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Critic Reviews
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Suddenly this might as well be "Fringe" or "Warehouse 13" or "The X-Files" or "Eureka" or any one of hundreds of shows that involve FBI agents and international espionage and terrorist thugs and secret plots to take over the universe. Come on, now. Isn't there a new way to handle the alien invasion story?
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V has to rise and fall on its story and its characters. Based on the pilot, both of those areas are spotty.
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V has its fun moments, but mostly this is pure bunkum, or 1980s-era TV with a thin 2009 veneer.
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For sci-fi fans, the new V, like a Visitor, clothes itself familiarly, with actors from "Lost," "The 4400," "Firefly" and "Smallville," but until we see something we haven't seen before, we should probably go easy on the devotion.
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Indeed, if the show is to have the symbolic import that we expect from a science-fiction story, this is the only possible way to read V as a coherent text. The only problem with this analysis lies in its generous presupposition that the text is, in fact, coherent.
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The ideas in V, about alien encounters and mass delusion and media manipulation, are enticing. It’s too bad that they’re floating around in a show that at this early stage, is so slapdash and formulaic in its storytelling.
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Given the rather sophisticated allegorical treatments that TV audiences have been treated to in recent years courtesy of “Battlestar Galactica,” “The 4400” and the like, I find V’s first episode falling short, other than a fairly obvious allusion to Hitler Youth in the aliens’ outreach to teens.
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The show does a good job in tonight's premiere of sorting out the good guys and filling viewers in on the disturbing backstory. In fact, it may do too good a job because there doesn't seem to be a lot of mysteries left.
Awards & Rankings
User score distribution:
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Positive: 96 out of 169
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Mixed: 39 out of 169
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Negative: 34 out of 169
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Jun 30, 2012
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Aug 8, 2011
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TonyDec 4, 2009