Austin Chronicle's Scores

For 8,783 reviews, this publication has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this publication grades 6.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 58
Highest review score: 100 The Searchers
Lowest review score: 0 Gummo
Score distribution:
8783 movie reviews
  1. Just sputters along, albeit pleasantly, while revisiting the realm of the abundantly familiar.
  2. Most folks are just plain bored -- and I mean cross-eyed, wall-climbing, deep-down-to-the-molecular-level bored -- with this ubiquitous Endearing Wiseguys school of movie comedy.
  3. Manages to capture the essence of one of the world's most surprising success stories.
  4. The landscape and the lovers are pretty to look at, but two households divided should really pack more of a punch.
  5. The script negates anything heartfelt with its flippant, almost vulgar tone.
  6. A moderately entertaining, mostly inoffensive piece of filmmaking.
  7. Emerges as an artful, courageous, experimental work that is as compelling as it is impaired.
  8. Ms. Elliott's film is, in part, an effort to reverse his slow slide into obscurity. On this level it's an unqualified success.
  9. When Deneuve is not onscreen, the film is never denuff.
  10. It's a pleasure to watch, but I found myself wondering if having a story here even mattered to the director at all.
  11. It's all pretty goofy, which I assume is the point, but it's also pretty dull.
    • 36 Metascore
    • 67 Critic Score
    Too bad the movie about him is just as flawed.
  12. The most articulate and entertaining commentary on racial differences to have come down the pike in quite a while.
  13. Not only are these characters beautifully underplayed, but they're underplayed by two of the most enthusiastic scene-stealers around: Walken & Lauper.
  14. That Aimée & Jaguar manages so well in triple duty as a wartime melodrama with a lesbian twist is remarkable.
  15. Near-unwatchable romantic melodrama.
  16. It works not at all.
  17. If this movie does anything to rally crowds against cinema's mass distribution of mediocrity then it has served a noble purse.
  18. As obvious as they get, and it wears its message on its bloodied jersey.
  19. It's the kind of film you feel like watching twice -- not because you found it that engaging to begin with, but because you didn't, and everyone else did.
  20. A real audience pleaser.
  21. Its cheeky, good fun is what makes Psycho Beach Party an enjoyable, if weightless, romp.
  22. Failed feminist statement or not, Coyote Ugly is a likable, if confused film.
  23. A boisterous, gooey miscue.
  24. A lighthearted action adventure starring four of the most likable guys on the planet.
  25. There's a nice little story here about the intermingling of cultures, but it rarely gets beyond the obvious clichés.
  26. Sporadically funny, the film seems weighted down, literally, with bulging, bulbous Murphys flatulating endlessly.
  27. A fine example of advocacy filmmaking.
  28. New and amazing -- it takes you back to the days when French filmmaking and French filmmakers were the darlings and saviors of the cinematic cutting edge. It's a great film, simply told, and a pleasure to watch.
  29. So bereft of hope... that it's a chore to withstand.

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