Unfinished, hardly any optimization and in the end more add-on than sequel: Assault Squad 2 is a mediocre disappointment.

The art design is okay, but mechanics and level-design are as generic as can be, while the difficulty level challenges no one but absolute video game beginners.

Conceptually an interesting golf game, but it stays too superficial to be either a real challenge or to be more than short term entertainment.

This mobile racer definitely shows some potential, but with the concept of pay-to-win in-app-purchases and some rough edges in the design motivation grinds to a stop.

The werewolves deserve better... Cyanide cannot keep the quality level you got used to after games like the Styx franchise.

Principally entertaining, yet unbalanced and in the long run monotonous team action.

I am certainly not disillusioned by the fact that I only get a Civ light on the tablet. But rather by the little progress the game has made in five years and the price politics: You’ll get the in most aspects better predecessor for free. And while you’re at it, you might want to check out Desert Fox, Eclipse or Ravenmark.

It fails to replicate the disturbing psycho-horror of its predecessor whilst adding deadly threats. Instead only the frustrating trial&error as well as the shock recycling get under your skin.

Technically clean remaster of the pixel-brawler. Mechanically, on the other hand, time wasn’t kind and left Scott Pilgrim behind most of the competition.

As a rail shooter this is not that bad – granted that you use the surprisingly well working Kinect controls. Artdesign and storytelling on the other leave a lot to be desired.

This shooting gallery sparks your interest, but gets as generic as its name too fast. It serves as a solid variation of Time Crisis in VR, but leaves too much potential untapped.

It can’t step out of the shadow of the classic original. The problem is not the complexity, though, but rather the micro management chaos as well as the terrible station AI.

Freeskate indie game with an accessible trick system. The lack of story or unlockables as well as the few locations give the impression that it is unfinished.

The spirit of the classic Burnout series is omnipresent. But before the fun kicks into high gear, the highspeed racer is taken down by AI problems or lackluster presentation.

Together with the omission of Move controller support this mainly lacks immersion. The visuals are nice and the headtracking used for control is spot on, but with only four mini-games this is very short-lived.

This is an interesting interpretation of a virtual reality, but narrative and mechanics remain superficial.

I was hoping that Dying Light would be more than Dead Island in a big city. And while the parkour elements as well as the stealth are a welcome but in some cases underutilized addition to the proven zombie killing formula, a lot of the core gameplay is run-of-the-mill open world: Mindless fetch-missions with almost no coherent or suspenseful story.

It reminds you of Ico or Journey, but this exploration adventure doesn’t reach the depth you’re hoping for and disappoints on a technical level.

Hack-and-Slay heaven and bug hell: Wolcen be thy name. While the battle system and the visuals lay the foundation for a promising motivation cycle, the enormous amount of bugs as well as annoying gamedesign blemishes keep pushing you away.

Although the heroes are interesting on many levels, the action is not diversified enough, is missing tactical options as well as technical finetuning.

Two worlds collide: On one side you get loads of bizarre enemies and hair-raising ideas. On the other you get frustrated by old-fashioned mission design, poor AI and boring gunfights. Like Stewie says: "Again! Again! I love repetition!"

The change from semi-open brawler with deep characters to almost linear zombie-shooter with hardly any story was a bad idea.

The idea is good – the game unfortunately isn’t.

This re-imagination of the SNES classic ActRaiser feels sluggish and superficial.

This park builder is too big for Switch. It is not completely unplayable, but fun is scarce.

If World War Z proves one thing, then how exceptionally good Left 4 Dead was more than 10 years ago. It tries to emulate the formula but in the end fails to replicate the good times.

Solid but boring simulation based on a decent visual foundation.

Visually decent refurbished rail shooter straight out of an early 3D-era. Mechanically it is very limited, though, thus making it mostly interesting for Sega afficionados only.