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Critic Reviews
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You won’t spend long dwelling on the title, but you’ll want to stick with this story.
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SMILF finds its resonance--comical and emotional--in a no-frills attitude and unapologetic realism. [3 Nov 2017, p.57]
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Three episodes in, I am charmed by Shaw’s way of sketching her character, Bridgette Bird, in brazen strokes of absurdity and delicate gestures of woe. ... Shaw proves herself a fantastically nimble performer, by turns tough and impish.
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If you’re predisposed to finding humor and humanity in the depths of desperation, SMILF delivers with crass wit, sharp insight and empathy.
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None of SMILF would work beyond the struggling single-mom trope if it weren't for Shaw truly announcing herself here as a creative force. ... Showtime looks to have found something special with SMILF.
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Shaw’s performance as Bridgette is superb, and never feels less than deeply authentic. ... SMILF can sometimes be all over the map, narratively, but in ways that feel true to life, a messiness of necessity for a woman who resists the daily indignities with a fierce determination and blunt openness.
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SMILF is not quite a great series yet. But in its initial trio of episodes ... it’s obvious it has the potential to get there.
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It’s an admirable portrait of a character in a social class that’s underrepresented on TV, but it’s more depressing than entertaining. The struggle is real--but it’s not funny.
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Shaw has crafted a fascinating and complicated lead character, even if the series is messy in its tone and plotting.
Awards & Rankings
User score distribution:
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Positive: 25 out of 38
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Mixed: 4 out of 38
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Negative: 9 out of 38
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Nov 6, 2017
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Dec 6, 2017
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Jan 24, 2018