Jimmy Eat World's seventh album was produced by Mark Trombino, who also produced 1999's Clarity and 2001's Bleed American.

The fifth album for the Italian metal band was produced by Don Gilmore.

The second of a planned trilogy of songs about British villages that lost no soldiers in World War I by the singer-songwriter features a guest appearance from Fairport Convention’s Judy Dyble.

This is the solo debut for the former leader of the Lightning Seeds and producer of such bands as Echo & The Bunnymen. Members of The Coral and The Zutons guest.

The four-track EP for the Brooklyn-based singer-songwriter was recorded in four cities (Hong Kong, London, Los Angeles, and New York).

The debut full-length release for the British pop singer-songwriter features a guest appearance from Hailee Steinfeld.

The fifth full-length release for the Pennsylvania indie rock band The Districts was produced by Joe Chiccarelli.

The seventh full-length studio release for the Los Angeles singer-songwriter was produced with Rob Mathes and Michael Stevens.

The second full-length release for the indie band led by Sean Rawls was produced by Haima Marriott.

The Mexico City-based indie rock band's album was recorded in Canada and produced by Dave Newfeld.

The latest album for Jason Beck and produced with Boys Noize shares the same name as the film starring his alter ego Chilly Gonzales, Feist, Peaches, and Tiga.

The fifth full-length release for the Detroit band led by Matthew Milia was produced by Ken Coomer.

This is the seventh release for the British electronic producer under his name.

The live album from the singer-songwriter features the recording of the September 4, 2003 concert in Toronto to support his 2003 album, Greendale. A deluxe box set included a Blu-ray of the full concert and a DVD of the making of the album, Inside Greendale.

The first new full-length album from the Scottish post-punk band features a guest appearance from The Jezabels' Hayley Mary.

The second full-length release for the London-based duo of Camila de Laborde and Daniel Hermann-Collini was in part recorded live.

This is the second full-length release for the German black metal band.

The latest album for the Connecticut singer-songwriter features six songs he recorded in the 1970s.

Released on the same day (and also as a three-disc set), The Block Brochure: Welcome to the Soil 1, 2, or 3 are E-40's 15th, 16th, and 17th albums. The second volume features guest appearances from such artists as Celly Cel, JT the Bigga Figga, Spice 1, Suga-T, T-Pain, Tech N9ne, and Twista,.

Macy Gray's first covers album includes versions of Radiohead's "Creep," Metallica's "Nothing Else Matters," Eurythmics's "Here Comes the Rain Again," and Yeah Yeah Yeah's "Maps."

The fifth album for the alt-country singer from New York is her first on the Giant Leap label.

The more electronic second full-length release for the British singer-songwriter was produced with Jakwob.

After a four year hiatus, Four is the fourth album released by the London quartet.

M. Ward and the Kronos Quartet are among the guests on the singer's third album.

A better album title would have been 'Nancy Sinatra & Friends,' as the 64-year-old singer collaborates with fans such as Morrissey, Pulp's Jarvis Cocker and Richard Hawley, Sonic Youth's Jim O'Rourke and Thurston Moore, Jon Spencer, Pete Yorn and U2.

The Brooklyn rock band's full-length debut was written and recorded in Delaware.

The sixth studio album for the New York rapper features Byrd Lady, Skitzo, 40 Cal., C.O., and Sky Lyn as guests.

The latest release from the country singer with his backing band, the Family, includes covers of classic country and standard songs.

Ramona Gonzalez first release in four years as Nite Jewel was self produced and on her own label.

This is the fourth studio album for the French music producer.

Band member Adam Schlesinger produced FOW's long-awaited fourth studio album, which follows four years after their breakthrough hit 'Welcome Interstate Managers.'

This is the third full-length release for the electronic producer Hannes Norrvide.

The latest compilation features rare and unreleased remixes produced by Mathematics.

The debut release for the North Carolina singer includes influences from kraut, pop, psych and punk music.

Adam Landry and Justin Collins produced the debut album from the indie "supergroup" that includes John McCauley and Robbie Crowell of Deer Tick, Steve Berlin of Los Lobos, Hardy Morris of Dead Confederate, Ian Saint Pe of the Black Lips, and Bryan Dufresne of Six Finger Satellite.

The second full-length release for the indie band led by Louis Jones was produced by Girls bassist, JR White.

Elements of folk-rock, psychedelic rock, Persian, Indian, and Eastern European music are found on the debut full-length release from the Seattle rock septet led by Chris Cheveyo and produced by Randall Dunn.

