- Network: NBC
- Series Premiere Date: Feb 5, 2000
Critic Reviews
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To maintain any momentum, however, they're going to have to come up with something more than a ''dead guy of the week beckons from the other side'' premise. There's not much the Others are fighting against at this point, except short-lived skepticism on behalf of the bereaved. [5 Feb 2000, p.L3]
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While tonight's pilot episode is uneven, it does provide the building blocks for a solid foundation. There is promise here, and there is the potential for quick disintegration. Which way will it go? How do I know? What do you think I am? Psychic? [5 Feb 2000, p.1E]
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Needs more consistency if it wants to be as frightening as the movie.
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The Others is a show with a promising premise and a very interesting collection of characters. But it is also a show with a tragic dependency on feel-goodism and sentimental resolutions. Horror and schmaltz? They just don't mix well. [5 Feb 2000]
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It hasn't jelled yet as drama, judging from the two episodes made available for advance screening. Its basic elements feel out of synch. [4 Feb 2000]
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SPOOKY stuff happens in The Others. Windows open by themselves, ghosts spring out of walls, eerie sounds wail. Yes, indeed, it's spooky. It's spooky how script writers think this sort of stuff is actually effective after so many years of seeing these cues so many times in so many "horror" movies. [4 Feb 2000]
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Those who get excited by the mere mention of a sixth sense may get a few tingles out of The Others. But anyone hoping for something more -- something novel or clever or even spooky -- should look elsewhere. Even those of us who scare easily are likely to find this tired ghost story more silly and hokey than jolting. [4 Feb 2000]
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If NBC hopes to ride the wave generated by the movie The Sixth Sense, it has a way to go to catch it. The Others is a too-predictable curiosity adrift in a sea of aiming-to-scare-you special effects. [4 Feb 2000]
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Take the talking dead people from "The Sixth Sense," some otherworldly visuals from "The Matrix" and the team mutant concept from "The X-Men," and you get The Others, a pastiche of supernatural doublespeak that needs to worry less about aura and more about story and character.
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The intention only means so much, and it doesn’t make up for uninteresting people. While nobody’s expecting another Mulder and Scully, the roles here are one-note: no humor and no sparks, just a lot of paranoia.
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