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Critic Reviews
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A summertime winner here on the strength of strong acting, engaging writing and an immediately gripping premise.
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Juggling the themes of famine, fame, and family, Torchwood: Miracle Day--conceived by series creator Russell T Davies, with some episodes written by Buffy and Dollhouse vet Jane Espenson--makes a smooth transatlantic shift that will, I hope, broaden this marvelous, tense fantasy franchise's audience.
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For today, enjoy a home-grown version of a great series that's suspenseful, exciting and flat-out fun. That may not count as a miracle, but it's awfully good news nonetheless.
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The most effective scenes focus on characters' interactions, the sorts of moments Torchwood always did well.
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The story line is expertly structured, especially after the first hour's exposition, as potential explanations emerge and the pieces begin to fit together. And the writers maintain an all-important sense of humor, not just with the one-liners among the team members but with shrewd social satire.
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Torchwood: Miracle Day is smashing entertainment.
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Lots of action, lots of shoot-'em-ups and lots of big explosions that don't kill anybody. It's also lots of fun.
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For such a vast and important story, Torchwood: Miracle Day feels strangely confined and artificial. Here's hoping for more by Episode 4.
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It manages to remain faithful to the tone and lively style of the original. Newcomers really don't have to be well-versed in Torchwood lore or "Doctor Who," the series that spawned it, to get a kick out of sci-fi craziness of it all.
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The performances and characterizations are all top-notch, and the action sequences, especially in the first episode, are crisply directed.
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The show is a bit of a junk heap--Fringe, Mission:Impossible and Death Becomes Her are in the pile--but it's a real adventure. [11 Jul 2011, p.34]
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Our heroes' new companions may be less than electrifying, but there's plenty of action to compensate--and, as always, sex (though Capt. Jack now asks about protection)--and a chilling adversary in Oswald Danes (Bill Pullman), a psycho killer who survives execution and becomes a perverse cult hero in the media.
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As a straight-ahead sci-fi tale, it's engrossing: how is this happening, who is doing it to us, and how does it relate to Captain Jack's own blessing/curse of immortality? The social aspects, however, are handled more hamfistedly so far.
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If not nearly as gripping, creepy or tightly constructed as the five-hour "Children of Earth," Torchwood's fourth flight nevertheless remains grand, intellectually stimulating fun--precisely the kind of smart popcorn fare Starz has stated its intention to provide.
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The vote here is to not only give Torchwood: Miracle Day a chance, but to ride out the bumpy parts and put some faith in Davies' unique take on storytelling.
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As the series proceeds, the fiction of the bigger events--e.g. global immortality--is made believable or at least compelling by tiny touches that perfectly anticipate how society would respond.
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It aims high, and wide, and near and far, and if it doesn't hit all of its many targets, it hits several. And that's probably enough to justify the time and expense everyone put into bringing Torchwood more firmly onto American soil.
Awards & Rankings
User score distribution:
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Positive: 31 out of 51
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Mixed: 9 out of 51
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Negative: 11 out of 51
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Jul 13, 2011
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Jul 13, 2011
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Jul 13, 2011