Chicago Tribune's Scores

For 7,601 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7601 movie reviews
  1. The sheer stark speed and measured violence of On the Run catch us up quickly--and the film becomes a searing portrait of a killer-idealist lost out of time.
  2. Nobody Knows, by the often excellent Japanese filmmaker Hirokazu Kore-eda, is one of those special movies that can give us a new way of seeing.
  3. Brims with intelligence, compassion and sensuous delight in the textures, sights and sounds of life--all the way from the Taj Mahal to Pearl Jam.
  4. Arnold reminds us that the best thrillers don't settle for taking the audience away from their everyday experience; rather, they burrow inward and, by sheer power of cinematic observation, make it hard for us to look away lest we miss something--on a screen or off.
  5. Yes, for every star there are five more also-rans and maybe-next-times. But there is honor and glory in being part of the blend. And, at the film's midpoint, when Clayton talks about the late-night recording session in 1969 of "Gimme Shelter," the memory takes on the glow of myth.
  6. The quintessential American love story --the one between the spoiled heiress and the spontaneous, fun-loving guy from the wrong side of the tracks--has seldom been more elegantly and entertainingly told.
  7. It's a very small piece, working in a deceptively casual storytelling style. But it's my favorite music film since "Stop Making Sense," and it's more emotionally satisfying than any of the Broadway-to-Hollywood adaptations made in the last 20 years.
  8. Clean up the language, and this little roach of a movie could play the bottom half of a double bill with Rowan and Martin's “The Maltese Bippy.” [26 March 1999, Life, p.9E]
    • Chicago Tribune
  9. I've already seen The Fugitive twice. I'll probably see it again.
  10. Still packs a wallop. It's also a movie with no easy passage to its dark heart.
  11. Like a Visconti epic gone mad, explosive, beautiful, unforgettable. [08 Dec 2006, p.C8]
    • Chicago Tribune
  12. Imamura, like many older directors, has evolved a style of wonderful simplicity, lucidity and economy, cutting to the marrow of events, switching moods with effortless ease. [11 Sep 1998, p.F]
    • Chicago Tribune
  13. In this movie, Auteuil ("Jean de Florette") and Binoche ("Chocolat") are such marvelous actors, they can shift us in almost any emotional direction with a speech or a glance.
  14. Baby Doll failed because it was stigmatized as dirty. Watching it now, it seems fresh and witty, knowing but not lewd. [26 May 2006, p.C1]
    • Chicago Tribune
    • 83 Metascore
    • 100 Critic Score
    Another great domestic comedy-drama. [08 May 2009, p.C2]
    • Chicago Tribune
  15. Not only is the wide screen black-and-white "Angels" Sirk's best movie -- dramatically richer than his more popular '50s romantic melodramas, but just as visually beautiful -- it is the only film from a Faulkner story that the novelist himself liked and praised. [05 Jun 1997, p.8]
    • Chicago Tribune
  16. Her
    A delicate, droll masterwork, writer-director Spike Jonze's Her sticks its neck out, all the way out, asserting that what the world needs now and evermore is love, sweet love. Preferably between humans, but you can't have everything all the time.
  17. With Neighbors 2: Sorority Rising, they've flipped the script, creating a feminist party classic that's completely current and doesn't skimp on any of the wild humor. It's also even better than its predecessor.
  18. A masterpiece that can still leave you dizzy with wonder. As much as any movie ever made, this visionary science-fiction tale of space travel and first contact with extraterrestrial life is a spellbinding experience.
  19. Ida
    One of the year's gems.
  20. A magnificent throwback to an almost vanished era of epic filmmaking by great filmmakers in thrall to their own passions, rather than to the studio bookkeepers.
  21. It balances bloodshed with charm, spectacle with childlike glee. It's a near flawless movie of its kind.
    • Chicago Tribune
  22. Vibrating with humanity, it's a potent portrait of love, ranging from the purely carnal to the impurely sublime.
  23. With rich irony, The World juxtaposes the teasing, grand images of the outside world's wonders with the insular community and the mundane lives of the park employees.
  24. A cornball adventure film about a dashing young explorer mixing with New York cafe society types. What a delightfully complicated fantasy film this is. What Woody Allen has done with The Purple Rose of Cairo is create a classic film about our love affair with fantasy. [28 Jun 1985, p.1]
    • Chicago Tribune
  25. Like "Memento," Mulholland Drive is an amnesiac noir in the tradition that goes back to "Spellbound" and "Somewhere in the Night."
  26. Like Jordan Peele’s “Get Out,” Bong’s Parasite expresses consequential ideas that matter to the filmmaker about the way we live today, and the prejudice and malice we create for ourselves and others. The best social satires, like this one, dwell in the underworld where the sinister, the sobering and the bitterly funny swirl in the same stream of consciousness.
  27. This excellent film works the way Blanchett's characterization of Carol works: It's meticulous about appearances, while fully aware that appearances can deceive.
  28. This movie, the subject of controversy, is a defiantly personal statement on what the war really is--laced with that now-familiar "Roger and Me" mix of homespun wit, pop culture playfulness, populist heart twisting and "gotcha" guerilla film-making tactics.
  29. A major cinema event of the year, a masterpiece of Italian film traditions in social/political realism and historical family epic.

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