Boston Globe's Scores

For 7,945 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7945 movie reviews
  1. The action is mostly witless and predictable. One measure of its desperation and lack of respect for its audience is the frequency with which it labors to wring humor from flatulence and excrement gags.
  2. A solid two-bagger, not a home run.
    • Boston Globe
  3. (Washington's is) an astonishing performance, partly because it's so devoid of histrionics, and it has Oscar nomination written all over it.
    • Boston Globe
  4. Takes on provocative and stimulating subject matter, but can't bring it into satisfying dramatic focus, stranding three strong actors who are superior to their material.
  5. Isn't going to be a contender
  6. A brilliant production of a mediocre play.
  7. A clever, affectionate, and entertaining holiday snack for sci-fi fans. Falling somewhere between slick and cheesy.
  8. A slick, twisty, top-of-the-line crime thriller with gorgeously sensual textures and a screenful of wickedly faceted performances.
  9. The kind of richly layered film that Hollywood seldom attempts, much less brings off. But it's more than brought off here in grand, solid style and beautifully crafted detail.
  10. While the film dutifully reproduces many incidents from the book, it lacks the spirit and vitality of its source. And - no small problem - it lacks McCourt's voice knitting the vignettes together.
  11. Far too long, but its rambunctiousness is engaging, propelled by Stone's virtuosic quick-cutting.
  12. Remains a frustratingly opaque study. There's something missing, namely Kaufman.
  13. There's too much control in it and not enough danger.
  14. As savage and as epic as film gets.
  15. A confident and promising directorial debut, one that has the feel of an experienced director to it, from the hypnotic unfolding of scenes to the finely observed character details.
  16. Few actors apart from Williams could bring it off.
  17. The new Stuart Little is OK, but it's never so charming that you forget you're watching a manufactured object.
  18. In the end, it's the snatches of music, mangled as it is, and the mechanics of staging it, in the absence of Leigh's usual raw, urgent psychic collisions, that keep Topsy-Turvy from seeming merely a gorgeous wax museum.
  19. A big, handsome throwback to star-powered historical costume movies.
  20. Magnolia is "Short Cuts" with hope. It's my kind of mess.
  21. It's filled with vivid characters and action. Beneath its modesty of gesture, it's one of the year's richest, most humane films.
  22. Brings the '30s vividly to the screen.
  23. Figgis's film doesn't match its reach.
  24. In all respects, from choice of material to fullness of execution on every level, The War Zone is an extraordinary piece of work.
  25. Sadly unworthy of Douglas.
  26. Needs less down-to-earth flavor and more unearthly force.
  27. There's almost too much there, but the three-hour-plus film permits the kind of detailing that not only brings the storytelling to life, but sometimes persuades us we're breathing to its rhythms.
  28. Schneider's mild-mannered fish-lover is genuinely likable, and a good-natured foil to the crude jokes.
  29. There's nothing really wrong with Agnes Browne, except a tendency to take a few easy, convenient outs.
  30. In the end, Holy Smoke crashes and burns.
    • Boston Globe

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