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CRITIC SCORE DISTRIBUTION | ||
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Positive:
7
Mixed:
8
Negative:
11
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Critic Reviews
Season 1 Review:
[Theo James] plays Henry as snarky, shallow, wisecracking and flippant far too often. Rose Leslie (“The Good Fight”) is the grounded center of the series as Clare. But, as the episodes drag on, we keep waiting for her to realize that all she ever talks about with Henry is his situation.
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Season 1 Review:
Theo James and Rose Leslie are] done no favors by a narrative that never seems to have wondered who Clare, especially, is beyond a time traveler’s wife — nor by their inability to generate any real sparks between them, much less any brilliant enough to serve as a beacon through space and time. ... The Time Traveler’s Wife fails so direly to mine any romance from its central premise that it starts to build a case for the opposite.
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Season 1 Review:
This is still a grown man interacting with the woman he'll eventually be sleeping with while she is a child playing with a toy horse. He's weirded out by it, and rightly so; therefore, so are we. Somehow there must be a means of pulling off these scenes in ways that don't make a person's skin crawl, but Moffat has not cracked that nut. ... Whether the main flaw in "The Time Traveler's Wife" is in the flatness of the prose or the emotional disconnect in the delivery is hard to say, but together they conspire to transform Clare into little more than a construct waiting to be animated.
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Season 1 Review:
The show lacks momentum, partially because its neglect to establish a fixed, forward-moving “present” creates the sense of drifting unmoored through the decades. If you put aside the grooming issue, there’s just not much that’s distinctive about the characters. ... In the absence of even that kernel of enjoyment, all The Time Traveler’s Wife has to offer is an extended, painfully literal allegory for the bromide that true love transcends time.
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RogerEbert.comMay 13, 2022
Season 1 Review:
[Theo James'] wooden performance would be more interesting if he were actually a tree. No, the real star of this woeful, pointless television programme is its toxic gender and sexual politics. ... No matter the timeline the writing, acting, directing, editing, and music range from mediocre to horrible.
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