The Outlast Trials is a solid co-op horror game that develops the ideas from previous installments in an interesting way. However, it’s a pity that the story is fragmented so much that it becomes unengaging. Plus, it’s a title you should experience with your friends, because it can be tiresome when played with randoms.

Given the amount of puzzles tied to light and darkness I would risk a statement that has the Shadows of the Damned been developed using the fantastic Alan Wake's engine, it would be outstanding. What other game offers you gross visions of hell flavored with crude humor? Where else can you find a horse pooping spheres of darkness? Or an infernal lord called Fleming? [July 2011, p.78]

A really great Lego game, surprisingly fresh for a company famous for releasing the same product over and over again. [06/2014, p.56]

Yuke’s made some improvements taking the series in the right direction, but do not expect any revolutionary changes, because the most important aspect – the combat system – was only slightly modified. [13/2015, p.38]

It’s a shame that because of the limited processing power Hyrule Warriors lost much of its visual attractiveness and fluidity, but other than that it’s one of the best games in the series. [05/2016, p.75]

WRC 5 is surprisingly good for a studio’s debut in the rally games genre but it’s pretty obvious that the developer ran out of time and money too fast. [13/2015, p.39]

Vesper is full of redundant screens that you simply run across, which made the campaign longer but at the cost of watering down the gameplay. In theory, complexity of challenges rises due to introduction of time limits, increasing number of robots and longer escape sequences, but I completed most of the game almost with my eyes closed. It’s a beautiful, atmospheric adventure, but it would definitely benefit from being a bit harder. [10/2021, p.73]

FIFA 22 shows its wasted potential every step of the way. When everything works as it should, it’s the best FIFA in years. The problem is that while sometimes the new HyperMotion technology works great and really makes a noticeable difference, the game often picks wrong animations from its mind-boggling array of 8 million. Let’s hope EA Sports builds on these promising foundations, fixes what needs to be fixed and delivers a truly great experience next year. [12/2021, p.36]

The game works great not only during parties but also on lazy family saturdays. To hook me to the screen for longer though, Heave Ho’s levels would have to feature more changing and unpredictable environments because occasional minigames are just not enough. [12/2019, p.68]

Torchlight III makes no attempt at all to introduce anything new to the genre and this lack of originality is disappointing after 8 years of waiting. It’s quite easy to point out a couple of other flaws (e.g. the shallow story), but I chose not to dwell on them, because the game delivered exactly what I expected from it – around 20 hours of enjoyable hacking and slashing that doesn’t engage the mind too much. [13/2020, p.32]

Severed Steel left me conflicted. On the one hand, it’s a pity that a couple of truly brilliant ideas were implemented in a generally unpolished game. On the other hand, despite all its flaws it’s a fun, engaging shooter that kept me in front of the screen for hours. [12/2021, p.39]

At last! A Battlestar Galactica game that leaves fond memories. Deadlock will draw the fans of the show with unmistakable atmosphere and might convince other enthusiasts of space strategy games with its solid gameplay, but could have been more approachable for those unfamiliar with the TV series. [02/2018, p.44]

What makes Capsized a challenge is the planet's fauna. Developer's creativity in that department is really impressive and combat is difficult but rewarding: well balanced, fast, based on instinctive responses. The score would have been higher if it weren't for half-baked additional game modes but low price and a really good campaign let you easily overlook that flaw. [July 2011, p.82]

This relaxing arcade game with some light micromanagement gave me the joy of figuring out its mechanics by myself and kept me blissfully stuck in the “one more race syndrome”. [02/2019, p.46]

The latest Halo is a big deal only for hardcore Halo fans. For me the single player campaign was unbearably pompous and despite 1080p and 60 fps the visuals are not as breathtaking as they once were in Halo 4. The game builds a solid foundation for Halo 6, but it’s not one of those games you absolutely have to play. [13/2015, p.48]

Good news: new Portal game! Bad news: it’s just a marriage between Portal and Bridge Constructor. Good news: it’s a happy marriage. Building bridges with GLaDOS might not be as atmospheric and witty as big Portal games, but it sure is fun and it’s definitely not the case of cynical preying on a beloved franchise. [02/2018, p.48]

To obtain decent equipment, you either need to grind till you drop unconscious or take a shortcut and buy it with real money. I’m not a fan of such paywalls, but the quests are very well-written and therefore engaging, and after some time I started to enjoy my life as a witcher, especially that I found Monster Slayer’s combat extremely satisfying. [10/2021, p.78]

It’s obvious that Mayhem Brawler’s developers love the genre and truly understand what makes it fun. Their game resembles Streets of Rage 4 a bit too much for my taste and sadly fails to reach its level of awesomeness, but it’s one of those beat ‘em ups that let you really feel the old school vibe – and that’s awesome. [12/2021, p.45]

Both the single player and online modes are fun but don’t expect to be blown away. Despite a great story and a couple of very enjoyable missions the campaign as a whole is a tad boring. [13/2015, p.50]

It’s a shame that Get Famous doesn’t introduce anything that would definitely set it apart from Get to Work, but it still is an expansion worth playing, and not just purely out of sentiment for The Sims. [02/2019, p.48]

If you want to travel back in time to the period when adventure games posed a clever challenge, you won’t find a better game to do so. Epiphany is the best game in the series, so I’m genuinely sad there won’t be a follow-up. [06/2014, p.64]

The game looks great and the combat system is fantastic but the urge to 'improve on FF XIII' resulted in a step backwards for the franchise. The distinctive feel of the previous game is gone. [March 2012, p.66]

If Battlefield is too arcadey for your taste and you’ve already heard everything about every player’s mum’s morals in CS:GO, Insurgency is an interesting alternative. It does have some minor technical problems, but once the developers sort them out, every tactical combat fan needs to check it out. [02/2019, p.51]

The vision behind Bendy and the Ink Machine is so absurdly coherent that soaking in the game’s atmosphere is pure pleasure. It’s a shame that the overall impression suffers from repetitive gameplay and – from time to time – boredom. [02/2019, p.52]

I love the tension that builds when two experienced players face each other and turn their duel into a believable, fascinating spectacle of skill and tactics. For Honor really shines when that happens. Unfortunately great combat system is not enough to make a game great as a whole. For Honor’s single player campaign is a joke, there are connection issues and no dedicated servers, and 4v4 modes often turn into mindless slaughter. [04/2017, p.36]

There’s no way to get bored in Life Goes On. Partly because it frequently introduces new obstacles and other elements of environment, but also due to the fact that it only lasts for three hours. [06/2014, p.67]

Sable never rushes you. You take in the setting and simply enjoy the essence of the game – the journey entwined with a tale about maturing and change. If you don’t like to hurry at breakneck speed and prefer to look under every rock, there’s a chance Shedworks’ game will charm you. You’ll just need to turn a blind eye to some technical flaws, get on your flying motorbike and set off towards the horizon. [12/2021, p.54]

It’s a pity that this magical, beautiful journey inspired by Contrast comes to an end after merely two, three hours tops, and gives no incentive to relive it. [02/2019, p.58]