| Warner Bros. | Release Date: February 8, 2019 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
38
Mixed:
12
Negative:
2
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Critic Reviews
The sequel actually slows down the story a bit, with a lower jokes-per-second rate and a little more time for contemplation. But instead of making the new film smaller or duller, it leaves room for a little more sophistication. The sequel’s best gag isn’t a one-liner or a one-off, it’s subtly and fundamentally built into the story.
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Everything is not awesome, but everything isn’t so bad either. How could it be when everything is everything? Perhaps this is the lesson on which kids can glom amongst this admittedly overlong, overwhelming experience: Yoda was wrong; trying is what matters. It’s a lovely lesson, and a lovely movie.
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Lord and Miller are two of a small handful of Hollywood screenwriters whose style is instantly identifiable. They’re adept at flicking a dozen jokes in different directions in the same minute of screen time. If “Lego Movie 2” tries too much, and gets lost in its own messages about familial cooperation, that’s the price of their brand of invention.
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As entertaining as The Lego Movie 2 ends up being — and let’s be clear, it’s still better than 99 percent of its competition — there’s something missing: that white-hot spark of insane creativity and out-of-the-box novelty that made the first Lego Movie such an unexpected, revolutionary surprise. Everything is still awesome. Just a little bit less so.
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The LEGO Movie 2 isn’t quite as funny or as brilliantly executed as the original, but it’s an ambitious, likable sequel. Kids will enjoy it and adults will appreciate that the filmmakers took it seriously, and tried to say something meaningful. Just don’t think about it too much, because the LEGO universe is often weird and confusing.
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Viewers reared on The Lego Movie will find plenty to nourish them anew. The songs are still peppy. The principal voices are still supplied by Chris Pratt, Elizabeth Banks, and Will Arnett. And real, non-animated kids are still shown, now and then, sporting with their Lego creations.
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There’s even a new song called “Catchy Song” that you can’t get out of your head no matter how hard you try. (And you will try.) Another tune, “Super Cool,” plays over the end credits simply to extol the coolness of end credits. Lego 2 never stops, which is part of the problem. Can there really be too much of a good thing? [Pause.] Nah.
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Very cute and very sweet. There was that part of me, though, that kept thinking about the first LEGO Movie, and how much of a genuine Hollywood aberration it seemed — if not a flat-out miracle. The Second Part is fine, but even its title suggests it’s more cog in the machine than disrupter.
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The PlaylistJan 26, 2019
IndieWireJan 26, 2019
There are some hilarious new songs (look out for ‘Gotham City Guys’) and the jokes are more meta than ever, with Arnett’s Batman still invariably the funniest figure in the room. But the comedy feels like overcompensation for a story that gets more convoluted as it shifts back and forth between the human and Lego worlds.
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The Lego Movie 2 ought to have raised the bar, and while it’s faster, denser, and jam-packed with all sorts of catchy new songs (including one, “Catchy Song,” that’s insidiously engineered to get stuck inside your head), all that energy only goes so far to cover for the wobblier foundation on which this film is built.
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To be sure, The Lego Movie 2 is a lot of fun. If you loved the first movie or just need something to see in theaters, it won’t disappoint. It neatly subverts a bunch of the issues the first movie had, particularly when it came to how that movie portrayed its women characters. But it also loses a little something in terms of expectations versus reality.
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The sci-fi settings – dystopian grit-scape, rainbow-coloured cosmos – are dazzlers; the satire is playful not snarky; and as you’d expect, several unexpected cameos. It doesn’t sweat too hard to appease both kids and adults – the latter’s pain much felt in a scene you might describe as product mis-placement.
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Like last year’s "Ralph Breaks the Internet," the movie evolves into a parable about toxic masculinity and the danger of mistaking darkness for depth, but Lego Movie 2’s frequent flips to the real world subject its underlying text to a scrutiny it can’t bear, and take the fun out of reading between the lines. Lord and Miller have always known what they’re doing, but here it feels like they need you to know it, too.
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Replaying many of the visual gags that worked so amusingly before, the latest edition proves every bit as repetitive and uninspired as its glib title, bringing little that’s fresh or funny to the interlocking brick table despite boasting a script penned by originators Phil Lord and Christopher Miller.
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