| Mongrel Media | Release Date: March 1, 2019 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
14
Mixed:
3
Negative:
0
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Critic Reviews
The Film StageMar 1, 2019
Writer/director Keith Behrman knows exactly what he’s doing when introducing a variety of people along the sexuality spectrum in his latest film Giant Little Ones. He’s intentionally flooding his canvas so that we have no choice but to accept them all rather than turn our focus onto just one.
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This is a confidently shot and beautifully acted story that manages to transcend quite a few — if clearly not all — of the coming-of-age genre’s cliches by delving into how the Millennial generation experiences sexuality, ostracism and growing up and how they try to relate to their parents and peers.
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Behrman has crafted a classic high school tale of outsiders finding themselves while looking in, bullied and beaten for daring to “experiment,” to be different. The images are sumptuously saturated and gorgeously crafted, and the soundtrack thrums and whines with anxiety and racing pulse.
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The good news is that the pace picks up — Giant Little Ones actually gets better as it goes along. And despite its lapses into self-consciousness, the movie presents us with a set of characters that we end up believing and caring about – not tremendously, but enough to keep watching to see how they all turn out.
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