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True Blood works best when its freak flag flies--as long as its core characters are along for the ride.
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Every line, every reaction is perfectly pitched, every shift from humor to menace to seduction perfectly played.
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Luckily Blood is still buoyed by its weird, Gothic zest and the performers all operate with the same vibe of ripe sexuality and restrained camp. [4 Jul 2011, p.37]
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Blood creator Alan Ball knows how to juggle multiple pretty people and knotty, danger-stuffed story lines for the maximum amount of breathless romance and over-the-top action.
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HBO's True Blood rises from the grave of last year's uneven season, smarter, spookier and sexier than before.
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The thrill of discovery is long gone for True Blood. But the thrill of a new season is still very much in play. The first three episode of Season 4 had just enough pulling power to keep me in the fold.
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True Blood is a much guiltier, trashier pleasure than the monumental Thrones, but I wouldn't miss it for all the hush puppies in Louisiana.
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Shaw and her adherents are poised to bring some critical leavening to a series that maybe could use it. Season four still might end with the introduction of a band of lusty minotaurs or cokehead sasquatches, but, as it begins, we should be encouraged-and thanks to Shaw's boffo performance, delighted-to see True Blood thinking, even for a moment, about controlling itself.
Awards & Rankings
User score distribution:
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Positive: 149 out of 191
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Mixed: 25 out of 191
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Negative: 17 out of 191
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Nov 23, 2011This review contains spoilers, click full review link to view.
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Aug 21, 2011
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Jul 4, 2011