and has competent gameplay mechanics, but it misses the mark with repetitive missions, a poorly developed story, and a fair bit of roughness around the edges.

Ane of the most memorable and enjoyable experiences I have had in quite some time.

Mineko’s Night Market has finally arrived. It lives up to everyone’s expectations, despite its limitations. It serves as a visually stunning tribute to Japanese folklore and culture, while also providing a humorous social simulation. And it’s a dream for those who have longed for a healthy and heartwarming relationship with your dad.

Although there are flaws in the games design, for dedicated Transformers: Prime followers there is some fun to be had here. At the end of the day, for young fans of the Transformers Prime series this game is a fairly good choice; however, for older fans a weekend rental will probably suffice.

In the end, whether or not you enjoy Unepic will depend on whether or not you enjoy reference humour, and if your enjoyment of the exploration outweighs your frustration with the mediocre combat. Depending on which platform you’re buying it, the game costs anywhere between $9 and $15, so if Unepic sounds like something you’d be interested in, you may want to give it a try. Otherwise, this is one quest you’re better off skipping.

At $30, the game is definitely pricey, and though the multiple expansions helps compensate for that, the only people I can really see utilizing them are those who are already fans of the board game to begin with. If you fit into that category or are simply looking for a fun, no-frills digital board game experience, Talisman is one of the better options out there.

Ultimately, Naruto to Boruto: Shinobi Striker is an entertaining, competitive, and addicting game that truly captures the visual style and overall feel of the source material. Its thorough character customization allows you to create your ideal ninja, both in looks and fighting style, and its competent multiplayer action lets you unleash your powers in flashy elegance. I’m still perplexed at the choice to restrict the already minimal content, but the fundamentals of the game are solid through and through. With some additional modes and quality of life changes, Shinobi Striker has the potential to assert itself as one of the strongest, and most unique Naruto games to date.

If you’re content to cross off those map markers, slowly covering the whole screen in checkmarks, you’re in for a good time. Alternately, if you blazed through the game towards the last boss, this DLC will leave you bitter. The story section is a flash in the pan, blowing by in a handful of hours. There’s fun to be had, but only if you’re ready to hunt it down. Rage 2’s Rise of The Ghosts DLC is either more of what you loved or hated, in generous portions.

I really enjoyed the original Greedfall’s blend of magic and 1600’s technology. While the combat is a little more flexible this time around, the narrative plays too many of the same beats, and its pacing fails to find a groove. Greedfall was a cult favorite of sorts. Greedfall: The Dying World does some interesting things with classes and combat, but lacks some of the charm and inventive spirit of the original game.