Giant Little Ones
Mongrel Media | Release Date: March 1, 2019 CRITIC SCORE DISTRIBUTION
67
METASCORE
Generally favorable reviews based on 17 Critic Reviews
Positive:
14
Mixed:
3
Negative:
0
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Critic Reviews

Critic scorePublicationBy date
83
The Film StageJared MobarakMar 1, 2019
Writer/director Keith Behrman knows exactly what he’s doing when introducing a variety of people along the sexuality spectrum in his latest film Giant Little Ones. He’s intentionally flooding his canvas so that we have no choice but to accept them all rather than turn our focus onto just one. Read full review
80
The Hollywood ReporterBoyd van HoeijMar 1, 2019
This is a confidently shot and beautifully acted story that manages to transcend quite a few — if clearly not all — of the coming-of-age genre’s cliches by delving into how the Millennial generation experiences sexuality, ostracism and growing up and how they try to relate to their parents and peers. Read full review
75
Original-CinLiam LaceyMar 29, 2019
Apart from a few eye-roll moments, Giant Little Ones is redeemed from coming across like a progressive after-school special by the authenticity of performances, particularly of the young actors and a refreshing open-endedness about the fluidity of sexual behaviour. Read full review
75
ReelViewsJames BerardinelliMar 24, 2019
There’s something enormously refreshing about the openness and honesty found in Keith Behrman’s coming-of-age film, Giant Little Ones. Read full review
75
The Globe and Mail (Toronto)Brad WheelerMar 1, 2019
[A] tender but untimid drama. Read full review
75
Movie NationRoger MooreFeb 28, 2019
It’s all a bit on-the-nose, but writer-director Keith Behrman keeps it topical and touching, even if he never quite transcends prioritizing that topicality. Read full review
75
ObserverRex ReedFeb 27, 2019
Sensitive performances, mature and self-assured direction, and understated writing make Keith Behrman’s Giant Little Ones an emotionally involving, above-average coming-of-age story with a profound impact and mercifully few clichés. Read full review
75
Slant MagazineDerek SmithFeb 25, 2019
Keith Behrman’s film comprehends the malleable, often inscrutable nature of desire. Read full review
70
Los Angeles TimesKatie WalshMar 7, 2019
Behrman has crafted a classic high school tale of outsiders finding themselves while looking in, bullied and beaten for daring to “experiment,” to be different. The images are sumptuously saturated and gorgeously crafted, and the soundtrack thrums and whines with anxiety and racing pulse. Read full review
70
Screen DailyTim GriersonMar 1, 2019
Though hardly radical, Giant Little Ones’ advocacy for empathy is warmly argued — perhaps encouraging you, in kind, to forgive this slight film’s shortcomings. Read full review
70
VarietyDennis HarveyMar 1, 2019
The story is somewhat predictable in its beats, and arrives at a free-at-last conclusion that’s not entirely convincing. But the Sault Ste. Marie-shot film is ultimately ingratiating and slickly crafted enough to rise above those limitations. Read full review
70
Film ThreatAlex SavelievMar 1, 2019
Behrman sidesteps overt sentimentality, captures some heartrending moments and most importantly, doesn’t resolve everything with a neat “happily ever after” conclusion. The lasting impression Giant Little Ones casts may not be “giant” – but it’s certainly not “little” either. Read full review
70
The New York TimesTeo BugbeeFeb 28, 2019
Where many coming-of-age films build their stories around the discovery of a fixed selfhood, “Giant Little Ones” succeeds when it chooses to treat youthful identity as open to shift with accumulated experience. Read full review
67
Austin ChronicleRichard WhittakerMar 20, 2019
Bisexual coming out stories are basically nonexistent in cinema, and that would be enough to set Giant Little Ones apart from the pack. But that's just one element of a wider story, told with a charming earnestness, about sexuality as a spectrum. Read full review
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