Boston Globe's Scores

For 7,950 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7950 movie reviews
    • 64 Metascore
    • 63 Reviewed by
      Ty Burr
    Mother and Child glows for a good 90 minutes before an increasing reliance on contrivance and coincidence makes the lamp flicker and then fizzle out.
  1. Gallic humor translates splendidly when it comes courtesy of Moliere. The drop-off from that height is very, very steep.
    • 55 Metascore
    • 63 Reviewed by
      Ty Burr
    At the very least, Agora finally gives Rachel Weisz a role that almost exactly matches her intense, humorless, but undeniable star charisma.
    • 59 Metascore
    • 63 Reviewed by
      Ty Burr
    The film's lack of focus is almost criminal, but schadenfreude energizes Stone.
  2. The result is sometimes charming and always visually astonishing.
  3. Amazingly, Never Let Me Go could have been assembled from the Merchant-Ivory kit. It's stale with suppressed anguish.
    • 64 Metascore
    • 63 Reviewed by
      Ty Burr
    This is one of those rare movies that genuinely likes its characters and wishes them the best; as agonizing as it can be to watch Jack fumble toward human connection, Hoffman knows the fumbling's the point.
    • 70 Metascore
    • 63 Reviewed by
      Ty Burr
    A fascinating shambles of a documentary - fascinating because its subject is so influential and so deranged, a shambles because its filmmaker can't decide which approach to take and so takes all of them.
    • 66 Metascore
    • 63 Reviewed by
      Ty Burr
    Whenever The Girl Who Played With Fire threatens to stall, Lisbeth whips out her Taser and tortures another sleazy, abusive man into vomiting forth his dirty secrets. In Sweden, I believe they call this "light entertainment.''
  4. The only real tension the documentary has, once Steinbauer has his first meeting with Rebney, is whether the filmmaker is celebrating him more than exploiting him.
    • 74 Metascore
    • 63 Reviewed by
      Ty Burr
    It's a bizarre, provocative story and a moving one, but it doesn't access the richer levels and themes of the film the publicity campaign obviously wants you to think of: 2006's "The Lives of Others."
    • 61 Metascore
    • 63 Reviewed by
      Ty Burr
    Fascinating for its gonzo formal daring and brooding attitude, "Valhalla'' is still a trial for audiences seeking characters, plot, and things happening.
  5. A passable, sometimes skillful farce.
    • 77 Metascore
    • 63 Reviewed by
      Ty Burr
    A charming, spiky period piece that might be called "Boo Radley: The Final Years."
    • 45 Metascore
    • 63 Reviewed by
      Ty Burr
    Sweet, smartly acted, and charmingly old-fashioned, Flipped is a minor pleasure that will strike a lot of moviegoers - those who think no one makes movies for them anymore - as a major treat.
  6. The most powerful moment in the film is a tiny one. Anker and his Irvine, Leo Houlding, plan to reenact most of Mallory's climb wearing gabardine and hobnail boots instead of North Face and Gore-Tex.
  7. The ballets are badly filmed. The camera shoots them often from the point of view of the patrons in the auditorium or in a way that dishonors the choreography.
  8. The profanity is delightful. And the general atmosphere is grim. The movie just isn't terribly inspired.
    • 53 Metascore
    • 63 Reviewed by
      Ty Burr
    And again things go bump and eventually yarrrragghhh in the night.
  9. The cute little domestic comedy gains a slightly rough edge - maybe Sven isn't meant to be a father or a husband.
  10. The songs are catchy. The lip-synching, meanwhile, is always a little off, and the dancing is usually average at best.
    • 63 Metascore
    • 63 Reviewed by
      Ty Burr
    What's largely missing from It's Kind of a Funny Story: genuine emotional pain. Still, the movie's an often charming example of "Cuckoo's Nest'' Lite.
    • 79 Metascore
    • 63 Reviewed by
      Ty Burr
    It's an honorable attempt, but there's still no genuine need for this film to exist.
    • 67 Metascore
    • 63 Reviewed by
      Ty Burr
    As sympathetic and well-turned as it is, Nowhere Boy only gives us more mythology.
  11. What Conviction lacks in characterization (the people here are monochromes - bright ones, but monochromes nonetheless) it makes up for with personality.
    • 63 Metascore
    • 63 Reviewed by
      Ty Burr
    Monsters is a genuine curio: a moody, low-budget road-movie romance that takes place against a background of alien invasion.
  12. It's entertaining enough, like watching a celebrity workout film with a plot. But never once is it believable.
    • 44 Metascore
    • 63 Reviewed by
      Ty Burr
    Faster is meat-and-potatoes action with a side of crazy.
  13. The movie has a field day with thousands of airborne lanterns, a troop of Neanderthal thugs (one is a mime), some surprisingly fleet camerawork, and good editing. I can't think of a cartoon more confident about how to use jump cuts for comedy. Those senses of cleverness and innovation merely underscore how shopworn the rest of this movie is.
  14. It's more like a cartoon with a body count.

Top Trailers