Astebreed

 PlayStation 4
User Score
7.0

Mixed or average reviews- based on 28 Ratings

User score distribution:
  1. Positive: 17 out of 28
  2. Mixed: 4 out of 28
  3. Negative: 7 out of 28

Review this game

  1. Your Score
    0 out of 10
    Rate this:
    • 10
    • 9
    • 8
    • 7
    • 6
    • 5
    • 4
    • 3
    • 2
    • 1
    • 0
    • 0
  1. Submit
  2. Check Spelling
view
per page
  1. Yojimbo2015
    May 15, 2023
    6
    Like with all rail shooters, Astebreed looks spectacular but feels slightly empty and unsatisfying to play. Certainly not the worst example of the genre though and the Anime style graphics are fantastic.
  2. SSDDCC
    Sep 25, 2018
    7
    Los chicos de Edelweiss han elaborado una actualización del shoot’em up que funciona como tributo al género al que pertenecen juegos tan populares y queridos como Gradius (Konami, 1985), Space Invaders (Taito, 1978) y Axelay (Konami, 1992); han logrado una remodelación gráfica llamativa, añadido un completo y singular abanico de ataques, introducido un guión convencional pero agradable, yLos chicos de Edelweiss han elaborado una actualización del shoot’em up que funciona como tributo al género al que pertenecen juegos tan populares y queridos como Gradius (Konami, 1985), Space Invaders (Taito, 1978) y Axelay (Konami, 1992); han logrado una remodelación gráfica llamativa, añadido un completo y singular abanico de ataques, introducido un guión convencional pero agradable, y vitaminado con mucho acierto un desarrollo trepidante.

    Pero no han cuidado en la misma proporción la duración del producto, y por ello, el total pierde demasiados enteros.

    Aunque su brevedad juega a favor a la hora de no repetir localizaciones, no saturar con los homogéneos diseños enemigos e incluso previene de un posible agotamiento de ideas, lo cierto es que en un videojuego una prontitud tan notable nunca puede ir a favor de obra.

    A nuestra disposición tenemos nuevos mechas con cada nivel de dificultad superado –que sólo aportan retoques visuales y estéticos-, la posibilidad de mejorar la puntuación, o la opción de probar la versión original, con leves ajustes en el control –ya no hay fuego automático dejando pulsado el botón, por ejemplo- y en la agresividad de la inteligencia artificial, aumentada.

    Al final, Astebreed no alcanza los 60 minutos, y se desequilibra la experiencia global, evidenciando lo importante que es igualar todos los componentes que integran un conjunto. Una solución habría sido la que clásicos como Lylat Wars (Nintendo, 1997) incorporaban, basándose en una galaxia a visitar con rutas diferentes que reciclaban buena parte de los pasajes; una idea con la que nos hemos reencontrado en el citado Darius Burst, y que servía para mantener la curiosidad del jugador durante más tiempo.

    Tampoco se ha incluido ningún tipo de reto para cada nivel –más allá de los (optativos) trofeos del juego-, en la línea de los rescates de prisioneros de Resogun, que incitaran a competir con nuestra propia destreza, ni tampoco una modalidad cooperativa aunque fuese local.

    En conclusión, Astebreed es un producto muy a tener en cuenta dentro de los shoot’em ups, capaz de aportar unas estupendas cotas de entretenimiento y espectacularidad, al que únicamente le fallan limitaciones presupuestarias y una mayor duración: habrían redondeado un título que recuerda por qué los matamarcianos siempre conservarán la esencia del videojuego.    … Expand
  3. busterbeam
    Mar 22, 2016
    10
    One of the best, most underrated indie games out there, made doubly impressive by the development company's obscurity & status as part-time devs and sadly held back by various public misconceptions, the primary one being that it is a "bullet hell game" and thus "doing it wrong". Despite classic arcade-like design principles, it's not a "nostalgia game"; it can hardly be described as "XOne of the best, most underrated indie games out there, made doubly impressive by the development company's obscurity & status as part-time devs and sadly held back by various public misconceptions, the primary one being that it is a "bullet hell game" and thus "doing it wrong". Despite classic arcade-like design principles, it's not a "nostalgia game"; it can hardly be described as "X meets Y". Maybe Sin & Punishment's cinematic on-rails presentation + a shmup's bullet dodging + Alien Soldier's sheer variety of stuff to do... but that wouldn't really do it justice.

    As I said, it's not a bullet-hell; I'd even have trouble calling it a shmup. It's more of an... anime mecha game. You control a robot while locking-on, shooting, sword-slashing and comboing your way through various perspective-shifting stages. You have two normal shots (activated by tapping their respective buttons) & two lock-ons (holding down their respective button). The lock-ons are a forward & spread shot respectively, either targeting around you in a circle or in a straight line. Your slash is more than it seems at first glance; sure, you can quickly tap the attack button to do a fast combo, but this can often leave you open; sometimes, AVOIDING the longer combo attack by timing your presses just right is the better way to go. You can also hold on to the sword button along with whatever direction you want to dash towards, sword-first. Lastly you have a variety of context-sensitive special attacks; if you press the special attack button while locked on to nothing, you will damage whatever is near you (the range of this effect increases once you unlock the second mech) and creates a short aura of invincibility around you, which adds a nice element of strategy. While locked on to a large group of enemies, your mecha will automatically home in on them and slash them up at a crazy speed; meanwhile, while only locked on to a single enemy, you will pull off a very anime-esque move on it taking out a significant chunk of its health. The scoring system is easy to understand and hard to master and involves plenty of practice of all the aforementioned skills (once again, refer to the tutorial on scoring). Many will feel that the game will completely destroy your fingers, but if you find yourself mindlessly mashing the normal shots chances are you're not playing it right; the lock-on is very useful throughout most of the game and balances out the button-mashing quite well. The on-rails camera-shifting (from side-scrolling to vertical shooter to behind-the-back third-person) is truly impressive; it helps add to the game's variety while also making for interestingly-composed cinematography.

