Chicago Tribune's Scores

For 7,601 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7601 movie reviews
  1. Days of Heaven is the grand climax of the whole "Bonnie and Clyde"-"Badlands" tradition of outlaw-lovers-on-the-run movies. Shot by Nestor Almendros and the uncredited Haskell Wexler, it's a cinematographic masterpiece. [20 March 1998]
    • Chicago Tribune
  2. This is one of the screen's most rewarding explorations of the teacher/student relationship in any language.
  3. An adaptation of Rudyard Kipling's tale of the follies of adventure--beautifully directed and shot (by Oswald Morris) and perfectly cast. [11 July 2003, p.C5]
    • Chicago Tribune
  4. A movie I loved on first sight and, even more important, love in remembrance. Taken all in all, there's only one last thing to say about it. Go.
  5. Gripping documentary.
  6. I never felt emotionally exploited by the terrors on screen. Rather, Beasts of No Nation is an act of gripping empathy.
  7. A great, haunting film; it affects us in ways we're not used to...it is capable of both lifting our hearts and chilling us to the bone.
  8. Brando made Don Vito something we rarely see in movies: a tragicomic villain-hero, a vulnerable hood. The don is so close to a comic character -- the movie itself is so close to comedy -- that Brando's capacity to move us in the role is doubly impressive. At the end, it is the older Godfather's tenderness and sagacity we recall. [21 Mar 1997, Friday, p.A]
    • Chicago Tribune
  9. One of the most searing, heartbreaking and ultimately triumphant mother/daughter stories ever put on film.
  10. A film that can tear you apart emotionally; it's both one of the great movie soap operas and a powerful indictment of racism. Sirk's cool, elegant style--smooth as silk on top, jagged and hot with feeling below--has rarely been joined to a more perfect subject. [05 May 2006, p.C9]
    • Chicago Tribune
  11. Romero's newest is a horror movie for hard-core fans of the gory and the gruesome and a classic genre film for genre aficionados.
  12. The most well-loved of all Christmas movies.
  13. Ex-Chicago reporters Ben Hecht and Charles MacArthur's "The Front Page" may be the greatest of all newspaper plays, but none of the other movie versions matches this snazzy remake. [04 May 2001, p.C1]
    • Chicago Tribune
  14. You can't praise highly enough the contributions of the ensemble--De Niro and Pesci especially--but it's Scorsese's triumph. [22 November 1995, Tempo, p.1]
    • Chicago Tribune
  15. Up
    Some of the comic inventions are inspired: Muntz has a pack of dogs equipped with electronic voice boxes, which means they're talking dogs, only they speak as if they've learned English from a poorly translated Berlitz guide.
  16. Perhaps the most perfect of the great Disney animated features-the most expressively animated, the least pretentious, the best balanced between horror and joy, adventure and comedy.
  17. One of the all-time classic noirs. [06 Nov 1998]
    • Chicago Tribune
  18. It's a low-budget romance-thriller that changed the face of cinema. [14 May 2000, p.8]
    • Chicago Tribune
  19. They're a witheringly beautiful couple; ex-cinematographer Stevens lavishes all his gifts of composition, lighting and texture on their closeups. [05 Apr 2007, p.C10]
    • Chicago Tribune
  20. It's so thoroughly engaging, so beautifully made, strikingly shot and chock-full of humor and humanity, I can't imagine any intelligent audience not falling in love with it - if only they take the leap of faith to see it.
  21. Moves us now because it's so playful and the players are so young - and because later, when Godard tried to play for keeps, in his self-consciously radical films of the late '60s and '70s, he began to lose his game.
  22. Some films aren't revelations, exactly, but they burrow so deeply into old truths about love and loss and the mess and thrill of life, they seem new anyway. A Single Man is one such film, one of the best of 2009
  23. In Jan Campion's The Piano, the emotions are deep, fierce, primordial. Sexuality overwhelms the film's characters like ocean waves blasting against a cliffside. [19 Nov 1993]
    • Chicago Tribune
  24. This is one of those films that encapsulate most of its maker's key thoughts and feelings while also connecting us vividly to a fascinating past. No one who loves French film (or movies in general) should miss it.
  25. All of the performances are first-rate; Pesci stands out, though, with his seemingly unscripted manner. GoodFellas is easily one of the year's best films. [21 September 1990, Friday, p.C]
    • Chicago Tribune
  26. Watching Taste of Cherry and following its path of fear and redemption, living through this strange day with these foreign but utterly recognizable and deeply sympathetic characters, we believe in them. We feel with them. We care what happens to them. And, knowing them, we know a bit more, as well, about ourselves. [29 May 1998, p.D]
    • Chicago Tribune
  27. Swooningly beautiful, furious and thrilling, Zhang Yimou's Hero is an action movie for the ages.
  28. The beautiful title song, performed poignantly by the richly textured voice of Angela Lansbury, makes the case for all lovers to look past their partners' faults and into their hearts.
  29. It is precisely that interplay between tenderness and ruthlessness that is the special excitement of Mona Lisa, one of the year's most spellbinding films. [2 July 1986, p.C3]
    • Chicago Tribune
  30. May not be the greatest dance documentary ever made, but it could well be the most accessible and touching.

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