The fifth full-length release for the indie punk band led by Patrick Stickles features a cover of Bob Dylan's "(I'm) Like a Rolling Stone" and was produced by Kevin S. McMahon.

John Davis of Georgie James and Q And Not U releases his debut solo album under the Title Tracks name.

The third album for the Swedish indie rock quintet was produced by Phil Ek.

Ever since the dawn of the electric guitar, white boys have sung the blues, some with considerably more success than others. Eli “Paperboy” Reed is part of that long tradition, but he stands apart from the pack as much as he belongs to it, due in large part to his age. Raised on CD reissues of classic blues and soul -- he was not even 10 when the first Complete Stax/Volt Singles box came out -- Reed has absorbed the sound and sensibility of classic ‘60s soul but sings without any white-boy blues affectations, totally comfortable in his own skin because nobody else his age, of any race, was attempting to make this kind of music. This can cause a kind of a disconnect -- Reed sounds so white when he sings, it’s disarming -- but he pours on the passion and has fully absorbed the tight turns of Stax and loves the sound as much as the structure, so much so that Come and Get It -- his third LP and first for a major label -- feels a bit like an unearthed relic, built on songs and sounds that could pass for unheard gems if it wasn’t for Reed’s unapologetically white voice, free of affectations and ticks. Some of that may be due to producer Mike Elizondo’s work -- he manages to make this sound like a throwback without being stiff, and without having a hint of Mark Ronson’s hipster retroism for Amy Winehouse -- but he’s just articulating Reed’s gifts, letting the songs stand front and center. And that’s what’s remarkable about Come and Get It: this is not a modern-day blues album, it’s a classic soul album, with almost all the tracks clocking in at 3:30 or less, leaving very little room for showboating solos. All concentration is on the tunes themselves, with the band kicking them toward kineticism, Reed channeling all his energy into making the songs sing, and they wind up sticking, sounding a bit like forgotten classics upon first listen, then winding up as familiar favorites upon the second. If there is any fault here, it’s that Reed’s voice remains perennially boyish, sometimes preventing this from achieving a level of gravity, but there’s no attempt to hide this: it’s an honest reflection of who Reed is, a young kid from Boston in love with the Southern sounds of the ‘60s and intent on carrying them on, even if he invites ridicule or scorn. He believes it, man, and based on Come and Get It, it’s hard not to believe it too. ~ Stephen Thomas Erlewine

The debut release from the British sisters Hannah and Colette Thurlow was produced by Rob Ellis.

The second full-length release for the Philadelphia indie rock band led by Aleks Martray was produced by Chris Powell and Bill Moriarty.

The sixth full-length studio release album for the R&B singer features guest appearances from Justin Bieber, Juicy J, Mila J, Nicki Minaj, and Ty Dolla $ign.

The Texas trio's debut album is dreamy mix of shoegaze, noise pop, and heavily-textured rock, drawing comparisons to My Bloody Valentine and The Jesus and Mary Chain.

The sophomore album for the Swedish band was produced by Emanuel Lundgren and Fabian "Phatfabe" Torsson.

This companion to the original 'Suitcase' continues where that box set left off, packing 100 more GBV rareties and outtakes from the now-disbanded group onto four discs.

This is the debut full-length release for the Ben Schneider folk rock project.

A concept album set in an alternate version of the U.S. where the states are actually countries, 'New Roman Times' marks the first studio album in 15 years for the newly-reunited California band.

The Chicago post-rock instrumentalists add vocals (courtesy of Kelly Hogan) into the mix for the first time on this, their fifth LP.

Jack Dangers returns with his first Meat Beat Manifesto album since 1998's 'Actual Sounds and Voices.' The Orb's Dr. Alex Paterson and turntablist Z-Trip guest.

The third studio release for the Diplo's dancehall trio features collaborations and guest appearances from from 2 Chainz, Chronixx, DJ Snake, Ellie Goulding, Elliphant, Mad Cobra, MØ, Nyla, Pusha T, Tarrus Riley, Jovi Rockwell, Travi$ Scott, and Wild Belle.

Believe it or not, this is indeed a brand-new album from L.A.'s Go-Go's -- their first in 17 years, to be exact. The original lineup (including Belinda Carlisle and Jane Wiedlin) is intact for this 13-track outing, produced by Paul Kolderie and Sean Slade (Hole, Radiohead). Green Day's Billie Joe Armstrong is featured on the first single, "Unforgiven."

