Boston Globe's Scores

For 7,964 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7964 movie reviews
  1. Isn't always easy to sit through, but it repays patience. It's an honorable film, and it earns its undertow of poignancy derived from.
    • Boston Globe
    • 82 Metascore
    • 88 Critic Score
    This is a warts 'n' all portrayal - there's no dodging the feelings of both disgust and amusement.
    • Boston Globe
  2. Likable performances from its young cast and a better-than-average script add spark to this formulaic fairy tale and make the wrestling mania watchable.
  3. Stumbles over its own clumsiness until it goes down for the count.
  4. Less than memorable.
  5. Plummets into the realm of ludicrous failure.
  6. Sad, funny, brilliant.
    • Boston Globe
  7. X
    It doesn't tap deeply enough into any of the characters to compel us to identify with one or another.
    • Boston Globe
  8. The story is spun forth ravishingly, tenderly, and urgently, with a captivating mix of beauty, spare sophistication, and profound humanity.
  9. Maudlin script mars teen love.
    • Boston Globe
  10. Pretty lame stuff. Already it seems to be passing with the speed of light into the limbo of utterly forgettable "who-will-I-take-to-the-prom?" movies.
  11. While no individual plot strand is vividly compelling, their interplay makes for a hearty and humanistic mix, carried by the performances.
  12. It's too fragmented and diffuse to ever bring its parts together in any really satisfying manner.
  13. Angst-ridden, yet graceful, stylish, and optimistic allegory about swerving off one road and finding your way back via another.
  14. The reason to sit through its uninspired, formulaic moves, however, is its half-dozen spectacular fight sequences.
  15. Roberts and Erin Brockovich have Oscar contender written all over them.
  16. Starts by cheating death and ends by cheating us.
  17. Wrestling gets in America's face and Blaustein gets in wrestling's face. It's a fascinating tango.
    • Boston Globe
    • 50 Metascore
    • 75 Critic Score
    There is a palpable edge-of-the-seat tension and a number of complex ethnic issues that linger after the movie ends.
  18. There are times when it moves into the guilty pleasure zone.
  19. A supernatural thriller that is neither super, natural, nor thrilling.
  20. Never having decided whether it wants to be comedy or a sentimental hand-wringer, it tries to be both and winds up being neither.
  21. Best when it's playful, toying with the fact that the Mafia has in a single generation been transmogrified from myth to joke.
  22. Executed on a pretty broad level, but if characterization is slighted, the ensemble is so rich, with such depth, that every few minutes another juicy turn keeps coming our way to divert us.
  23. The film is almost as shaky as the science, but Nichols knows how to get the most out of what amounts to a one-joke comedy, and Bening works virtual miracles.
  24. It isn't often that lives of quiet desperation are served up with such pearly restraint.
  25. The liveliest, most original family values film of the year so far.
  26. The end is a long time coming in Reindeer Games and the dialogue is mostly slush.
  27. A sweet screenful of quirky chaos.
  28. While it preserves his baseball feats, it looks beyond them to clarify Greenberg's place in American culture.

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