Ren Faire

An engrossing and inventive three-part documentary.

If Netflix’s “Tiger King” made your jaw drop, get ready for it to fall to the ground while watching Lance Oppenheim’s wild three-part HBO series. It addictively covers the house-of-cards succession plans being hashed out for the Texas Renaissance Festival. Oppenheim melds documentary vérité for a fascinating depiction of 86-year-old King George’s (George Coulam) pursuit to pick a “suitable” successor.

Director Lance Oppenheim leans into the aura of fantasy the renaissance faire creates and depends on – shots are lush and the camerawork frequently woozy. But the emotional focus is always sharp.

With characters as richly entertaining as King George and his minions, Oppenheim needed to do little to make “Ren Faire” compelling. But, even as a young filmmaker, Oppenheim already has a strong set of visual and narrative signatures which he deploys to amplify his subject matter, rendering his stories much more like dramatic films than conventional documentaries.

Ren Faire works not only because it’s dramatic and stylish, but also because it’s a docuseries about some pretty interesting characters in a tension-filled situation.

“Ren Faire” does a lose a little steam in its final third, as the characters — now including a third contender, Darla Smith, appointed co-manager with Jeff — continue to go ‘round in circles. You may share their frustration. But as time spent in a different sort of place — different even from the one the characters imagine inhabiting — it’s a quite rewarding, even refreshing, not-overlong watch. And the ending is, in its way, happy.

It’s a study in excess that I don’t necessarily recommend watching as a three-hour binge, but one that I absolutely recommend watching. Ren Faire has real breakout potential, with its juicy, borderline unbelievable story, its cast of larger-than-life character featured in those larger-than-life close-ups and its absolute cacophony of quirkiness.

Oppenheim latches onto the “Game of Thrones” aspect of this business almost to a fault. There’s a version of “Ren Faire” that grounds its drama in a world that feels less exaggerated merely by presenting a few more of the “normal” people around George and his successors. .... However, the insulated, tight POV in “Ren Faire” is intentional in that it makes us feel as crazy as George and keeps the series engaging in George's unpredictable immediacy.

Director Oppenheim paints vivid portraits of these individuals and their intertwined psychodramas, and he embellishes his action by mixing verité material with scenes in which they read scripted expository lines or speak to imaginary figures.

The cutthroat intrigue is undeniably compelling, but the main characters seldom appear onscreen together, one of several holes in the storytelling. .... Regardless of what’s happening, the series is never not interesting to watch; disorienting camerawork, saturated colors, long close-ups on subjects’ faces twisted with anger, sorrow, and fear — even scenes in bland office spaces are compellingly shot.