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This season, as before, True Blood employs its supernatural others to signify cultural anxieties about race and sexuality. Now these anxieties are foregrounded in some of the human protagonists. It's a necessary shift: while the show has always portrayed elements of the vampire community as corrupt, we have been assured that Bill, and maybe a few others, were merely misunderstood. As this story has lost credibility, the vampires as a plausible metaphor for "accepting difference" is falling apart.
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The witches are an intriguing presence, but other parts of the show aren't casting the same spell as the magnificent Shaw. If you're addicted to True Blood's brand of smoldering melodrama, well, there's a lot of it this season. And it looks as though about half of it might actually be worth watching.
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The new episodes push the saga in a few initially intriguing directions, but the cast keeps expanding into an overpopulated mishmash of disparate story threads that no longer weave together as a whole.
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True Blood also sometimes seems to have a cast of thousands, despite being set in a small town, so all sorts of subplots have been simmering. The show evolves, as it has before, by starting the new season with a few more. It's a little wearing sometimes, to be honest, though it has enough narrative strength to keep hard-core fans happy.
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True Blood returns on Sunday (June 26) night with too many new characters, not enough time with the characters I like, a general evasion of the most prickly parts of last season's finale, some plodding hints at a lumbering dramatic direction for this season and some breasts.
Awards & Rankings
User score distribution:
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Positive: 149 out of 191
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Mixed: 25 out of 191
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Negative: 17 out of 191
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Nov 23, 2011This review contains spoilers, click full review link to view.
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Aug 21, 2011
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Jul 4, 2011