When an Interpol-issued Red Notice — the highest level warrant to hunt and capture the world’s most wanted— goes out, the FBI’s top profiler John Hartley (Dwayne Johnson) is on the case. His global pursuit finds him smack dab in the middle of a daring heist where he’s forced to partner with the world’s greatest art thief Nolan Booth (Ryan Reynolds) in order to catch the world’s most wanted art thief, “The Bishop” (Gal Gadot).

Sure to be one of the cinematic events of the year, Red Riding is a mesmerizing neo-noir epic based on factual events and adapted for the screen by Tony Grisoni from David Peace's electrifying series of novels. An official selection of the Telluride, New York, Chicago and AFI Festivals, and acclaimed by critics an eminent accomplishment, the trilogy follows several characters in intertwining storylines united by the horror wrought by the "Yorkshire Ripper," a serial killer who terrorized northwest England in the 1970s and '80s. The three films are directed by three notable filmmakers and each boasts a stellar British cast that includes Andrew Garfield. (IFC Films)

Upon arriving to a small town, a drifter is mistaken for a hitman, but when the real hitman arrives, complications ensue.

Kelly-Anne wakes up every morning by the courthouse to secure a seat at the high-profile trial of Ludovic Chevalier, a serial killer she is obsessed with. As days go by, the young woman bonds with another friendly groupie, which momentarily breaks her out of her loneliness. But as the proceedings drag on and she spends more and more time in the courtroom with the victims’ families, Kelly-Anne finds it increasingly difficult to maintain her psychological balance and assume her morbid fixation with the killer. She will then do whatever it takes to get her hands on the final piece of the puzzle: the missing video of a murdered 13-year-old girl, to whom Kelly-Anne bears a disturbing resemblance.

A fictional story inspired by true events, Redacted is a unique cinematic experience that will force viewers to radically reconsider the filters through which we see and accept events in our world, as well as the power of the mediated image and how presentation and composition influence our ideas and beliefs. A profound meditation on the way information is packaged, distributed, and received in an era with infinite channels of communication, Redacted uses a variety of created source material--video diaries, produced documentary, surveillance footage, online testimonials, news pieces--to comment on the extreme disconnect between the surface of an image and the reality of ideas and the truth, especially in times of strife. Centered around a small group of American soldiers stationed at a checkpoint in Iraq, Redacted alternates points of view, balancing the experiences of these young men under duress, as well as the perspective of members of the media, with the viewpoint of the local Iraqi people, and illuminates how each have been deeply affected by the current conflict and through their encounters with each other. The charged apotheosis of Brian De Palma's filmmaking career, Redacted caps off a body of work that has explored the politics of image-making and reception more fully than any living filmmaker. (Magnolia)