Ichikawa's great anti-war film, about a Japanese soldier (Shoji Yasui) in Burma masquerading as a monk and falling into grace. [21 Nov 2008, p.C5]

It's an uncompromising drama, not easy to watch. And it is one of the year's highlights.

It takes something like a miracle to unlock the magic in his exquisite aggravations, the essence of the human comedy. This film is indeed something like a miracle.

If May's script is brilliant, so is the vivid, raw acting -- which suggests heavy Cassavetes influence. [30 Jul 1999, p.O]

Though Majidi draws from familiar Iranian sources, he's made something unique and moving: a sweet tale with a stirring finish.

If it's not an actual masterpiece, it's at least the next best thing, a fully characteristic, fully alive work by a master of his art.

What's so funny about Down and Out In Beverly Hills is not its moral imperative to appreciate life's simple, enduring pleasures. True, we get that message, and we appreciate it, but we already know that motto even if we don't live by it. No, what's funny is director Mazursky's extraordinarily fine eye and ear for capturing the way the wealthy residents of Beverly Hills walk, talk, dress and think.

A film poem of sometimes humbling beauty: a movie that opens up a new world to us - in the mountains of Iranian Kurdistan - with an enchanting freshness and austerity of vision.

A joy to behold, a complex film that never loses either its sense of purpose or sense of humor. [7 February 1986, Friday, p.33]

Few films have caught the special feel and rhythms of childhood so well, with such uncondescending warmth and humor. And few bring out more powerfully the themes of anti-racism and the virtues and joys of community and family. [20 Apr 2007, p.C5]

Raiders of the Lost Ark is, in fact, about as entertaining as a commercial movie can be. What is it? An adventure film that plays like an old-time 12-part serial that you see all at once, instead of Saturday-to-Saturday. It's a modern "Thief of Baghdad." It's the kind of movie that first got you excited about movies when you were a kid.

Has moments of profound poignance, though it lacks the overall dramatic impact of "The Long Way Home."

Some may find the film underpowered. Not me. With elegant understatement, Cohen creates a humane testament to reaching out, whatever our habits and routines.

This is filmmaking at the very peak of the medium`s potential.

It's a scintillating comedy-drama and one of Altman's most richly moving and entertaining pictures.

A watershed picture, for both Spielberg and war movies.

A definitive spy thriller and one of the masterpieces of Hitchcock's British years, The 39 Steps is one of those paradigm classics that influence filmmaking for decades afterward. [21 Sep 2007, p.C10]

Heroin may be a downer, but Trainspotting definitely takes you up…a series of roaring, provocative, outrageous highs. [26 July 1996, Friday, p.C]

It's as impressive for the near-flawless performances of its deep cast of British film and theatrical stars (including Jean Simmons as Ophelia, Eileen Herlie as Gertrude and John Gielgud as the voice of Hamlet's father's ghost) as it is for its director's surprisingly rich and baroque visual style. [04 Aug 2006, p.C8]

One of the most appealing, beautifully made and well-loved of all the classic children's animal movies. [21 Sep 2001, p.C1]

The actors who play these parts--Chishu Ryu as the father and Setsuko Hara as the daughter--are the most emblematic members of Ozu's famous stock company. Her warm beauty and his stoic rigor--and the frequent smiles both use to cover their feelings--convey oceans of meaning beneath the drama's polite, humorous, carefully etched surface, where immaculate interiors and lovely scenery reflect a world in very delicate balance. [07 Jan 2005, p.C2]

The Master is brilliantly, wholly itself for a little more than half of its 137 minutes. Then it chases its own tail a bit and settles for being merely a fascinating metaphoric father-son relationship reaching endgame. It may not all "work," but most of it's remarkable.

A prison movie of unusual richness and jarring power.

Cat People is an admirable first entry into the brainy, elegant, spooky world of Val Lewton. [09 Sep 2005, p.C4]

The greatest rock concert movie ever made -- and maybe the best rock movie, period.

It's a superb, thoughtful drama that doesn't claim to be a documentary and shouldn't be judged as such. [22 Dec 1995, p.B]

A visual and aural feast that combines elements of classic gangster melodramas, crime epics such as "The Godfather" and playful non-linear narratives such as "Amores Perros," City of God explores a deadly culture while feeling more alive than anything that's hit the big screen in years.

Both the movie and Denzel Washington are knockouts.