| Netflix | Release Date: November 22, 2023 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
50
Mixed:
12
Negative:
0
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Critic Reviews
What is most conspicuously absence is a hint, in even the vaguest technical terms, of what made Bernstein such an admired conductor and composer. It is not enough to have people tell us (and him) he’s a genius. The film does, however, give us a dramatic tribute to the passion he put into his work.
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Maestro does manage an incredibly moving later section depicting Bernstein’s response to Felicia’s struggle with cancer (though much of these scenes owe their power to Mulligan), yet I ultimately came away feeling that the movie was more interested in Cooper as an artist than Bernstein.
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This couple’s connection feels authentic and lived in — but I must confess that at a certain point I began to feel like an additional dimension was missing, some sort of tangible connection between Bernstein’s outward persona and his marital stresses, or between his sexuality (and the steps he took to hide it) and his musical output.
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Nothing Cooper does is organic or authentic, and his show-off performance is always stilted. He arduously thinks through every single choice — it’s time to scream into a pillow; cue the laugh; ready, set, cry. Nobody goes to a movie to watch actors ponder their next beat. We want to feel, and his overwrought turn does not allow us to.
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The PlaylistSep 2, 2023
Not only is the film’s portrayal of Felicia tainted by ethnically inappropriate casting, but her character itself is often reductive—she is but the modern wife of a modern man, coming forth with a loose agreement on fidelity that inched Leonard across the finish line of a lengthy road towards marriage.
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