Austin Chronicle's Scores
- Movies
- Music
For 8,783 reviews, this publication has graded:
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41% higher than the average critic
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2% same as the average critic
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57% lower than the average critic
On average, this publication grades 6.8 points lower than other critics.
(0-100 point scale)
Average Movie review score: 58
| Highest review score: | The Searchers | |
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| Lowest review score: | Gummo |
Score distribution:
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Positive: 4,778 out of 8783
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Mixed: 2,558 out of 8783
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Negative: 1,447 out of 8783
8783
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Marjorie Baumgarten
Just sputters along, albeit pleasantly, while revisiting the realm of the abundantly familiar.- Austin Chronicle
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Reviewed by
Russell Smith
Most folks are just plain bored -- and I mean cross-eyed, wall-climbing, deep-down-to-the-molecular-level bored -- with this ubiquitous Endearing Wiseguys school of movie comedy.- Austin Chronicle
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Reviewed by
Marc Savlov
Manages to capture the essence of one of the world's most surprising success stories.- Austin Chronicle
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Reviewed by
Kimberley Jones
The landscape and the lovers are pretty to look at, but two households divided should really pack more of a punch.- Austin Chronicle
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Reviewed by
Kimberley Jones
The script negates anything heartfelt with its flippant, almost vulgar tone.- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
A moderately entertaining, mostly inoffensive piece of filmmaking.- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
Emerges as an artful, courageous, experimental work that is as compelling as it is impaired.- Austin Chronicle
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Reviewed by
Russell Smith
Ms. Elliott's film is, in part, an effort to reverse his slow slide into obscurity. On this level it's an unqualified success.- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
When Deneuve is not onscreen, the film is never denuff.- Austin Chronicle
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Reviewed by
Marc Savlov
It's a pleasure to watch, but I found myself wondering if having a story here even mattered to the director at all.- Austin Chronicle
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Reviewed by
Kimberley Jones
It's all pretty goofy, which I assume is the point, but it's also pretty dull.- Austin Chronicle
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Reviewed by
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- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
The most articulate and entertaining commentary on racial differences to have come down the pike in quite a while.- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
Not only are these characters beautifully underplayed, but they're underplayed by two of the most enthusiastic scene-stealers around: Walken & Lauper.- Austin Chronicle
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Reviewed by
Marc Savlov
That Aimée & Jaguar manages so well in triple duty as a wartime melodrama with a lesbian twist is remarkable.- Austin Chronicle
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Reviewed by
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- Austin Chronicle
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- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
If this movie does anything to rally crowds against cinema's mass distribution of mediocrity then it has served a noble purse.- Austin Chronicle
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Reviewed by
Kimberley Jones
As obvious as they get, and it wears its message on its bloodied jersey.- Austin Chronicle
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Reviewed by
Marc Savlov
It's the kind of film you feel like watching twice -- not because you found it that engaging to begin with, but because you didn't, and everyone else did.- Austin Chronicle
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Reviewed by
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- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
Its cheeky, good fun is what makes Psycho Beach Party an enjoyable, if weightless, romp.- Austin Chronicle
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Reviewed by
Kimberley Jones
Failed feminist statement or not, Coyote Ugly is a likable, if confused film.- Austin Chronicle
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Reviewed by
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- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
A lighthearted action adventure starring four of the most likable guys on the planet.- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
There's a nice little story here about the intermingling of cultures, but it rarely gets beyond the obvious clichés.- Austin Chronicle
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Reviewed by
Marc Savlov
Sporadically funny, the film seems weighted down, literally, with bulging, bulbous Murphys flatulating endlessly.- Austin Chronicle
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- Austin Chronicle
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Reviewed by
Marc Savlov
New and amazing -- it takes you back to the days when French filmmaking and French filmmakers were the darlings and saviors of the cinematic cutting edge. It's a great film, simply told, and a pleasure to watch.- Austin Chronicle
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Reviewed by
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- Austin Chronicle
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