Postcards from the Edge

These and wickedly funny backstage snapshots of moviemaking are the good times of Postcards, but even they can't hide its emotional starvation. [12 Sep 1990, p.1]

Mr. Nichols decided to preserve the jokiness of the original material, even while shifting the emphasis to the mother-daughter conflict. There may have been a way to do this and end up with a clever movie, but Mr. Nichols seems to have had an even cleverer idea: He decided to use this movie as a way to pay back social obligations. [13 Sep 1990, p.A14]

Hollywood is notorious for giving its second-best roles to women, and the situation clearly hasn't changed when a superficial romp like Postcards From the Edge represents the best a major studio can come up with in exploring women's issues. [25 Oct 1990, p.14]

Fine performances in this highly entertaining biopic confirm Mike Nichol's status as the director Hollywood wants to work with. Read full review