Boston Globe's Scores

For 7,964 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7964 movie reviews
  1. There's too much control in it and not enough danger.
  2. As savage and as epic as film gets.
  3. A confident and promising directorial debut, one that has the feel of an experienced director to it, from the hypnotic unfolding of scenes to the finely observed character details.
  4. Few actors apart from Williams could bring it off.
  5. The new Stuart Little is OK, but it's never so charming that you forget you're watching a manufactured object.
  6. In the end, it's the snatches of music, mangled as it is, and the mechanics of staging it, in the absence of Leigh's usual raw, urgent psychic collisions, that keep Topsy-Turvy from seeming merely a gorgeous wax museum.
  7. A big, handsome throwback to star-powered historical costume movies.
  8. Magnolia is "Short Cuts" with hope. It's my kind of mess.
  9. It's filled with vivid characters and action. Beneath its modesty of gesture, it's one of the year's richest, most humane films.
  10. Brings the '30s vividly to the screen.
  11. Figgis's film doesn't match its reach.
  12. In all respects, from choice of material to fullness of execution on every level, The War Zone is an extraordinary piece of work.
  13. Sadly unworthy of Douglas.
  14. Needs less down-to-earth flavor and more unearthly force.
  15. There's almost too much there, but the three-hour-plus film permits the kind of detailing that not only brings the storytelling to life, but sometimes persuades us we're breathing to its rhythms.
  16. Schneider's mild-mannered fish-lover is genuinely likable, and a good-natured foil to the crude jokes.
  17. There's nothing really wrong with Agnes Browne, except a tendency to take a few easy, convenient outs.
  18. In the end, Holy Smoke crashes and burns.
    • Boston Globe
  19. The immaculately crafted film that just sits there and refuses to come to life.
  20. Agreeable eye candy and ear candy, but it's too slight to reach as deep as it thinks it wants to reach.
  21. Gives three first-rate actors a chance to stretch, and they do.
  22. A smartly crafted throwback to the gritty Manhattan crime melodramas of the '40s .
  23. You'll care what happens in this film with more than enough freshness and originality to avoid succumbing to girls-on-the-run cliches.
  24. It seems endless. It's also unusually crude and stupid, even for an Arnold Schwarzenegger movie.
  25. It's one of the few films that persuades you that it went out to meet the war and bring it to us with verisimilitude.
  26. Everything you could want in a sequel. It satisfyingly regenerates the characters and qualities that made the first film so popular. And then it moves them forward into newer, fresher, more elaborate, more involving territory.
  27. This 19th Bond installment is passable, but only just.
  28. A tender genuflection to the women's energies that keep that spinning world from keeling over.
  29. A gorgeous screenful of period eye candy.
  30. A miracle of data retrieval as the grown schoolchildren are measured against their footage from the earlier films.

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