Chicago Tribune's Scores

For 7,601 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7601 movie reviews
  1. Replete with audience-insulting writing and blatantly hateful jokes, storytelling like this makes most video game plots look like "Moby Dick."
  2. A most unfunny comedy about hijinks on the slopes, featuring a short ski patrol leader, a flatulent dog, assorted cutups and a stereotypical black patrol member who sings and dances a lot more than he skis. [19 Jan 1990, p.A]
    • Chicago Tribune
  3. Is it the worst film of 2019, or simply the most recent misfire of 2019? Reader, I swear on a stack of pancakes: “Cats” cannot be beat for sheer folly and misjudgment and audience-reaction-to-“Springtime for Hitler”-in-“The Producers” stupefaction.
  4. A hideously violent shocker about a woman who is repeatedly raped and castrates her victims. [18 July 1980, p.8]
    • Chicago Tribune
  5. Father Figures is a movie, ostensibly. I'm pretty sure it is. Moving images were projected, along with recorded sound, which indicates it is a movie, but the effect was so listless, low-energy and profoundly unentertaining that I jotted down in my notes "what even IS this?" It would be more accurate to describe the experience as a nearly two-hour borderline hostage situation, with torture involving bad, offensive and unfunny "comedy."
  6. I didn't laugh once during the entire film-not at the slapstick, not at the humor, all of which is pitched at the preschool level. [25 March 1988, p.A]
    • Chicago Tribune
  7. The result just might be the most hypocritical feature in the history of film as well as the history of hypocrisy, and along with serving beer, I hope they show I Hope They Serve Beer in Hell in hell.
  8. Nothing in this movie is properly focused; everyone keeps talking about a character whom we never meet and does not matter; the tone keeps slipping around from indolent satire to thudding sincerity, and the Challenger shuttle disaster backdrop is queasy-making at best, offensive at worst.
  9. It's a soul-crusher, and when I say it may be the most dehumanizing experience since "Hostel: Part II" the comparison is not an idle one.

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