Clash Music's Scores

  • Music
For 4,426 reviews, this publication has graded:
  • 58% higher than the average critic
  • 5% same as the average critic
  • 37% lower than the average critic
On average, this publication grades 1.8 points higher than other critics. (0-100 point scale)
Average Music review score: 75
Highest review score: 100 Dead Man's Pop [Box Set]
Lowest review score: 10 Wake Up!
Score distribution:
4426 music reviews
    • 71 Metascore
    • 80 Critic Score
    Closer ‘SMILE’ drops the noise, and embraces beauty; the lilting guitars are pinned down by a dulcet vocal, with Rico’s tender singing voice resonates with beauty. Leaving fans on a softer note, she shows true bravery, and no small degree of self-acceptance.
    • 76 Metascore
    • 80 Critic Score
    A strong project from Fredo who shows how to be successful by sticking to your own sound. The production of this album is perfect with the choice of beats getting better as the album progresses.
    • 69 Metascore
    • 80 Critic Score
    The band promised that they weren’t going to play it safe with this record, and it seems to have paid off.
    • 76 Metascore
    • 80 Critic Score
    An ever-shifting, yet cohesive addition to a stacked discography, this new album may surprise listeners at first – but will ultimately sit as a pivotal, guiding light in the music of Toro y Moi.
    • 84 Metascore
    • 80 Critic Score
    It’s testament to JME’s influence that he’s able to pull in such heavy hitters, but also to his talents on the mic that he’s never overshadowed.
    • 69 Metascore
    • 80 Critic Score
    Bold, immersive, and not easy to pin down, Interview Music affords Idlewild the space to find renewal in new ideas, a record driven by conviction, collaboration and the urge towards communication.
    • 83 Metascore
    • 80 Critic Score
    Hot Sauce Committee Part Two is probably the third best Beastie Boys album ever made. And that is not a pejorative. Boggle!
    • 73 Metascore
    • 80 Critic Score
    Think ‘Step Up’ from ‘Blue Songs’, developed full-length.
    • 68 Metascore
    • 80 Critic Score
    This is an easy album to lose yourself in, but a difficult project to truly grasp. 19 songs, almost a full hour of music, a glimpse into a psyche that is frequently dominated by darkness; ‘Since I Have A Lover’ is 6LACK’s crowning statement.
    • 75 Metascore
    • 80 Critic Score
    It is a tremendous debut and the quality is beyond question.
    • 88 Metascore
    • 80 Critic Score
    Whilst it might not be as immediately stunning as the mix of luscious synth pop and alternate universe James Bond themes on that album [Red Moon In Venus], she still shines on this record, code-switching between English and Romance and beat-switching between sultry R&B and sunny Latin party pop.
    • 76 Metascore
    • 80 Critic Score
    III
    III is definitely a progression for her as an artist. The more upbeat tracks are interspersed among softer, more delicate, heartfelt ones that represent the duality of her personality and also increase its replay value.
    • 79 Metascore
    • 80 Critic Score
    It’s an accomplished record that leans into the familiar with flourishes of exciting new textures that make it a constantly engaging listen with plenty to unpack.
    • 77 Metascore
    • 80 Critic Score
    Passionate and reflective, ‘We Are Love’ captures a band rooted in experience and brimming with creative renewal.
    • 71 Metascore
    • 80 Critic Score
    If this is post-rock, it’s in the purest sense of that prefix: it’s rock that goes beyond expectations for the genre, even while working within its confines, to somewhere that you sense its players aren’t quite accustomed to yet.
    • 76 Metascore
    • 80 Critic Score
    It's charming in every way, but still rooted in the pop folk that brought Beth to us in the first place.
    • 73 Metascore
    • 80 Critic Score
    Although not his greatest work to date, Oxnard confirms Anderson Paak at the upper echelons of the hip-hop scene.
    • 70 Metascore
    • 80 Critic Score
    Ultimately, this album is a timely, much-needed, reminder of the fact that while suffering is inevitable, so is our resilience in the face of hardship.
    • 70 Metascore
    • 80 Critic Score
    Megadoze is a singular and esoteric collection of songs. It works equally well when played at an obscene volume to people giddy with excitement or when you are mooching about town and want to get lost in something to take you mind of the mundanity of urban living, or for that quiet and reflective cup of tea when you get in after a big night out.
    • 83 Metascore
    • 80 Critic Score
    'Universal Credit' shows great potential, but its drop in momentum in the first half marks it as a project that hasn’t quite lived up to its own standards. Regardless, choice tracks on 'Universal Credit' mark Jeshi as a musician willing to be different and to speak with conviction.
    • 72 Metascore
    • 80 Critic Score
    ‘SUCKERPUNCH’ sees Chloe Moriondo at their most daring and most confident on what is by far their most creatively impressive album to date.
    • 83 Metascore
    • 80 Critic Score
    A hugely impressive achievement, ‘I’ve Been Trying To Tell You’ is technically exquisite, while remaining incredibly difficult to pin down. A project to bathe in, rather than simply enjoy.
    • 73 Metascore
    • 80 Critic Score
    ‘Only For Dolphins’ is the sound of free-flowing sonic travel, and it’s depiction of Action Bronson in full flight underlines the conception that this is an MC who is back to his peak.
    • 69 Metascore
    • 80 Critic Score
    What could be an unholy mess is held together by tight production, hypnotic grooves and some undeniably catchy tunes.
    • 76 Metascore
    • 80 Critic Score
    All in all, its a beautiful sign of the times - psychedelic and indie focused in melody, with poignant and important lyrics giving a pulse to an otherwise-relaxed-sounding project.
    • 84 Metascore
    • 80 Critic Score
    It is an intriguing interpretation that seems unforgettable, leaving a strong impression of him as an artist and this remarkable album.
    • 87 Metascore
    • 80 Critic Score
    A challenging yet continually beautiful project, ‘In These Times’ contains a terrific sense of unity, one that belies the lengthy manner of its gestation. An ode to community, it’s a record that carries a very special charm.
    • 68 Metascore
    • 80 Critic Score
    Effervescent, exuberant, wry, but always appealing, ‘Run Rose Run’ displays Dolly’s evergreen storytelling prowess and is a vibrant and compelling body of work.
    • 78 Metascore
    • 80 Critic Score
    A relationship breakdown between the band's two founders, singer Nona Marie Invie and producer Marshall LaCount, is laid bare, but with dramatic and beautiful consequences.
    • 83 Metascore
    • 80 Critic Score
    A broader, more nuanced experience than 2018 ‘Daytona’, Pusha T still reins in the creativity across the album’s 12 track span. Succinct and finessed, ‘It’s Almost Dry’ is a riveting journey, from first to last.