Featuring a fun and slightly silly setting for this genre, Grounded comfortably provides the basics that allow it to create an engrossing and at times horrifying survival experience. Add a good amount of worldbuilding and a narrative that compliments the gameplay nicely and you have a cooperative experience well worth your time, even if a few bugs (and not the good kind!) have stuck around throughout its pre-release period.

Beacon Pines effectively creates an uneasy atmosphere through contrast. The branching story helps build the exposition as you peer into the lives of the other townspeople. It’s a simple game that is on the shorter side with a few seemingly unnecessary features, but all loose ends are wrapped up by the end, leaving an enjoyable story that doesn’t overstay its welcome.

Soulstice is a truly great action game, which despite taking many cues from stylish action titles of the past, carves out enough of an identity to stand out on its own. The system of controlling both sisters and maintaining auras while slashing through foes is intuitive and simple to master. Although the plot leaves many threads hanging, the development of the central sibling relationship and setting were enough to draw me into Soulstice’s world and want to see more. If you’re a fan of challenging action games and can forgive a slightly annoying camera, Soulstice is definitely worth checking out.

Wylde Flowers is what you get when you take a farming/life sim, such as Stardew Valley, and focus more heavily on the narrative and characters. A constant shift of events and huge amounts of voiced lines brings this world to life, even if that focus does mean the simulation aspects of the gameplay are reduced. With a lovingly detailed world and equally lovely examples of diversity, you could do a lot worse than spend your week playing Wylde Flowers.

Return to Monkey Island brings the beloved classic point-and-click series into the modern puzzle adventure genre, and it’s a perfect fit. It’s a fine addition to the Monkey Island series, but it nevertheless seems held back by Monkey Island 2’s strange ending. In its attempt to explain it away, it just hurts its own narrative, which had the potential for more than it achieved. But it is still a fun ride, full of wild, funny, and surprisingly sincere moments. I will be keenly looking forward to the next Monkey Island game from the mind of Gilbert and his team.

Temtem isn’t just a copycat Pokémon. Incorporating MMO elements and engaging characters into fan-favourite gameplay is an overwhelming success, with an abundance of addicting endgame content. Unfortunately, Temtem suffers from optimisation issues and needs to present its most captivating features at the forefront rather than behind the MMO grind and a slow main story. I can’t deny how much fun it is to play Temtem, it just needs more time and polish to be the best there ever was.

At the end of the day, Foretales offers a broad and delightful journey all within a digital tabletop setting. Its card art and party are diverse. Clever and varied card mechanics, along with party members’ abilities, make for a fun suite of solution tools to use against some tough and fantastical narrative-based obstacles. However, with a lack of checkpoints, players may at times feel like they have bitten off more than they can chew in a run. Still, this remains a funky, unique little indie worth checking out for ambition and coziness alone. Carry on.

A silky, suave graphic novel art-style and engaging Cyberpunk world can’t save Sunday Gold. With every strength on offer comes some weird design choices or bugs that will ruin your fun at every turn. This game is an experimental risk, blending both the point-and-click genre with turn-based combat, peppering in RPG progression. That mixture shows promise at the start but ultimately ends up being an average net loss. A gamble that’s not worth taking. Don’t place your bets on this one. Go all in elsewhere.

If you haven’t picked up a Splatoon game before, then Splatoon 3 is a great place to start. It takes a lot of steps to make it easier to play with friends and has a variety of different modes to play, meaning everyone will have something they enjoy, even if they just want to play single player. The game is more customisable than ever and you are free to change the appearance of your character at any time if you find yourself wanting a new look. The only real problem with the game as it stands is the connection issues. When it works, the game is amazingly fun and you will find yourself playing match after match, only for the connection to drop again out of nowhere. Hopefully this gets fixed soon so I can be playing Splatoon 3 for even longer during my next session.

Metal: Hellsinger aims to be a full-featured first-person shooter as well as an engaging rhythm game, and I am so glad it delivers on its ambition rather than falling flat. Fun, frantic combat paired with a crushingly heavy, star-studded soundtrack makes Metal: Hellsinger one of the most unexpectedly enjoyable games I have played this year, and I urge anyone with a passing interest in metal or shooters to give this a spin.

