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Shining Vale – which Horgan has co-written with Jeff Astrof – is billed as a comedy-horror but it hovers around in the space between the two because it’s neither screamingly funny nor remotely frightening. ... At least Shining Vale is attempting to tackle it in a light-hearted style, rather than bleak drama.
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Bolstered by a star turn from Cox and some fun throwbacks pitched alongside new takes on horrors past, this messy but fun genre mash-up makes for entertaining viewing.
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Rosemary, Joan, Pat and Gaynor represent unhappy women from four generations facing different kinds of societal pressures, internalizing dissatisfaction in similar ways. That element of the show is thoughtful and maybe even provocative, and in 28-minute episodic doses — critics have been sent seven of eight episodes — the intellectual points land often. The genre points, less frequently.
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The series gets more entertaining, and the characters get more interesting, as people other than Pat begin to spiral into their own crises. ... It's just that the mystery surrounding Rosemary is teased out too slowly, leaving the show to get distracted by basic family drama. Good bones can only take this haunted house so far.
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While the story whips up some acute psychological comedy about women in different generations experiencing and wrestling with the same mental illness, its supernatural attempts are junky. ... “Shining Vale” is the kind of series that just does not warrant its length, especially as its frugal supernatural points just barely nudge Pat to its larger scheme.