The mellow UK electronic outfit (who have been compared to artists such as Morcheeba and Air) follows up 2001 debut 'Simple Things' with this 11-track effort.

Brokeback is a side project for Eleventh Dream Day/Tortoise bassist Douglas McCombs (joined semi-permanently by second bassist Noel Kupersmith), supplemented here on this third album by Laetitia Sadier and the late Mary Hansen from Stereolab.

The 17-year-old Canadian singer-songwriter-skater nails the adult alternative Michelle Branch/Jewel/Alanis Morissette sound on this debut album, featuring her breakout hit single "Complicated."

Perhaps the former Talking Head's best solo work since 1994's 'David Byrne,' 'Look Into The Eyeball' features 12 tracks and, as expected, numerous musical styles. NRU from Cafe Tacuba guests on the Spanish-language track "Desconocido Soy."

Folkie Dar Williams returns with her sixth album, which is perhaps her most diverse and fullest-sounding yet, enhanced by the presence of a host of contributors including Alison Krauss, John Medeski, Bela Fleck, and John Popper.

The Chicago band's third album marks their Matador debut. John Agnello (Dinosaur Jr.) produces.

The latest full-length release for the ambient doom duo Nadja was recorded in Berlin and mixed by David Pajo.

The ninth studio release from the singer-songwriter was produced by Jamie Candiloro.

The debut full-length release from Speakers Corner Quartet features guest appearances by Joe Armon-Jones, Confucius MC, Shabaka Hutchings, Lafawndah, LEILAH, Mica Levi, Kelsey Lu, James Massiah, Sampha, Léa Sen, Coby Sey Tawiah, Kae Tempest, and Trustfall.

The Swedish trio releases its fifth album.

The second full-length release for the Brooklyn-based indie quartet was produced by band member Fraser McCulloch.

The first release in nearly a decade for the pop group formed in London features production from Fred Ball, James Draper, The Invisible Men, K-Gee, James Draper, and The Rural.

The second and last release for the Seattle-based psych-rock band was produced by Randall Dunn.

The fifth studio release for the indie rock duo Keith Murray and Chris Cain was produced by Chris Coady.

The latest album for the Grammy-winning South African a cappella group looks back on the songs group leader Joseph Shabalala sang as a child.

The solo debut album for Former Arab Strap guitarist Malcolm Middleton was produced by Paul Savage and features drumming from fellow Arab Strap partner, Aidan Moffat.

The theatrical rock singer returns with the long-awaited sequel to his classic 1975 album.

The former member of Roxy Music brings his ambient melodies back with a new album, featuring spoken word from Rick Holland.

This is the solo debut release for the former Mmoss guitarist following the end of the psych rock band with Rachel Neveu.

The latest album for the actor/hip-hop artist features guest appearances from Eve, Flo Rida, Lil' Kim, Ne-Yo, Trey Songz, and Trina.

This is the latest release from the Los Angeles-based electronic producer.

The first release in nine years for Neil Young and his band Crazy Horse is an album of classic American folk songs.

Grace Potter's second solo release (her first since forming The Nocturnals) was produced by Eric Valentine and features contributions from her bandmates as well as Rayland Baxter, Wayne Coyne of The Flaming Lips, Audra Mae, Nick Oliveri of Queens Of The Stone Age, and Noelle Skaggs of Fitz & The Tantrums.

The second release for the British quartet is a mini-album about gender and features three instrumental tracks.

The five track EP for the Diplo side project features guest appearances by Machel Montano, Moska, Mr. Fox, RDX, Sean Paul, and Pharrell.

The debut album for the model-turned-singer-songwriter was produced by her husband, Jack White.

The follow-up to the band's Mercury Prize-winning 2007 debut album Myths Of The Near Future was produced by Ross Robinson.

The fourth full-length release for the Los Angeles-based band was mixed by Shawn Everett.

The Brooklyn duo return to their guitar roots for the band's third album on new label ATP Recordings.

The second full-length release for Julian Casablancas and the band was produced by Shawn Everett and its first as The Voidz (dropping "Julian Casablancas+").

The 12 unreleased recordings by rock legend Jimi Hendrix include new versions of songs that were under consideration to be included on a follow-up to 1968's "Electric Ladyland."

The sixth album for the rapper features such diverse guests as Ving Rhames, Rick Ross, Chris Rock, Spike Lee, T.I., T-Pain, Jay-Z, Nas, Chris Brown, and Jamie Foxx.