Critic Reviews
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The result is compulsively watchable pulp, provided you have a high threshold for decapitations and copulations, sometimes simultaneous.
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It's no "Rome," but at least it appears headed more in that direction.
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It's deliciously, marvelously bad, and I was helpless in its grip. It's a long way from Kubrick, but what isn't?
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After Spartacus blows most of its special-effects budget on the pilot, it settles into a not-bad sword-and-sandal genre series, a la "Xena" or "Hercules."
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Some viewers will be riveted to the sex, violence, beautiful nude bods and sensory gluttony of Spartacus: Blood and Sand. Others will be turned off almost instantly.
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Though the violence is designed to be gorgeous, like a graphic novel, it doesn’t have the pacing of a comic book. The creators of Spartacus: Blood and Sand seem a little too enamored of their ability to sketch a vast Thracian tableau, a fight scene, or a coliseum full of cheering CGI Italians.
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There's no denying that Spartacus does what it sets out to do fairly well--and in a way that doesn't duplicate anything else now on TV. Were it broadcast free over the air where children might find it, one might blanch, but that's not the case.
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Toto, we're not in I, Claudius, or even Rome, anymore. The problem, though, is that this Spartacus is so over the top that it begs to be considered as total camp.
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Spartacus is derivative as entertainment and primitively pandering as a diverting spectacle of campy historical fiction.
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The trappings up front are so over the top that to say you watch Spartacus to see a contemporary reworking of a cinema classic is like saying you go to Hooters for the food.
Awards & Rankings
User score distribution:
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Positive: 406 out of 474
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Mixed: 19 out of 474
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Negative: 49 out of 474
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Oct 4, 2011
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Sep 27, 2011
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Aug 23, 2010