- Network: Netflix
- Series Premiere Date: Apr 1, 2016
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Critic Reviews
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Ashton Kutcher and Danny Masterson from That ‘70s Show are reunited as siblings in The Ranch, which turned up on April Fool’s Day with the 10 episodes that make up “Part One” of Season 1. It’s a decent vehicle for both of them.
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What it wants to be is a surprisingly effective collection of one-act plays that are sprinkled with laughs but mostly dramatic in nature. What it is is an occasionally effective (but always daring) sitcom, filmed before a live studio audience and packed with smutty jokes.
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It takes characters normally written off or romanticized and treats them as full, flawed people. The cowboy term for that would be “respect,” and The Ranch both gives and earns it.
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Netflix’s new multicamera sitcom, The Ranch, will seem familiar enough for fans of the genre, but it’s enjoyable and inventive enough to make you think there is still life left in the well-worn TV staple.
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The Ranch isn’t perfect. Colt’s stupidity is sometimes exaggerated to the point you wonder how he doesn’t walk into walls and there’s a Two and a Half Men relentlessness to the sex jokes that can grow old. But the Bennetts feel real, and so, surprisingly, does their ranch, even if it’s just a stage set.
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[The Ranch is] unexpectedly sensitive, well-acted and formally adventurous, in addition to often being broadly funny.
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The Ranch is a red-state sitcom, though it takes place in the swing state of Colorado, and is good enough to be watched by people of any political affiliation. The goodness sneaks up on you. It is a sitcom that is meatier than it is funny, unusually in touch with the painful, disappointing aspects of life.
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Mediocre is mediocre, whether the format is conventional or unconventional, or, like The Ranch, a measured mingling of both. But today, it’s a refreshing change of pace that offers some modest but meaningful rewards.
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But basically, shorn of a few four-letter words and an occasional arm thrust up the cervix of a cow, there's nothing about The Ranch that wouldn't fit in just fine on network television, and that goes for both sides of the camera: The veteran, bankable cast. The workmanlike producers (Don Reo and Jim Patterson, lately of Two and a Half Men, as is Kutcher). The cookie-cutter sets. The three-camera photography and editing. The laugh track.
Awards & Rankings
User score distribution:
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Positive: 107 out of 142
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Mixed: 10 out of 142
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Negative: 25 out of 142
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Apr 1, 2016
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Apr 2, 2016
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Apr 27, 2016