A cacophonous exhibition of everything that makes Deafheaven so special, ‘Lonely People With Power’ stands resolutely alongside ‘Sunbather’, ‘New Bermuda’, and ‘Ordinary Corrupt Human Love’ as testament to the brilliance of a band that is quickly amassing an unrivalled discography of masterpieces.

The end result is something that feels both familiar and oddly generic, a set of Lucy Dacus covers performed by Lucy Dacus herself that somehow still leaves out the most vital elements.

Dutch Interior’s new album lives up to the hype that surrounds them in a wonderful blend of country, folk, grunge and so much more. It’s hard to categorise them but there is a thrill in seeing such an ambitious debut that lands its audacious swings.

‘A Blade Because A Blade Is Whole’ shows an artist undertaking the onerous task of confronting his shadow, utilising his own experience to develop a work which depicts a sense of absolution and completion. DePlume succeeds greatly in this, grounded in elegance and fragility as he shares a journey that is crafted for a collective conscience.

This is a deeply original debut from a raw, ambitious band, one whose post-industrial urbane quality (check out this awesome video of them playing in an abandoned New York tunnel) provides it with a terrific sense of place and texture.

Kept to a trim 35 minutes, there’s actually surfeit of highlights on display – each track lands, while owning an incredible sense of breadth.

An outstanding effort rivalling his brilliant work with The Lemon Twigs.

The band embody the peculiar feeling of in-betweenness – the post-apocalyptic experience of being the only person awake – in a way that feels true to their history whilst scaling new heights.

Michelle Zauner’s most mature offering to date, and one that grows on you with every listen. This is a record to get lost in, an album to soundtrack your moments of reflection. Bewitching, bold and most importantly fresh territory.

‘Wish Defense’ is probably FACS’ most fun album.

Confident throughout, there’s a sense of Edwyn matching his incredible wealth of experience to the joy of music-making.

‘Lust For Life, Or: ‘How To Thread The Needle And Come Out The Other Side To Tell The Story’ is infectious, driven by passion and fun, yet built with clear intentions.

It’s simply a masterclass in vibrant, unique and breath-stealing hip-hop whose layers of complexity never stand in the way of its fun, vivid storytelling. Put on your headphones, plug yourself in and enter clipping.’s immaculately-crafted cyber world.

There is so much to unpack in one listen with some many beautiful intricacies to get lost in. With each part of the album bringing something unique.

At its best, ‘Ruby’ is an exhilarating listen that proves Jennie is capable of much more than she’s been given credit for.

This is a debut that is hard to describe and that works in its favour, it is a fascinating listen that defies categorisation but never derails.

While it has fewer standout moments than Squeeze and self-titled debut SASAMI, there are still moments of beauty.

As is often the case with such acts, the anarchic energy doesn’t quite translate to their debut, ‘Hot Shock’, but it nevertheless serves as a largely enjoyable opening statement. The most interesting moments arrive at the back end of the record.

The record is not without some brighter moments and a celebration of unconditional love on ‘Thread So Thin’ and ‘Your Side’.

MAYHEM does, however, re-connect Lady Gaga with a sound – and approach – she deserves to own. With the world growing darker by the minute, one of the planet’s biggest stars is ready to unroot pop’s foundations once more – and we’re totally here for it.

It’s an absolute treat. Littered with innumerable highlights and demonstrating a remarkable consistency across its 16 tracks.

Revealing, often beautiful, ‘Service Station At The End Of The Universe’ has a heart of gold.

Delving into the modern complexities of society, her personal inspirations throughout her life, and developments of self as an artist and producer, the album reminds listeners to question and demonstrate awareness, whilst musically reaches new heights for the producer.

For longtime fans of Everything Is Recorded, this album represents a bold new chapter-one that trades frenetic energy for quiet reflection. And for newcomers, ‘Temporary’ is a stunning introduction to Richard Russell’s ever-evolving musical world.

There is plenty to unpack with plenty of anthemic moments but also moments of calm that help the epic tracks to soar even more. Dobson’s vocals and guitar work are both captivating throughout in a record that rarely has a dull moment and is full of spirit and spark from start to finish.

Yet for all the ideas, it’s a patient album: the deft funk of ‘Music Concrete’ takes its time, with a muttered repeated title, while ‘Space Station Mantra’ pulses and fizzes skywards, bringing things full circle with more motorik murmuring.

‘Constellations for the Lonely’ is an intricate and masterful record from a band at the top of their game.

‘Microtonic’ is not just the soundtrack of a rattling dance towards doomsday, but a eureka moment for bdrmm in which they’ve fallen into the vast potential of their musicianship.