Chicago Tribune's Scores

For 7,601 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7601 movie reviews
  1. The movie, one of Sirk's most popular, is impeccably designed and shot but also gaudy, garish, full of jukebox colors and feverish emotions. It's about the "broken" screen characters Sirk says he loves most--and it really gets to you. [14 Apr 2006, p.C6]
    • Chicago Tribune
  2. Wisely, Heller doesn’t inflate the tone or impart an overt message. But by the end, Can You Ever Forgive Me? has truly brought you into this woman’s life, head-space, longings and tastes, and I found the whole of it quite moving.
  3. There's an incongruous but ravishing beauty in Far From Heaven, and in its three excellent central performances, that counteracts the seeming kitschiness of the story.
  4. The Russian film The Return is a stunning contemporary fable about a divided family in the wilderness - a simple, riveting film that almost achieves greatness.
  5. A film that lets life flood into our souls.
  6. Big laughs, foul language to the point of absurdity and one hilarious, screaming performance atop another combine to make Wise Guys one of the funniest times you will have at the movies this year.
  7. While this is very much a McQueen picture, with visual flourishes and motifs unmistakably his, the historical urgency and staggering injustice of the events keep McQueen and company utterly honest in their approach and in their collective act of imagining Solomon Northup's odyssey to hell and back.
  8. An unusual subject for Ozu, white-collar adultery, handled with his customary deep observation. [28 Jan 2005, p.C2]
    • Chicago Tribune
  9. Raunchy, smart, ebullient, melancholy, insightful, surprising, funny, frank and sexy as all get-out.
  10. It is a wonder, marked by a sense of wondrous skepticism that has nothing to do with cynicism.
  11. It’s a riveting and humane experience pulled from the rubble of a never-ending war.
  12. Be forewarned: Dog Days, like many of Seidel's films, will drive some moviegoers to rage and walkouts with its unrelentingly depressing tone. But it also a remarkable, deeply disturbing work by a brilliant filmmaker.
    • 79 Metascore
    • 100 Critic Score
    In its 98 minutes, film critic Godfrey Cheshire’s documentary Moving Midway records an amazing architectural feat, and that’s the least of its virtues.
  13. This is a superb picture, sharp, open-minded, wised-up and cinematically accomplished.
  14. This odd-couple angle is a terrific formula for a movie, creating at least three stories: The plight of each man, their joint effort to accomplish their goal and the changing dynamic of their relationship as the story progresses. As if that weren't enough, The Falcon and the Snowman also turns into a how-to movie with a fine sense of detail for the worlds of espionage and drugs. But towering over all of this--and even over the angry politics of the film--are two special performances by two extremely talented young actors.
  15. It’s one of the most imaginative and provocative documentaries on any topic I’ve seen this year.
  16. It still soars, but now it seems richer, more expansive. Amadeus reminds us that movies can be lyrical as well as vulgar, ambitious as well as playful, brilliant as well as down and dirty -- just like Amadeus himself.
  17. A Chekhovian tale of major artistic power.
  18. This is one of the finest achievements of the year, and while it's easy to lose your way in the labyrinth, I don't think Tinker, Tailor, Soldier, Spy is most interesting for its narrative pretzels. Rather, it's about what this sort of life does to the average human soul.
  19. It has found a considerable, gratefully discombobulated audience all around the world, and it deserves one here.
  20. The movie is a paean to outsiders and reckless love.
  21. Above all Saint Omer is a singularly moving courtroom drama.
  22. Streep is an actress known for her uncanny ability with accents, but her quiet performance in "Bridges" proves that she would have made a world-class silent-film star, too.
  23. A ravishing portrait of Shanghai brothel life in the late 19th Century, shot entirely in one-take scenes in luxuriant red-and-gold interior sets. [02 Oct 1998, p.J]
    • Chicago Tribune
  24. To miss this film is to cheat yourself and your family of a memorable moviegoing experience.
    • 91 Metascore
    • 100 Critic Score
    The best-loved Hollywood Dickens, with a cast that might have been pulled right out of the Cruikshank illustrations. [28 Nov 2008, p.C7]
    • Chicago Tribune
  25. For Mendonça Filho, who has poured his love for his city, his country and its people into this masterpiece of a film, his favorite way to process anything is through making and watching movies. It’s his best film, and the best film of the year.
  26. Perfect for anyone with a youthful heart and a rich imagination.
  27. This is a movie about the world at war with itself, and the result is riveting, sublime and unforgettable.
  28. A spectacular, engrossing, big-hearted film based on one of Korea's great national epics and made by that country's top filmmaker.
    • Chicago Tribune

Top Trailers