Warehouse 13

The likable Pete and Myka are a classic match, bickering until they need to stop and work together, which they do. Artie provides both comic relief and a reminder that their job is difficult and dangerous--point also made by Artie's boss, Mrs. Frederic (CCH Pounder). Not too much new here. But there's nothing wrong with taking the old and doing it well.

The pilot drags, but Saul Rubinek, who plays the warehouse curator, is entertaining enough that I want to believe it will improve.

Those two formulas--loopy genius and mismatched cops—are smushed together in Warehouse 13, yet the whole enterprise is executed with competency and humor, so despite a wobble here or there, the show ends up working.

The inventiveness of the gadgetry and the wild sense of humor that sneaks into the show give it the potential to develop into an adventure that's both funny and exciting.

There are times when you have to question the writers' urge to pack in everything but the kitchen sink...Fortunately, Kelly and McClintock pull off their roles in this precarious high-flying adventure, teetering between heaviness and humor in each scene.

A goofy setup, to be sure, but an entertaining and lively one.

The world of the warehouse, and the interplay with the characters as they deal with it, are amusing enough to mark Warehouse 13 as a very promising summer series--regardless of the name of the channel it's on.

The enjoyable if less-than-inspired two-hour pilot introduces us to the warehouse, its bizarre inventory and the mismatched new agents in charge.

I gradually lost interest during the agents' first case together, which takes them on the road. Here's hoping the assignments get better. Because the warehouse itself is packed to the rafters with (sorry, Syfy) geeky fun.

Like other Sci Fi shows of the recent past (think: "Eureka"), Warehouse 13 begins with a strong concept and suffers from weak execution.

There’s a fine line between wink-wink clever and desperately cheesy. Tonight’s story crosses into Kraft Singles territory more often than it should, with bleeding statues and bloodshot eyes, sacrificial fires and some poorly acted demonic possession.

Good watching for fans of those campy, old Sci Fi original monster movies.

Though the debut is weak, it's still possible the series will improve as the setup recedes and new post-pilot writers chime in (including Titus' Jack Kenny).

Basically it's a half-baked adventure series, but it's July, and fully baked may just not be the way to go.

Exec producers David Simkins and Jack Kenny might still make something of this hash, but the concept has the decided feel of an idea that's been batted around and put through a homogenizing blender.