Tinykin delivers a fun-sized chunk of satisfying 3D-platforming joy for all ages. Its charming cartoonish visuals and delightful cast of insectoids are bursting with personality and whimsy. While it doesn’t provide much of a platforming challenge and drags its feet a bit through some repetitive escort missions, it’s impossible not to smile at this joyous mini-world of anxious dung beetles and partying silverfish. A relaxing, cozy little adventure that will entertain the young-at-heart.

Despite some simplistic combat and unmemorable boss fights, Steelrising is a satisfying robot action romp that earns bonus points for being one of the most accessible soulslike titles on the market, meaning more gamers will be able to enjoy its haunting vision of alternate history Paris overrun by dastardly machines. Bon travail!

I can see LEGO Brawls’ appeal as a free-to-play mobile game, where its simple mechanics and repetitive game modes are more excusable. As a full-priced console game, standing up against feature-rich AAA titles and even free-to-play titles, LEGO Brawls just doesn’t stand out in the slightest. Although a less complex brawler aimed at a younger audience might make sense, in this case it’s TOO simplified, where every character behaves the same and the only strategy is to run at your foes and mash the attack button. Combine that with the lack of additional single-player content and glacial progression system, and it becomes difficult to recommend LEGO Brawls to anyone other than the most devoted LEGO aficionados.

Teenage Mutant Ninja Turtles: The Cowabunga Collection is a well-presented time capsule of classics, porting its beloved titles not only without lag but with modern-day improvements and a smorgasbord of extras to boot. While the collection won’t be for everyone, those willing to dive in and see what Digital Eclipse have to offer should be blown away with what they find. For those who’ve missed that nostalgic feeling, it’s truly time to love being a turtle once again.

PAC-MAN WORLD Re-PAC is a solid remake of a cult classic platformer from the genesis of the 3D platformer boom. Fundamentally, it demonstrates both how well PAC-MAN WORLD’s mechanics, levels and boss design have mostly held up after 23 years, and how the experience is still perfectly enjoyable for someone who has not played the original release. On the other hand, it shows its age in other areas, including short length, lack of narrative and dated gameplay features. For platforming fans looking for a blast from the past, PAC-MAN WORLD Re-PAC as an experience still works well and is worth checking out. That said, don’t expect it to stand toe-to-toe with other 3D platformers released more recently.

Gerda: A Flame in Winter is a must play if you’re a fan of well-thought out choices matter RPG games like Disco Elysium. Not only will you get a nail-biting story with high stakes, you’ll come out knowing a plethora of historical details and challenges of the Danish people during WW2. You will come to love or hate the cast of characters, depending on what pathway you choose, but there are endless possibilities because of the games re-playability. Persevere if your first playthrough is not everything that you imagined, because Gerda: A Flame in Winter gets better and better the more you play.

Destroy All Humans! 2 Reprobed is like a younger, more immature sibling of the original. Gameplay wise, it is bolder and more logically put together, but overall it lacks the comedic intelligence that the original presented. Sure, Destroy All Humans! wasn’t exactly an intellectual experience, but it did offer discussions on social commentary that had a lot to say about society as a whole and problems with 1950s America. It seems as though the developers spent more time on improving gameplay than they did on developing a script and story that would offer the same elements of satire and intellect as the first. Although the original was released in 2006, a very different time socially and politically, this remaster could have ironed out a number of the narrative problematic edges. Unfortunately, by sticking with the “nature and soul” of the original release, the world of Destroy All Humans! 2 Reprobed doesn’t quite feel right in this more progressive world of 2022.

I appreciate what Scathe was clearly aspiring to be, but it doesn’t reach those aspirations. Its sprawling, directionless levels were no substitute for a more tailored experience with a difficulty curve and intended order of obtaining new weapons and spells. Flooding the stages with enemies and hazards that appear out of thin air felt unfair more often than not, and the lives system and scarce health pick-ups only slowed down what is intended to be a fast-paced experience. If you enjoy DOOM and FPS’s inspired by it and want to play it co-op with your friends, there is some enjoyment to be had, but there are better-designed co-op shooters on the market that are more deserving your time.