    My only significant gameplay gripes are the balance issue This might just be a result if my (crappy) play style, but it feels like some areas in stage 3 along with the last boss are both a bit too much of a difficulty spike. Even then it's nothing as big as, say, the contrast in difficulty between Ikaruga's first and second stages.

    This is also a short game, but if you're into arcade games this should not be an issue; arcade design is not about artificially creating "pacing" by stopping the action to force you to solve physics "puzzles" or pushing a block over a switch, which can be an issue with otherwise-great games. There is no exploration and no grinding; the game's world is not your oyster. Good arcade design is about pure non-stop gameplay bliss, a barrage of creative enemy formations and set-pieces that will stay with you for years. It is not about offering the player the illusion that they are forging their own path, but about creating a pre-set obstacle course and then giving you a very wide variety of ways of making your way through it and grading them based on their inventiveness. Replayability comes in the form of beating all the modes with all the mechs, 1CCing hard more and improving your global score    … Collapse
  4. busterbeam
    Mar 22, 2016
    10
    One of the best, most underrated indie games out there, made doubly impressive by the development company's obscurity & status as part-time devs and sadly held back by various public misconceptions, the primary one being that it is a "bullet hell game" and thus "doing it wrong". Despite classic arcade-like design principles, it's not a "nostalgia game"; it can hardly be described as "XOne of the best, most underrated indie games out there, made doubly impressive by the development company's obscurity & status as part-time devs and sadly held back by various public misconceptions, the primary one being that it is a "bullet hell game" and thus "doing it wrong". Despite classic arcade-like design principles, it's not a "nostalgia game"; it can hardly be described as "X meets Y". Maybe Sin & Punishment's cinematic on-rails presentation + a shmup's bullet dodging + Alien Soldier's sheer variety of stuff to do... but that wouldn't really do it justice.

    As I said, it's not a bullet-hell; I'd even have trouble calling it a shmup. It's more of an... anime mecha game. You control a robot while locking-on, shooting, sword-slashing and comboing your way through various perspective-shifting stages. You have two normal shots (activated by tapping their respective buttons) & two lock-ons (holding down their respective button). The lock-ons are a forward & spread shot respectively, either targeting around you in a circle or in a straight line. Your slash is more than it seems at first glance; sure, you can quickly tap the attack button to do a fast combo, but this can often leave you open; sometimes, AVOIDING the longer combo attack by timing your presses just right is the better way to go. You can also hold on to the sword button along with whatever direction you want to dash towards, sword-first. Lastly you have a variety of context-sensitive special attacks; if you press the special attack button while locked on to nothing, you will damage whatever is near you (the range of this effect increases once you unlock the second mech) and creates a short aura of invincibility around you, which adds a nice element of strategy. While locked on to a large group of enemies, your mecha will automatically home in on them and slash them up at a crazy speed; meanwhile, while only locked on to a single enemy, you will pull off a very anime-esque move on it taking out a significant chunk of its health. The scoring system is easy to understand and hard to master and involves plenty of practice of all the aforementioned skills (once again, refer to the tutorial on scoring). Many will feel that the game will completely destroy your fingers, but if you find yourself mindlessly mashing the normal shots chances are you're not playing it right; the lock-on is very useful throughout most of the game and balances out the button-mashing quite well. The on-rails camera-shifting (from side-scrolling to vertical shooter to behind-the-back third-person) is truly impressive; it helps add to the game's variety while also making for interestingly-composed cinematography.

    My only significant gameplay gripes are the balance issue This might just be a result if my (crappy) play style, but it feels like some areas in stage 3 along with the last boss are both a bit too much of a difficulty spike. Even then it's nothing as big as, say, the contrast in difficulty between Ikaruga's first and second stages.

    This is also a short game, but if you're into arcade games this should not be an issue; arcade design is not about artificially creating "pacing" by stopping the action to force you to solve physics "puzzles" or pushing a block over a switch, which can be an issue with otherwise-great games. There is no exploration and no grinding; the game's world is not your oyster. Good arcade design is about pure non-stop gameplay bliss, a barrage of creative enemy formations and set-pieces that will stay with you for years. It is not about offering the player the illusion that they are forging their own path, but about creating a pre-set obstacle course and then giving you a very wide variety of ways of making your way through it and grading them based on their inventiveness. Replayability comes in the form of beating all the modes with all the mechs, 1CCing hard more and improving your global score    … Collapse

Critic Reviews

All reviews »
Metascore
82

Generally favorable reviews - based on 5 Critic Reviews

Critic score distribution:
  1. Positive: 3 out of 5
  2. Mixed: 2 out of 5
  3. Negative: 0 out of 5
  1. Metro GameCentral
    Jul 20, 2015
    90
    One of the most impressive indie titles of last year is now even better on PS4, in what is one of the most cinematic and accessible 2D shooter of the modern era.
    Read full review
  2. TheSixthAxis
    Jul 16, 2015
    70
    Astebreed is a remarkably well-built indie title, which nails both the mecha genre and its anime flavouring.
    Read full review
  3. Push Square
    Jul 15, 2015
    80
    Astebreed is great fun, and its download price makes it very easy to recommend – it just seems a shame that the game's six stages can be whizzed through in the best part of an afternoon.
    Read full review
See all critic reviews »