Although it's just a movie tie-in with noticeable budget limitations, it's solid, especially in the combat department. I was surprised by Super Soldier's rich combat system obviously inspired by Batman: Arkham Asylum. It can offer a couple of hours of mindless but decent entertainment. [August 2011, p.62]

Battle for Hogwarts is the most game-suitable fragment in the whole Harry Potter saga. Unfortunately Electronic Arts' vision is bland and uninspired. There's no feel of grandiosity and significance whatsoever. Just like in the predecessor the gameplay was boiled down to ducking behind covers and zapping enemies with spells. The saga is over. We can only regret the style. [August 2011, p.60]

From Dust is hugely satisfying and might herald the revival of the almost forgotten god games. It's a damn intelligent game and Eric Chahi did not forget how to build an extraordinary atmosphere of another world. [August 2011, p.59]

Slow pace wouldn't have to be a drawback if it wasn't for sparse checkpoints. In case of suffering defeat just an inch from one you just don't want to waste your time on trudging across the same area. [August 2011, p.58]

Nightmares turn to reality. People start dying. Mainly of boredom. Sluggish story is Alpha Polaris' biggest drawback – you can fall asleep in front of the screen before things start to get interesting. Some ideas (like the possibility of solving some puzzles with a couple different objects) deserve acknowledgement but it's not enough when everything else is lame. [August 2011, p.57]

Duels of the Planeswalkers 2012 is – just like its predecessor – just an introduction to the world of Magic: The Gathering. For instance, it does not let you create your own deck from scratch. But what it does offer is enough for many long evenings and I can recommend it not only to the CCG fans, but also to everyone who's keen to see what's it all about. [August 2011, p.55]

The first F.E.A.R. was scary and good. The second one was scary-ish and good-ish. The third one is... well, indistinct. F.E.A.R. 3 is a generic shooter devoid of atmosphere, built correctly step by step but lacking any quality that could prevent you from forgetting this game. [August 2011, p.52]

Puzzle Agent 2 combines brilliant story and clever puzzles – and that's the Holy Grail of adventure games. It does, however, recycle some of the challenges from its predecessor. [August 2011, p.50]

The story is decent but lacks a spark. Supporting characters and dialogue are flimsy and uninspired. Shooting is solid – especially the slow-mo moments – but that pretty much exhausts the topic of the core gameplay elements. I have to admit though dual wielding is fun. There are a couple of car chases that were supposed to raise your adrenaline level but their execution is poor. And there are bugs and run-of-the-mill graphics that add to the smell of low budget that hangs over The Cartel. I hope Call of Juarez 4 returns to the Wild West, because it seems that's where Techland feels much more confident. [August 2011, p.42]

What makes Capsized a challenge is the planet's fauna. Developer's creativity in that department is really impressive and combat is difficult but rewarding: well balanced, fast, based on instinctive responses. The score would have been higher if it weren't for half-baked additional game modes but low price and a really good campaign let you easily overlook that flaw. [July 2011, p.82]

The Tiny Bang Story is something between a traditional point'n'click and a 'hidden object' type of game. It's biggest flaw is its length. It can be completed in 2 hours and although every puzzle enthusiast will find this time enjoyable, you have to decide whether such a short adventure is worth your buck. [July 2011, p.81]

A grotesque game that makes you run around in circles in three small areas filled with endlessly respawning enemies and proofs of developer's incompetence. Daggerdale is dumb, tiresome and extremely bugged. [July 2011, p.80]

Given the amount of puzzles tied to light and darkness I would risk a statement that has the Shadows of the Damned been developed using the fantastic Alan Wake's engine, it would be outstanding. What other game offers you gross visions of hell flavored with crude humor? Where else can you find a horse pooping spheres of darkness? Or an infernal lord called Fleming? [July 2011, p.78]

Gloomy atmosphere was achieved with a well written story, sedulously drawn backgrounds and great audio. It's also a satisfying finale of the trilogy. Over 10 hours offered by this game is a time well spent. [July 2011, p.76]

All the fights against generic enemies look the same and get boring even faster than the shallow plot and repetitive quests. If you're looking for sleeping pills that also induce nausea I can recommend Faery. [July 2011, p.75]

The freedom to move around the city and the ability to use powers that everyone would like to have as a superhero are this game's undeniable pros. It does not overwhelm you with activities though so those who enjoyed training assassins and renovating shops in Renaissance Rome will probably be disappointed. [July 2011, p.72]

Your choice of the character (Caddoc, a warrior, or E'lara, a ranged weapon specialist) determines whether Hunted turns out to be a generic hack'n'slash or a quite decent fantasy themed shooter. I was surprised how much I enjoyed scoring headshots with a bow. [July 2011, p.70]

Order & Chaos Online is not yet perfect but in its current form is already a mature MMORPG not very different from what World of Warcraft had to offer on the day it came out. Which is even a bit scary considering that consoles are still waiting for a game like this and on PCs Blizzard's masterpiece doesn't have a really worthy competition. [July 2011, p.69]

New game by Obsidian is a great action RPG but a poor Dungeon Siege. It intrigues you with its story, sucks you in its world and makes you want to cut through consecutive enemy hordes while picking up and trying on a growing number of new enchanted pantaloons. A the same time it's aimed mainly towards console gamers and it's so different from the previous Dungeon Siege games that the title doesn't really fit. [July 2011, p.66]

Alice: Madness Returns is a dream come true for me as a fan of American McGee's Alice. It's a worthy heir and at the same time a fully modern game that can vie with the best contemporary representatives of this genre. It's long, it's difficult, it's rewarding and enchanting – so far the game of the year for me. [July 2011, p.62]

Armageddon lacks ideas that could help vary the experience. It's hard to tell the missions apart, because in almost every room and every tunnel you have to do the exact same things. The developer made a mistake of betting everything on just one feature – total destruction. [July 2011, p.60]

If I didn't have to write this review, I wouldn't complete the game. I would chuck it in after 2 hours. Duke might be a legend but believe me – this game is so bland it's a waste of time. Duke Nukem Forever should have stayed where it spent so much time: on the drawing boards. [July 2011, p.54]

Those who expected a separate adventure, an independent chapter in Aventuria's history, will be sorely disappointed. It's more of a DLC. It's nice to see the game world expanded with a new setting (a beautiful elven city) and new quests offering up to 10 hours of gameplay but I can't help but think it's not enough for a full-fledged expansion. [June 2011, p.84]

Child of Eden is an abstract interactive music video trying to induce the state of synesthesia. This significant journey is short though – all the game's 'worlds' can be discovered in two hours. It's hard for me to recommend the game to anyone but dance music enthusiasts who are additionally able to hear red C-sharp vibrate hypnotically. [June 2011, p.83]

Interesting but unpolished, ambitious but too weak to lift the weight of these ambitions. What bothered me most was that the brilliant idea of bringing other players into your single player mode was not realized properly. [June 2011, p.80]

It captivates you for an hour using the element of surprise. When you shake off the hefty dose of absurdity, you quickly become bored as the gameplay is uninteresting and looks like a bunch of random (and often nonsensical) ideas crammed into one game by force. [June 2011, p.79]

If in your dictionary the 'point'n'click' entry lies close to 'good old times', We Negotiate With Terrorists is the game for you. If not, you can – as Hector would say – go #$%^&^ yourself. Twice! [June 2011, p.78]

A caption on the box for Polish edition of Lost Horizon promises a 'traditional adventure game with a cinematic feel' – and this slogan is very accurate. For the fans of Indy-like adventures Lost Horizon is a must-have. [June 2011, p.76]