| Netflix | Release Date: November 22, 2023 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
50
Mixed:
12
Negative:
0
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Critic Reviews
Maestro is the movie of the year. Amendment: not to slight the amazing Oppenheimer, make that one of the two best films of the year. But Bradley Cooper’s warts-and-all biopic about volatile conductor-composer Leonard Bernstein has more passion, tenderness and heartbreaking resonance—and it’s a lot more fun.
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This is a complex and sophisticated picture, the kind of grown-up love story we see all too rarely these days, especially when it comes to starry, big-ticket moviemaking. It’s entertaining and robust and forthright; it’s also tremendously sad, not necessarily in a bring-your-hanky way, but in a deeper, more truthful way.
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Engrave an Oscar for actor-director Bradley Cooper for his heart-full-to-bursting tour de force as composer-conductor Leonard Bernstein. Alive with glorious music, the film soars on the undying love the bisexual legend feels for the wife (a never-better Carey Mulligan) who lives with his angels and demons.
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Amplifying its force with thrilling use of the subject’s music, this is a layered examination of a relationship that might be grossly over-simplified today as that of a closeted gay man and his “beard.” But Cooper and co-screenwriter Josh Singer dig deeper to depict a unique union, fraught with conflicts yet unbreakable — even when it’s broken.
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If the film is a tad baggy and unruly that seems by design and thus less a critique than an accurate assessment. But overall and while painting so boldly on such a broad canvas (the film spans decades and calls on its actors and make-up department to work overtime in delineating the passage of time) Maestro emerges as a bombastic aria of a biopic befitting its central subject.
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This is not a movie made for second-screen viewing; anyone glimpsing at their phone for even a moment may miss a key character moment or plot detail that is conveyed visually. It will be best to see in a theater during whatever release window Netflix provides — but even when viewed at home, Maestro deserves the same level of respect from viewers as one of Bernstein's public performances of the music of Mahler.
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PolygonDec 4, 2023
While plenty of scenes in Maestro have their discrete power—teeming with insight and impressive artistry—it’s only in an appreciation of Mulligan and Cooper’s full-bodied work that the greater whole finds resonance. In them lies the film’s true majesty, its best and most convincing approximation of what it is to love and create and, in so doing, reveal something transcendent.
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The handful of scenes in which Bernstein does speak of his craft are engaging; the film depicts him as well-loved as both a professional and a man, a charming teacher to his students; his charisma and confidence are hypnotic. Unfortunately, it’s unclear what Cooper is really keen to communicate with this portrayal.
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IndieWireSep 2, 2023
As a study of how the Bernsteins’ near-three-decade marriage endured Lenny’s gayness and genius, Maestro succeeds off the chemistry between Mulligan and Cooper, but the film often looks and feels too fussed-over, almost too precisely manicured, to ever erase its own parameters as a linear biopic.
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