- Network: CBS , CBS All Access , Paramount+
- Series Premiere Date: Sep 24, 2017
User Score
Mixed or average reviews- based on 1324 Ratings
User score distribution:
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Positive: 527 out of 1324
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Mixed: 158 out of 1324
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Negative: 639 out of 1324
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User Reviews
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Oct 31, 2017The only good thing about this show is that someone somewhere agreed to spend money on a new Trek show.
So there is hope, that after this destroys the franchise for 20 years, we will perhaps get a real Trek show again. -
Oct 22, 2017
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Nov 13, 2017Klingons look like space turds. Dialogue is terrible -for example the characters say stupid **** Did I mention the ideas behind the episodes themselves are garbage?
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Oct 28, 2017I watched four episodes before throwing in the towel. Poorly written and not a single likeable character. Bravo you bunch of cretins. Watch The Orville instead.
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Dec 17, 2018SJW crapshow very bad wahmen power film not star trek I mean why do feminists have to ruin freaking everything?
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Sep 30, 2017
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Dec 23, 2018
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Apr 13, 2018This review contains spoilers, click expand to view.
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Aug 4, 2018
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Oct 14, 2018
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Dec 28, 2018
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Oct 5, 2017Worst Star Trek by far and the stupidest one. On RPG Codex I've written a list of idiocies and inconsistencies that are abundant in every episode so for details you can go there and here I'll only say this: watch The Orville instead.
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Oct 5, 2017Like Disney's "Star Wars" now, this is more interested in diversity casting than in good storytelling craft, and what lame casting and boring storytelling it is! Snazzy visual effects are a given these days. Utter JUNK!
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Jan 26, 2018Utterly disappointing to say the least. Almost unwatchably bland, preachy, and hypocritical. I season is more than enough of this abomination of a Star Trek series. I've gone back and even rewatch a few episodes thinking maybe it was my mood and nope, still just as horrible. I think we can officially say the franchise is dead.
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Jan 28, 2018
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Oct 4, 2017It doesn't feel like Star Trek. This show focuses too much a single character who is boring and shallow. The two pilot episodes were bad and I made it about halfway through the third before giving up. What a waste of money.
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Sep 30, 2017
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Oct 8, 2017Dreary, tedious, boring. And why make it a serial? Ugg. And a Vulcan makes a good sidekick but not a lead. Even though the character is human, her demeanor is stiff and uninteresting. And we have to pay extra for this AND watch commercials?? I wish I could find even one thing to like about this show.
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Jan 16, 2018
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Nov 11, 2017This review contains spoilers, click expand to view.
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Feb 15, 2019
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Nov 13, 2017
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Feb 12, 2018This review contains spoilers, click expand to view.
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Jan 19, 2019
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Jan 17, 2019
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Nov 3, 2017
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Oct 24, 2017
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Nov 30, 2018Like all the others have said - this show is an awful abomination which seems to go out of its way to trample into the ground everything that Gene Roddenberry held dear. Want to watch good, new episodes of Star Trek these days? Watch The Orville.
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Dec 10, 2018This show is laced with political correctness BS from snowflake writers with itchy vaginas. It's absolutely ridiculous at times and totally unrealistic like most of the crap coming out of hollywood. It's a shame really because it could be so much better if it didn't feel the need to ram PC crap down the viewers throats. i can see this being cancelled soon.
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Mar 17, 2019
Awards & Rankings
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Discovery feels like it’s adrift between the adventure-of-the-week format of its network-TV predecessors and the kind of complex serial favored by cable and streaming.
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Star Trek: Discovery feels like it's just finding its footing. On the promising side, Doug Jones is already a standout as Science Officer Lt. Saru, who's from an alien race called Kelpiens. And James Frain is perfectly cast as Sarek, the Vulcan who veteran "Trek" fans know as the father of Spock. The relationship between Burnham and Sarek is one of the more intriguing aspects of Star Trek: Discovery.
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Happily Star Trek: Discovery strikes a balance between what diehard Trekkies love about Roddenberry’s universe and what J.J. Abrams injected into its theatrical resurrection. Ethical dilemmas and a clash between cultures and traditions comprise the fore of the narrative, but the hours don’t skimp on phaser blasts and broadcast-appropriate carnage.