Clash Music's Scores

  • Music
For 4,420 reviews, this publication has graded:
  • 58% higher than the average critic
  • 5% same as the average critic
  • 37% lower than the average critic
On average, this publication grades 1.8 points higher than other critics. (0-100 point scale)
Average Music review score: 75
Highest review score: 100 Dead Man's Pop [Box Set]
Lowest review score: 10 Wake Up!
Score distribution:
4420 music reviews
    • 68 Metascore
    • 80 Critic Score
    Clocking in at less than 33 minutes to ensure your left gagging for more, Sweet Heart Rodeo is a near faultless blend of Landes’ country roots and the urban savvy of her Brooklyn base.
    • 68 Metascore
    • 60 Critic Score
    There isn’t much of a sense of flow to the album; the songs stand on their own as the poems were meant to stand on their own.
    • 81 Metascore
    • 80 Critic Score
    With a mix of frantic and scrappy pop songs alongside blankets of processed peacefulness Contra is a fun and always intriguing listen.
    • 67 Metascore
    • 70 Critic Score
    Bursting with promise, OK are more than their name suggests.
    • 76 Metascore
    • 70 Critic Score
    Starting with offbeat rhythms and minor key vocals the album is not as accessible as "Has A Good Home" and less adventurous than "He Poos Clouds"--yet there’s something that draws you into Heartland.
    • 81 Metascore
    • 70 Critic Score
    The album showcases Veirs’ warm vocals, deft guitar picking and country-inflected songwriting. It’s not all so stripped down as to be dull, however, and songs like the title track are intricately woven tapestries of strings, woodwind and cooing backing vocals.
    • 67 Metascore
    • 80 Critic Score
    This debut album from the Manchester trio is a captivating Gothic Americana creation.
    • 67 Metascore
    • 80 Critic Score
    Angie Stone’s fifth album, is her strongest to date, as she delivers an LP that effortlessly combines the finest elements of Neo Soul with old-skool R&B.
    • 76 Metascore
    • 80 Critic Score
    It’s great fun, and clearly a Bay Area attempt at the big league. Like hip-hop used to sound. Praise be.
    • 76 Metascore
    • 70 Critic Score
    Tribal chanting and desert parties meet drum machines and electrifying guitar riffs in an album that is consistently inventive, mesmerising and incredibly danceable.
    • 53 Metascore
    • 30 Critic Score
    It’s all very pretty sounding on paper, but in reality lazily produced and poorly written.