Austin Chronicle's Scores

For 8,783 reviews, this publication has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this publication grades 6.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 58
Highest review score: 100 The Searchers
Lowest review score: 0 Gummo
Score distribution:
8783 movie reviews
  1. Home may be where the heart is, but I kept wishing this poor silly girl would up and move.
  2. Both a headache and a marvel, often eliciting simultaneous groans of despair and sheer wonder at the director's nervy chutzpah.
  3. Graham maintains a casual charm throughout it all, but she lacks the kind of emotional depth that might have pulled this hodge-podge together.
  4. Feels more like Barry Levinson's "Tin Men" on Prozac.
  5. Not even the rich and nuanced performances of stage veterans Smith, Gambon, and Birkin can save this British period drama from languishing amid the story's unfocused longings and unrealistic musings.
  6. U-571's plot moves like a rocket, never pausing for breath, and this works to a point, but certain events ... are glossed over in favor of more (exceptionally well-done) shots of exploding depth charges and topside battles.
  7. In an astonishingly assured film debut, Coppola captures the poetry and sweetness of Eugenides' novel without allowing any of the standard rites of passage -- first dates, high-school dances -- to feel trite.
  8. The fact that the blatantly thumbtacked-on happy ending plays as unvarnished fairy tale adds a definite bittersweet tang of irony.
  9. Ultimately a fluffy bit of caper-noir, the success of Where the Money Is rests heavily with Old Blue Eyes.
  10. A disarmingly enjoyable film.
    • 74 Metascore
    • 50 Critic Score
    A pleasure to watch for the cast alone and their accomplishments should not be obscured by underwritten characters and overwritten jokey set-pieces.
  11. A hackneyed police story, rife with clichés, implausibilities, and weak performances.
  12. Neither bloodthirsty enough to trigger the gag reflex of anyone but the most anemic viewer nor clever enough to yield much in the way of particularly engrossing insights.
  13. Sympathetic to the core but not to be believed.
  14. A challenging concept conveyed here most impressively onscreen.
  15. Solid performances, capable visuals, and the honesty of the interracial subject matter make Restaurant stand out from the typical "I'm an artist, not really a waiter" pack.
  16. Infused with enough infectious charm to make us forget how dopey the plot is and become swept up in its breezy countenance.
  17. It's amazing the filmmakers never really concern themselves with satisfying the audience's rules of engagement.
  18. Although it's interesting and well-performed, East-West never locates its crux: It's all over the map.
  19. Anyone who can watch this film and deny that the Sex Pistols were one of the four or five most exciting and indelibly brilliant rock groups ever is pumping formaldehyde, not blood, through his veins.
  20. I'm sorry. I laughed...There's something pleasurable about a comedy that has no pretensions about where it's coming from.
  21. It's nasty, brutal stuff, but it's also unlike anything else out there.
  22. Fascinating, perplexing, amusing, and irascible.
  23. The film is a TKO before it even had a chance to get off a decent hook.
  24. The DreamWorks team continues to give Disney a run for their money.
  25. An exercise in unintentional farce.
  26. A smart, funny, and youth-savvy relationship film.
  27. A stunning work of beauty, mystery, contemplation, and grit -- and like sands through the desert hourglass, these are the days of our lives.
  28. X
    It sounds as ridiculous as a "Pokemon" episode gone horribly awry.
  29. Less a film than a lyrical, naturalistic tone poem.

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