Anna and the Apocalypse
Odeon | Release Date: November 30, 2018 CRITIC SCORE DISTRIBUTION
63
METASCORE
Generally favorable reviews based on 27 Critic Reviews
Positive:
18
Mixed:
9
Negative:
0
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Critic Reviews

Critic scorePublicationBy date
90
Los Angeles TimesKatie WalshNov 28, 2018
In the Christmas zombie teen musical Anna and the Apocalypse, a whole lot of genre is stuffed into one neat little package, and happily, giddily, it is perfectly executed, landing like a triumphant triple axel splattered in gore, and wrapped in tinsel. Read full review
85
TheWrapAlonso DuraldeNov 29, 2018
If you’re willing to overlook a little scruffiness at the edges, it’s a Christmas miracle that the Scottish import “Anna and the Apocalypse” works so well as both a horror movie and a musical. Read full review
83
IndieWireAmy Nicholson
Like its star, Anna and the Apocalypse merrily charges through danger. It’s a genre mash-up populated with cliches...but McPhail finds small moments to make his characters unique. Read full review
81
IGNWilliam BibbianiJan 3, 2019
Anna and the Apocalypse is a delightful Christmas/horror/comedy/musical hybrid, with a great cast, entertaining gore and a storyline that’s easy to take seriously… even though it’s fundamentally absurd. Read full review
81
The VergeTasha Robinson
Watching it is a cheer-along experience. Read full review
80
VarietyRichard KuipersNov 28, 2018
“Anna” picks itself up, dusts itself off, and comes home with a finale that’s so satisfying and sincere, it’ll make some viewers misty-eyed. Read full review
80
We Got This CoveredMatt DonatoSep 7, 2018
Anna And The Apocalypse is an enthusiastic coming-of-age musical that cares just as much about bellowed heart and soul as it does keeping horror fans entertained. Read full review
78
Austin ChronicleRichard WhittakerNov 28, 2018
The signature refrain of "Hollywood Ending," with its high-kicking energy and table-punching emotion, is just irresistible. It's the sweet that balances out the bitter of a film that makes it clear that this won't all end well. Anna and the Apocalypse is like biting into a candy cane and getting jabbed by those sharp, sugary shards. Read full review
75
The Globe and Mail (Toronto)Brad WheelerDec 7, 2018
Show tunes meet "Shaun of the Dead" in the delightfully gruesome Scottish horror-musical Anna and the Apocalypse. Read full review
75
Washington PostPat PaduaDec 5, 2018
While the young cast does its best to sell the gleeful music, its delirious premise eventually loses steam, as do the songs, which are stronger in the first part of the film. Yet despite this doomsday setting, Anna and the Apocalypse ultimately delivers an uplifting message. Read full review
75
RogerEbert.comMonica CastilloNov 30, 2018
It’s one of those rare horror movies to leave you with good holiday cheer. Read full review
75
The Associated PressJocelyn NoveckNov 28, 2018
Somehow, this amusingly chaotic mashup of genres finds a way to strike a final note that’s simple and true. Read full review
70
Rolling StonePeter TraversNov 28, 2018
In short, this is a genre mash-up has no agenda except providing escapist fun. Mission accomplished. Read full review
70
Screen DailyKim NewmanNov 28, 2018
It may be a touch overlong – perhaps because everyone has to stop running to sing songs at regular intervals – and the emotional beats familiar, with moments of poignance, tragedy, gruesome comedy (a decapitated zombie in a snowman suit) and absurdity. Read full review
70
The Hollywood ReporterStephen DaltonNov 28, 2018
This schlocky horror picture show combines a zesty young cast with an infectious comic energy. Read full review
67
The A.V. ClubApril WolfeNov 27, 2018
Unfortunately, the film, written by Alan McDonald from a short by the late Viner Ryan McHenry, at times comes closer to a facsimile than a parody. When McPhail does hit the high notes, however, he really hits them. Read full review
63
The Seattle TimesMoira MacdonaldDec 5, 2018
Does “Anna” deliver on its billing? Well, it does for a while. For its first half, the movie’s blend of earnest teen crooning and dismembered blood-geyser heads is pretty entertaining. Read full review
63
New York PostJohnny OleksinskiNov 30, 2018
What’s strangest about this almost-comedy, though, isn’t its mish-mash of unlikely genres, but the earnest approach to them. “Apocalypse” begins as a “High School Musical” look-alike with poppy group numbers in cafeterias and hallways. One song, “Hollywood Ending,” is a dead ringer for “Stick to the Status Quo.” Read full review
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