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Critic Reviews
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Each of them [actresses Rebecca Ferguson, Faye Marsay and Amanda Hale] stabs backs and pops bodice buttons with the necessary élan while keeping a straight face at The White Queen’s putative moral, which is that arranged marriages are corrupt and evil, while those born of attempted rape, self-mutilation and suicide are sacred and empowering.
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This may be a case where a little more violence would help make the stakes seem more real. The main issues for these royals and would-be royals are when to bow and to whom.
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Its success is due largely to the costumes, set dressing, and comeliness of the two leads, a smoldering Max Irons (son of Jeremy) and radiant Swedish actress Rebecca Ferguson.... The problem with The White Queen is its pace, slowed by ponderous exposition and arcane bloodline conspiracies.
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There are many powerful scenes in The White Queen, moments that illustrate time and again how a woman's body was both her greatest tool and her inevitable prison; a man could control his fate by mind or sword, a woman can do it only by proxy. Unfortunately, they are surrounded by the misty, swampy lands of generic medievalness.
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The good news: The White Queen gets off to an entertaining start. The bad news: In subsequent episodes it gets bogged down in then-this-happened, then-that-happened jumps through history.
Awards & Rankings
User score distribution:
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Positive: 43 out of 52
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Mixed: 6 out of 52
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Negative: 3 out of 52
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Nov 5, 2013This review contains spoilers, click full review link to view.
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Aug 6, 2013
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Oct 22, 2013