Boston Globe's Scores

For 7,945 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7945 movie reviews
  1. I'd take a chance on it anyway, even if it stumbles and loses its way.
    • Boston Globe
  2. Give it a chance and you'll probably share the cast's collective impulse to dive in and embrace it.
  3. It's a meditation on life and death, but it's less somber and more light-handed, subtle, and mischievously funny.
    • Boston Globe
  4. A train worth catching.
  5. A lively and affectionate cross between an infomercial and a genuflection.
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  6. It's terse, atmospheric, fatalistic, with vertiginous camera angles and edits offsetting its gray documentary flatness.
  7. Richly compelling.
    • Boston Globe
  8. Doesn't quite rank with the films that bracket Heckerling's pop-culture high priestess status
  9. 2000 isn't about nobility and humility; saving the planet from evil collectors is what sells video games.
  10. Ford and Pfeiffer deliver craftsmanlike work, but the film steadily unravels as Zemeckis tries to ratchet up the suspense.
  11. The moral universe remains unsullied in this lite, lo-cal thriller - the cinematic equivalent of a fizzy summer drink.
    • Boston Globe
  12. The film does not offer an optimistic view of relationships.
    • Boston Globe
  13. A deft, elegant, melancholy tapestry of flawed outreach, and the big reason it succeeds is Podeswa's courage in dispensing with a lot of exposition and trusting the audience - and the faces of the actors - to fill a lot of what otherwise would be gaps.
    • Boston Globe
  14. It's all we ask of a film but almost never get, as it first makes us squirm, then makes us cheer.
  15. Recedes to a string of mere action exploits. These are proficiently executed but, for all their visual authority, not much more than routine.
  16. We're in a golden age of comedy, and one of the reasons is Margaret Cho.
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  17. It's a lame and painfully overextended satire of homophobia.
    • Boston Globe
  18. Too bad The Kid gets bogged down in its sentimental manipulations. It has more going for it than you might suppose.
  19. The question facing the target audience for Scary Movie is whether the funny bits will be enough of a payoff for sitting through the tedious stuff between them.
  20. You won't see a more humane and delicately moving riff this year on the theme of getting clean.
  21. It's a sunny, funny, fittingly cartoony blend of computer-generated 3-D representations of the flying squirrel and his pal the moose with actors.
    • Boston Globe
  22. 'Titanic'' was a case of a cheeseball story riding terrific effects. The Perfect Storm is in every important way deeper.
  23. There are so many wonderful moments in Trixie and so few films like it that you wish Rudolph had given it a few more rewrites.
  24. It's often corny, but it's never boring, and it'll sweep you up in its momentum if you give it a chance.
  25. It has a few laughs, but it also has a lot of dead air, and barely any plot at all. In sporting terms, it's no home run.
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  26. There's nothing paltry about its poultry.
    • Boston Globe
  27. You can count on the fingers of one hand the number of works in any given year to which one is moved to apply the word ''masterpiece.'' Raul Ruiz's Time Regained is one of them.
  28. A space shot worth taking.
  29. With Jackson leading the way, Shaft has style, punch, and street cred. It's a hot cool update.
  30. Plays like a college version of ''When Harry Met Sally.''
    • Boston Globe

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