The Last of Us Part I finds a way to make an already incredible game even better. It may not be the most needed remake in the landscape of gaming, and I can't fault anyone for not wanting to pay full price for the experience, but it's undeniable just how much work has gone into this release. Phenomenal graphics, superb sound design, immersive DuelSense controller features, beneficial gameplay tweaks, and the best suite of accessibility features found in gaming. The Last of Us Part I is a must-play title for anyone still yet to experience Joel and Ellie's story.

Immortality is Sam Barlow’s magnum opus and the best FMV game ever made. Manon Gage is a riotous force of an actor, accompanied by just as capable a cast, all capable of blowing up. Deep and rewarding investigation mechanics mean you too are rewarded by more of these very performances. Forty years ago at the genre’s start, ideas this broad, sweeping and memorable were inconceivable. Now they’ve arrived, serving as the mastering of technology, writing and acting, all wrapped up in a momentous and moving package. Immortality is a game-changer, utterly needing to forever be immortalised in gaming and art history.

Soul Hackers 2 is one of Atlus’ best games to date. The story is compelling and rooted in familiar dark themes while avoiding the fluff to be a sharper experience. It refreshes the gameplay of Persona 5 with streamlined changes to make it approachable for a wider audience. Its parallels to Atlus’ most recent JRPGs mean it offers more of the same thrilling style along with the same minor faults. Still, Shin Megami Tensei fans will love this game.

Not often do we see a narrative RPG with so much squeezed inside a relatively small package. I Was a Teenage Exocolonist will leave you thinking, laughing, crying, and even blushing. With beautiful character illustrations and a story that feels genuine from start to finish, this is a must-play for anyone who enjoys narrative games. Though one playthrough will run you around 5-10 hours, the things you missed will have you coming back for one more playthrough every time.

Saints Row successfully reboots the much-loved franchise, although things don’t feel as wild or chaotic as I was expecting or hoping. The main campaign is a short but enjoyable romp with some decent creativity, but the open world template doesn’t innovate beyond the trappings of the genre. Side missions and distractions are amusing yet repetitive, and the adventure is lacking in polish overall. Still, being able to play the entire experience with a mate by your side makes for a lot of laughs, and if you can forgive the cringe dialogue, there are some fun moments between all the meandering that still makes it worthwhile. I can’t say that the Saints are “back and better than ever”, but gearing up for a modest romp with a lot of explosions and strong personalisation will certainly set them up for a roaring sequel if given the chance.

If you’re after a simulation game that’s a bit different than the usual genre mainstays, then chuck Arcade Paradise on the spin cycle. But be warned, despite packing in 35+ arcade games, it’s not going to give you as much depth as other simulators. The early game suffers from a repetitive game loop that is only rescued by the happy grind to unlock new games in the arcade area. A worthy way to spend some coins and kill some time, Arcade Paradise at the very least lives up to half of its name.

Playing as Babyface with such smoothly animated mocap and fluent combo chains feels powerful. Being able to charge through levels, using everything in sight to bounce off goons like a martial arts master is an unstoppable sensation. Sure, the story isn’t that deep and doesn’t have the budget or quality of larger game studios, but the game compensates with very inventive fights. Midnight Fight Express is the John Wick experience in video game form.

Undoubtedly set to be divisive, We Are OFK will garner fans in with its catchy pop tunes and emotional storytelling, but also lose just as many with narrative and character omissions, light gameplay and purposefully cheesy dialogue. Still, for better or worse, this is an experience not like many others. Captivating cinematography also paints a haunting if bittersweet L.A. narrative. Like a classic pop debut that its own self is based on, We Are OFK has heart and moments that’ll reel you in while remaining plenty messy. If all else, isn’t that how this road was always going to go?

Rollerdrome is an unbelievably fun single-player experience that hasn’t quite reached its full potential. The explosive gunplay and roller-skating trickery are complemented by the picturesque yet bleak world all realised in a graphic novel art style. However, improvements can be made with some of the enemy types, bosses, and the inclusion of other competitors. Despite room for growth, this game is clearly being made by one hell of a talented team and Rollerdrome proves to be one hell of a shooter.

Thymesia is unlikely to blow anyone’s socks off, especially if they are a Souls veteran. A snappy, fluid, and visually striking experience doesn’t quite make up for the lack of character and purpose the game unfortunately suffers from. You’ll likely enjoy your time playing the game and fighting through the different locations and bosses, but Thymesia still fails somewhat to leave a lasting impression.