Boston Globe's Scores

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For 7,950 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
  1. Positive: 5,231 out of 7950
  2. Mixed: 1,554 out of 7950
  3. Negative: 1,165 out of 7950
7950 movie reviews
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    • 57 Metascore
    • 63 Reviewed by
      Ty Burr
    Snow White and the Huntsman
    Just feels like it was made from the pieces of every fantasy-action movie ever made.
  2. Elektra Luxx
    Does a lot of winking and teasing.
    • 68 Metascore
    • 63 Reviewed by
      Ty Burr
    Potiche
    What the movie utterly fails to resolve is what François Ozon is up to here and where he's going next.
    • 72 Metascore
    • 63 Reviewed by
      Ty Burr
    The Double Hour
    What appears at first to be a Euro variation on David Lynch's patented mind games, though, ultimately settles for more conventional pleasures. The movie makes sense, more's the pity, although you may need to see it twice to figure out how.
    • 43 Metascore
    • 63 Reviewed by
      Ty Burr
    The Vow
    It's quite watchable date-night cheese - the kind of movie you can simultaneously snort at and enjoy.
  6. Public Speaking
    Without any framing background information, this affectionate documentary and its continual monologues can feel a little too insidery and indulgent. [22 Nov 2010, p.G9]
    • Boston Globe
      • Posted Jan 10, 2024
  7. Contraband
    I don't know that a lot of Contraband makes sense. But I'm not sure that it has to. The director Baltasar Kormákur carries the movie off with efficiency, brutality, and humor.
    • 61 Metascore
    • 63 Reviewed by
      Ty Burr
    The Bourne Legacy
    The best thing that can be said about The Bourne Legacy is that Renner will survive it.
    • 49 Metascore
    • 63 Reviewed by
      Ty Burr
    Henry's Crime
    Occasionally too pleased with itself, it's also pleasantly unpredictable, and it has a trio of sweet hambone performances at its center.
    • 65 Metascore
    • 63 Reviewed by
      Ty Burr
    Monsters University
    This is not a bad movie, and to small children it will be a very good one. But it is closer to average than one would wish from the company that gave us “Up,” “Wall-E,” “The Incredibles,” and “Toy Story 3."
  11. Rise of the Guardians
    This does seem to leave room for bigger, bolder, more momentous adventures down the line.
    • 80 Metascore
    • 63 Reviewed by
      Ty Burr
    The Secret World of Arrietty
    At the technical level, The Secret World of Arrietty isn't as ambitious as the studio's finest work, and the animation is stronger on texture than detail.
    • 58 Metascore
    • 63 Reviewed by
      Ty Burr
    Men in Black III
    Brolin's performance is funny, masterful, confident, and more than a little unsettling. If one human being can sample another, that's what's going on here. The rest of Men in Black 3 is about as good as one could hope for from an unnecessary sequel that's a decade late to the party.
    • 47 Metascore
    • 63 Reviewed by
      Ty Burr
    Rock of Ages
    The movie has its cheesy pleasures, and some of them are even intended. I'm just not sure whether Tom Cruise's impersonation of Axl Rose is one of them. 
  15. Madagascar 3: Europe's Most Wanted
    You can picture the DreamWorks corporate confab: "OK, the kids respond to move-it, move-it repetition - give us something else repetitive, and let's get herding." It wasn't just desperate, it was insulting.
    • 69 Metascore
    • 63 Reviewed by
      Ty Burr
    Brave
    Eventually it straightens out into a fast, funny, emotionally resonant story about mothers and daughters, but it takes a while to get there and it's never less than weird.
  17. The Croods
    Some of the exotic landscape the group trailblazes looks imported from “Avatar” — happily, bringing that immersively dimensionalized, eye-catching quality along with it.
  18. The Elephant in the Living Room
    The movie effectively rids you of any notion that owning a cougar or a python is a good idea.
  19. Armadillo
    Metz is another artist more interested in war's side effects than combat itself, although he and his crew are embedded for battle.
    • 74 Metascore
    • 63 Reviewed by
      Ty Burr
    Higher Ground
    The end result's a muddle and a good argument for why actors shouldn't direct themselves first time out. Farmiga's a generous and observant performer, but she lacks a shaping hand, not to mention the ruthlessness that's probably a necessity for any director.
    • 62 Metascore
    • 63 Reviewed by
      Ty Burr
    The First Beautiful Thing
    The First Beautiful Thing is the kind of movie - that escapes the sick room to cavort at carnivals and eat cotton candy until the inevitable relapse.
    • 45 Metascore
    • 63 Reviewed by
      Ty Burr
    Hesher
    It's a fearsome and giddily unhinged performance in a movie that isn't entirely sure what to do with it.
  23. A Better Life
    This isn't a case of a liberal-minded movie inflicting goodness upon a character but a man radiating goodness because, well, he is good.
  24. Just Like Us
    The idea that self-mockery makes people relax is tricky. One man's disarmament is another's minstrelsy, and the fine line is well worth another documentary.
    • 61 Metascore
    • 63 Reviewed by
      Ty Burr
    Trollhunter
    What Trollhunter isn't is particularly scary, but in its defense, it's not trying to be.
    • 65 Metascore
    • 63 Reviewed by
      Ty Burr
    Viva Riva!
    Writer-director Djo Tunda Wa Munga deplores the corruption, gunplay, and oversexed misogyny plaguing his country - and he's going to show you as much of it as possible before the end credits roll.
    • 76 Metascore
    • 63 Reviewed by
      Ty Burr
    Buck
    The man's mythology precedes him, and it's the movie's failing that we don't understand how or whether he uses that mythology because he knows it's good business.
    • 66 Metascore
    • 63 Reviewed by
      Ty Burr
    Another Earth
    Another Earth is being sold as an indie sci-fi drama, but that does both the movie and its proper audience a disservice. This muted story of atonement, forgiveness, and parallel universes is more of an extended metaphor - a work of earnest poetry rather than science.
    • 72 Metascore
    • 63 Reviewed by
      Ty Burr
    Terri
    The movie struggles to find its shape throughout. Jacobs favors observational moments rather than linear narrative, and that's fine, but you still sense he's drifting toward a point that never quite coheres.
    • 68 Metascore
    • 63 Reviewed by
      Ty Burr
    Like Crazy
    Like Crazy gets the evanescence of young passion right - the way it ultimately has to burn off, leaving us standing in an unfamiliar adult world. But it never convinces us of the fire itself.
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