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CRITIC SCORE DISTRIBUTION | ||
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Positive:
51
Mixed:
48
Negative:
8
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Critic Reviews
Season 4 Review:
AI plays a major role in the season, and it’s probably the most fun. .... Other attempts at tackling real topics are less effective. Bradley is one of the most consistent weak spots on this show, which is not necessarily Witherspoon’s fault. The character is confusing, like no one wants to commit fully to any side of her.
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ColliderSep 16, 2025
Season 4 Review:
While Alex and Bradley’s arcs suffer, and Cory feels like he’s overstayed his welcome despite Crudup’s natural charm and undeniable charisma, Stella and Mia shine, and Celine and Miles are interesting enough to justify their addition to an already too-packed cast. I was rarely particularly impressed by The Morning Show Season 4, but I was also definitely never bored.
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Season 2 Review:
It is captivating in its stilted strangeness; almost arresting in its capacity to identify the least recognizably human direction for any story to go and then head unerringly toward it. “Bad” isn’t the right word, because it doesn’t capture how hilarious and striking the show can be. “Good” isn’t a great fit, either. ... This season of The Morning Show is just plain weird. Characters make choices that make no sense whatsoever, and they do it with a regularity that’s half the show’s appeal.
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The GuardianSep 17, 2021
Season 2 Review:
None of it feels real. Without the storyline that gave The Morning Show all its power and nuance, we are left with the old luxury fluff, reacquainting ourselves with characters who aren’t substantial enough to merely hang out with. ... This is a drama that demands we take it seriously – it needs to earn that right anew.
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The IndependentSep 17, 2021
Season 2 Review:
Two seasons in, though, The Morning Show is still something of a luxurious mess. It’s stronger when its characters guide the narrative – even Bradley becoming more textured as the season goes on – but feels trapped by its own fixation on real-world relevance, or plundering recent headlines for story ideas.
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Season 1 Review:
Apple TV+'s series is less about the intricacies of the business than the firestorms resulting when talent egos clash against management callousness. One might understand that more precisely after a slog through the first two episodes. But maybe audiences will forgive the clunky pacing and derivative scenes in those episodes, since "The Morning Show" less about the script than the performances and the star power.
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Season 4 Review:
All these actors [Karen Pittman, Greta Lee and Nicole Beharie] are strong, but expect Lee and Beharie, in particular, to be in the Emmys conversation thanks to two grueling scenes in which each character’s world falls apart. .... But the resulting season feels mostly like filler that had me yearning for the episodes in which The Morning Show might finally grapple with the actual biggest threat to news media.
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Season 3 Review:
You can see, in the new episodes, all of the ways in which the series knows what works (dazzling one-liners; the absurdity of a TV program that requires anchors to segue from pie-eating contests to racism) while also being handicapped by the most unshiftable hindrance of all: its stars. .... You can almost sense the writers’ relief at having someone as fiendish as Cory to write for. Imagine a series in which every character could be this peacocking, this nakedly self-interested, this fun.
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Season 3 Review:
“The Morning Show” is not a snore, as the many plot lines seem to yell out to viewers, “Hey, look at me.” With season three, which premiered on Wednesday, it has shed any remnants of quality ambition and given into soap operatics of the highest order. In short, the series has gone fairly bonkers, with more attention-seeking and more ill-advised ripped-from-the-headlines material than ever.
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Season 1 Review:
Simplified storytelling and giving viewers what they signed up for — Jen and Reese together 4ever — would have benefitted The Morning Show. Future episodes may reward us with those, but as far as first impressions go, this Morning Show made me want to hit the snooze button.
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Season 1 Review:
Mostly "The Morning Show" is a show in search of itself, uncertain of what to say about the #MeToo movement and workplace misconduct, or how to explore those real world parallels (Charlie Rose, Matt Lauer). This is because "The Morning Show" is often a mashup of verisimilitude with outright balderdashery.
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IndieWireOct 28, 2019
Season 1 Review:
Early tonal inconsistencies can be expected, but they still make these first three episodes hard to gauge and, worse still, there’s very little to just enjoy. Maybe it doesn’t make sense to compare an ongoing TV series about morning news to a two-hour film about the financial crisis. But if that can be entertaining and incisive, than this should be, well, either.
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RogerEbert.comSep 17, 2025
Season 4 Review:
Crudup continues to shine in a career-highlight role as Cory, arguably the most complex and interesting character on the series. Aniston and Witherspoon are excellent actors, but it almost comes across as if they share our feeling that Alex and Bradley are no longer particularly fresh and challenging roles, and have possibly been played out.
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Season 4 Review:
Their [Mia and Chris'] late blooming as full-fledged protagonists feels borrowed from a more methodical, patient kind of show. It’s also not enough to anchor all the madness. “The Morning Show” has always been a compulsively watchable, campy kind of mess. In Season 4, the mess takes center stage.
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iSep 13, 2023
The IndependentSep 13, 2023
RogerEbert.comSep 13, 2023
Season 3 Review:
“The Morning Show” tries to be many things—camp comedy, workplace drama, and hard-hitting treatise on the wobbly intersection of politics and show business. The trouble is that each of those conflicting modes collide at any given moment, so you’re never sure what side of the line the writers and performers are on.
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Season 3 Review:
When the show isn’t carrying the banner for women — especially women of color — being underused and mistreated in the workplace, it’s underusing many of its women, especially women of color. Sure, Witherspoon and Aniston are the show’s centerpieces and both have heightened drama to play, but they’re also stuck in familiar The Morning Show tropes.
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Season 2 Review:
To give the second season of The Morning Show something, anything, to propel it forward, there are a variety of soapy dramas, many of them pinned to the new characters. These cobbled together histrionic dramatics are offensive compared to the gravity of the issues of the first season. Even combined, the desperate scrambles of the second season don’t have enough bite, or credibility, for the viewer to invest in.
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Season 2 Review:
A series with too much story seems to have lost the plot. ... Too often, “The Morning Show’s” second season is satisfied with the easiness of shock — of announcing itself, though not communicating much of note, in a blare. But the show it might have been, or might still be, is there, just barely avoiding being drowned out.
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The IndependentJan 3, 2020
Season 1 Review:
The Morning Show, as is standard for expensive dramas in the age of too much television, is also desperate to be About Something. And in that regard, it falls flat. Its politics are baffling – notably Bradley’s insistence on being neither politically red nor blue but “human” – and it’s not yet smart enough to say anything insightful when it comes to sexual misconduct in the workplace.
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Season 1 Review:
After three episodes, this tech company’s first venture into TV is good only at appearing to be good. It’s like something assembled in a cleanroom out of good-show parts from incompatible suppliers. Under the gleaming surface, as sleek and anodyne as an Apple Store, it is a kludge. ... Carell is good in his role, as are his co-stars. But they’re appearing in different shows.
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RogerEbert.comOct 29, 2019
Season 1 Review:
“The Morning Show” can’t quite figure what it wants to be, waffling between a soapy take on super personalities like “All About Eve” and “serious” commentary on the state of the world like “The Newsroom.” A couple of the performances—and one in particular—keep it from being a complete disaster, but the show has a high degree of unearned self-importance.
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