Evil West has a lot of things going for it—the designs are fascinating, the lore excellent, and the gameplay can be massively fun on hard. But it also has some downfalls—the levels feel just a bit too linear, and the main narrative takes a while to really jump into, and even then, it struggles with fluid cut scenes and complexity. While other games have been able to get away with a basic narrative because of their fantastic action, Evil West isn’t quite there.

Motorslice has some cool moments, but they’re largely lost in stale and dated gameplay and weirdly sexualized beats.

FOAMSTARS is a fun party shooter with chill vibes and vibrant expression that just needs a few additions to be truly great. The foundation is there, Square Enix just needs to tweak the formula a bit before it is worth recommending without hesitation.

Deliver Us Mars delivers a thoughtful, poignant story with deep characters, pretty landscapes, and well-done puzzles. However, there are always two sides to every coin. The linearity didn’t do the environments justice, the puzzles felt too sparse and easy, and the character animations were much too odd.

Eastward is a great game. It’s beautiful, it’s a story well-told, and it’s very fun to play. But for me, the entire experience was tainted by what I quickly and inescapably perceived as racist and sexually exploitative depictions, which is just such a monumental shame of a thing to tarnish an otherwise incredible experience. I mean, this game has an entire virtual RPG video game built into it that you can play. But I simply can’t rate this experience highly with how tarnished my view of it all is. I love playing it, I recommend playing it, but I also insist you judge for yourself these character depictions and whether they meet the standards we should expect from games.

Overall, A Tale of Synapse is a mixed bag. While the art is pretty and the logic-based puzzles are generally fun, the experience is mottled by the bad English writing, the too-easy puzzles, and the occasional glitches that require a full shutdown of the game.

Kitsune Zero is hitting the market just before its sequel, Kitsune Tails. The DLC is a blatant attempt at marketing its characters prior to a larger release and mostly fails in the process. Despite the thoughtless dialogue, frustrating controls, and lack of originality, the developers have at least put consideration into their art direction.

While Lost Epic sports nice visuals, a great soundtrack and engaging, challenging gameplay, it’s also incredibly tedious to progress with many of its mechanics left unexplained, and a story that is incredibly dull and forgettable.

With a desire to attract more players to a cops and robbers experience, it’s clear Payday 3 is still continuing to improve itself while aiming to add more content over time.

Super UFO Fighter is neither super nor a fighter. It’s a perfectly fine game that could entertain for a little bit on your own or with a friend, but a party game this is certainly not, and neither is its difficulty finely tuned enough to feel engrossing on either end of the difficulty spectrum.

Ultimately, WitchSpring3 Re:Fine is a perfectly average title with its highs and lows. It’s not my kind of game, but I’m certainly glad that fans of this Korean franchise will be getting a chance to have it on a major platform. Bogged down by the shadow of its mobile game past, WitchSpring3 Re:Fine will probably appeal, primarily, to fans of the franchise. Newcomers might find this entry hit or miss: it just depends on if Eirudy and her story grab your attention. I will say that the Magic Circle system—this is used to power up your magic—was a bit confusing. That might be due to the overwhelming amount of info stuffed into each textbox, which unfortunately suffers from the small font size.

The roguelike genre feels saturated with games that provide endless variety but with very little substance, and DIG – Deep in Galaxies feels like another unfortunate addition to the list. It gives a few highs, but they get lost somewhere after the fifth repetitive objective on the fifth identical-looking planet.

Warriors Abyss has its heart in the right place and some interesting ideas, but its particular blend of musou and roguelike doesn’t feel like it’s fully realized. A novel blueprint for something down the line, but as-is, it’s hard to justify for anyone but the biggest fans of the Warriors series.

Jujutsu Kaisen: Cursed Clash isn’t bad, per se, but it is lacking. Maybe it’s hindered by the expectations associated with the IP, or maybe it’s just too much like every other arena fighter we’ve gotten. Either way, the lackluster take on the genre has a lot of jujutsu sorcery to learn.

Life is Strange: Arcadia Bay Collection is a mediocre remaster and Switch port of two great games in the series. While the saga still holds up narratively, the gameplay experience is unfortunately greatly hindered by several issues.

FBC Firebreak delivers an experience that is, at best, competent and, at worst, tedious. Given the glut of options in the multiplayer FPS market and the $40 price tag this game carries, it is hard to suggest it to anyone.

FATAL FRAME II: REMAKE has the potential to be something great. The most important elements of a great horror story are there, but they get lost far too quickly.

New World Aeternum struggles to be worthwhile for many players. The MMO genre is stuffed with excellent dug-in titles that are difficult to pull players away from for long, just as the original release of New World saw. With its unimpactful combat, lackluster story, and its most interesting content only being accessible to the most dedicated of players, this spiritual successor just doesn’t mix it up enough.

Besides the abysmal UI, Civilization 7‘s simplifying changes come down to personal taste. For newcomers or fans hungry for a more pared-back or guided experience, there is a lot to love in them. More experienced players or those who value self-driven strategy will find more friction despite some changes being more universally beneficial.

When it’s at its best, Might and Magic: Clash of Heroes – Definitive Edition delivers an enjoyable fantasy tale that is accompanied by a unique gameplay system. However, overly random elements mar the player’s sense of agency within these battles, greatly diminishing the thrill of victory and leaving them wondering if each defeat was truly deserved.

Bleach: Rebirth of Souls is an ok game. When it’s at its best, it’s delivering exciting battles and retelling a story many love in a streamlined and sometimes overly simplified manner. When it’s at its worst, it can be a frustrating affair that leaves you feeling a need for a more polished experience and nuanced.

Unfortunately, the Sacre Bleu experience is too uneven. Technical issues, bland design choices, and a lackluster story make it a chore to play.

When the easy flow and music clicks just right, it hits well, but there is little else on offer here. Its lack of deeper mechanics or aspects for players to sink their teeth into is rather disappointing and leaves Skate City with nothing to hook players after experiencing the vibe it offers.

Tomb Raider I-III Remastered is a mixed bag of a remastered bundle. While it offers players new quality-of-life updates and great new features, the experience is marred by frustrating movement and an unreliable camera.

Player enjoyment from The Last Oricru relies heavily on what matters to them. If they are looking for a fun co-op romp with interesting build possibilities to toy around with, the game is likely worth picking up on sale. However, it does not have much to offer for players who care more about a difficult journey across a well-realized world with lore and secrets to piece together.

Unfortunately, the aspects of Winter Ember surrounding its core gameplay loop are so lackluster. The game’s stealth mechanics and tight design have the potential to be a solid new entry in the genre, but the game’s less polished parts ultimately hold it back.

For most of my time with Diablo Immortal, I was pleasantly surprised. But when I reached the endgame content it became clear that all of that was to trap me in an exploitative revenue scheme. I would have been more than willing to buy a battle pass here and there or even some cosmetics or expansions to support Diablo Immortal into the future, but its bold and scummy approach to manipulating vulnerable players not only soured my entire experience with the game but marks a dangerous cornerstone in the monetization of similar products in the future.

Fans hoping to return to a game they are already familiar with will likely be very satisfied with Romancing SaGa -Minstrel Song- Remastered. It does an admirable job of remastering the game’s visuals and adds a considerable amount of new content for fans to engage with. However, it doesn’t do quite enough to make the game accessible or interesting enough for most newcomers.